European Pitchers

This is a beautifully hand painted Large Jug or Pitcher in the rare Muscove Duck pattern, made by Mason's Ironstone, Lane Delph, England, dating to circa 1825. This is a one of Maso...

Spectacular set of ten 1960s green Italian Empoli pressed and blown glass. Three genie bottles, a mini dog shaped bottle and a cute cat shaped one. A large handblown two color pitche...

This is a mid size repaired Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone pot...

🌟 Stunning Italian Style Empoli Cased Hand-Blown Art Glass Yellow Vase/Pitcher with Red Handle! 🌟 Looking to add a touch of vibrant elegance to your home decor? Look no further! F...

Yes, it's true, it's a bottle, a decanter, but it is also an excuse to embellish the table, a even if you only load it with water, the "twisted" processing of the glass, gives ...

Decorative ceramic pitcher / vase by the Cloutier brothers (circa 1970s). An outer surface decorated in the Cloutier's trademark soft mauve with an e...

One of a set of beautiful ceramics from Ciboure pottery, this piece is inspired by antiquity, evident in its form (that of a vessel), its spare coloring, and its depiction of game. Executed by Etienne...

Provenance: Archive of Cenedese glassworks, Murano, Italy. Ermanno Nason designed this beautiful scavo glass vase for Vetreria Gino Cenedese in 1964. It is inspired by Greek vase...

A superb antique English majolica glazed ceramic gurgling fish pitcher or glug jug, circa 1880. Maker's mark on reverse. This whimsical fish pitcher has a stylish design in a lovely ...

A French glazed pottery olive oil pot from the 19th century, with brown, orange and green motifs. Created in France during the 19th century, this rustic...

An very stylish and impressive studio pottery jug decorated in soda glazes by renowned British potter Ruthanne Amelia Tubdball and dating from the latter 20th century. The heavily ha...

An unusual and very quirky vintage Majolica barbotine water or wine pitcher in the shape of a mallard duck, made by Keller et Guérin's earthenware factory at Saint Clément, near Luné...

Decanter "Masques" (Masks) made in clear and frosted glass with sepia patina by René Lalique in 1913. Original glass stopper.  Engraved signature. Perfect condition. Extremely rare ...

A magnificent large wine jug, wonderful quality made from a hefty piece of crystal beautifully hand-cut. The naturalistic handle is just lovely, the collar and lid smothered with ...

Decanter "Cep - Schlumberger" made in clear and frosted glass with sepia patina by René Lalique in 1924. Molded signature. Perfect condition. Rare model. height: 25 cm Félix Marc...

Decanter "Coquilles" made in clear and frosted glass with blue patina by René Lalique in 1920. Molded signature. Perfect condition.  height: 34.5 cm Félix Marcilhac, René Lalique ...

Rare Scandinavian Modern pitcher in pewter by Gunnar Havstad, Norway, ca 1930-40s. Signed underneath. Wear and patina consistent with age and use. Scratches, marks and blemishes, s...

A French metal milk can from the 19th century, with long spout and wooden handle. Crafted in France during the 19th century, this metal milk can feature...

Vintage large handblown glass pitcher with brass handle and removable cognac leather collar. Designed by Carl Auböck, Vienna, late 1950s. Original condition.

Art Deco pitcher with abstract flame design in hues of red, purple and yellow was made by Ditmar-Urbach Porcelain Factory. Urbach pottery was founded in 1882 in Turn-Teplitz, Bohemi...

France, circa 1910 An Art Nouveau frosted glass lemonade jug, with engraved silver lid of foliate designs and glass ice pocket cavity within. Height 26.00cm Diameter 13.00cm

Wine Bucket by Christian Dior in pewter with a balustor form with a lion mask and ring handles. Stamped on the underside "Made in Belgium for Christian Dior

French Folk Art. Huge monoxyl pitcher olive wood. Free-form and organic design. Fantastic patina. Measures: - Height 27 cm / 10,63'' - Width 14 cm / 5,51'' ...

Vintage French ceramic country kitchen pitcher by Le Mûrier (circa 1960s). A charming classically shaped pitcher with ear-shaped handle in the distinctive Le Mûrier Provençal style. ...

Royal Holland KMD Pewter Pitcher Carafe Coffee Pot 10 h x 5 diameter x 7.75 d Original vintage unrestored Not original lid Refer to images.

A very nice Italian modernist hammered brass pitcher / ewer by Egidio Casagrande, circa 1940s. The piece is in very good condition and measures 10"W x 5"D x 12"H. It is marked "Casag...

A wonderful little English silver plate pitcher with horn handle made to look like tree bark. It is probably a small chocolate pot. Pot has some dents along the bottom but not notice...

This is a very good mid to large size Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Iro...

Art Noveau 19th century jug for oil, syrup or display. The metal work has a French flair. The crystal is hand etched with a ribbed design.

Pair Murano aquamarine and gold Pitchers. Swirled yellow gold Venetian glass with braided aquamarine handle pitchers. Italy, c. 1880's Dimensions: 9” H x 5” diameter body; 4” diamete...

modern pewter pitcher designed and produced by Svenskt Tenn, Sweden, c.1940s. Maker's stamp to underside.

Very nice example of porcelain artist Hubert Bequet, this hand painted vase shows an artfully portrayed peacock with green field and gold accents. The bottom is stamped and the mark ...

Decanter "Deux Danseuses" with stopper made in clear glass with blue patina by René Lalique in 1912. Molded and engraved signature. Perfect condition  height: 36 cm Félix Marcilha...

A Wedgwood majolica glazed Grape Leaf Pitcher, date marked 1935. Decorated in the round, a raised pattern showing bunches of purple grapes, greens leaves, and brown vining branches....

Antique English masons ironstone pitcher, circa 1880. As per the last photo, we have 2 of these pitchers listed individually and they are near identical.

Jacob Bang White Glass Decanter / Bottle for Kastrup, Denmark, 1960s.

England, circa 1910 An Edwardian glass and silver decanter of zoomorphic form, imitating a duck, standing on a circular plinth base. Height 25.00cm Width 20.00cm Depth ...

An English blue (cornflower blue) ceramic pitcher, Art Deco period, by Johnson Brothers, circa early-20th century, England. Beautiful as a standalone piece, for liquids, as a vase, e...

England, circa 1910 A striking early twentieth century Bristol Blue glass water jug, with loop handle and hexagonal stepped base. Height 28.00cm Width 21.00cm Depth 15.00...

Rare French Majolica chesnut pitcher Salins ( East of France ), circa 1890.

A French pottery pitcher from the 19th century, with peach glaze accented with green and chocolate décor. Created in France during the 19th century, this rustic pitcher features a pe...

Contemporary Tentacle Hand-Blown Glass Wine Decanter by Simone Crestani Introducing the Tentacle Decanter, a masterpiece of artistry and craftsmanship by the renowned glass artist S...

Beautiful vintage Murano hand blown black, white and pink Italian art glass pitcher / vase. Documented to designer Dino Martens for Aureliano Toso. Striking alternating color combina...

Set of six Murano glass cups and matching carafe. This set is made entirely of hand-blown glass on the island of Murano outside of Venice; Italy. They feature a transparent glass wit...

This is a very large and impressive Jug or Pitcher over 12 inches tall, made of earthenware pottery by the Copeland (Late Spode) factory in the late 19th ce...

Enamelled faience ewer from the 1950s, made in Belgium, attributed to Hubert Bequet & Holland Delft’s. Vintage vase with a beautifull ivory background decorated with a bright colorf...

Jug or pitcher in Stoneware, with an exceptional patina. It's color with brown and Grey gives very pleasant contrasts. This Pitcher was created in FRANCEce, circa 19th century. Japon...

Of generous proportions and having a circular base and large handle and spout, in usable condition

Remarkable Alfaraz decorative pitcher designed by Renowned Spanish ceramicist artists: Miguel DURAN-LORIGA and Jesus MARTITEGUI, circa 1960s. This particular pitcher was never used a...

A green-glazed pitcher designed by Jerk Werkmäster and produced by Nittsjö, Sweden, c. 1930s.

A blue-glazed ceramic pitcher designed and produced by Nittsjö, Sweden, 1930s.

Mocha Pottery Blue & Yellow Slip Jug with Cat's eye decoration, Early 19th Century. This early 19th-century mocha-decorated pottery jug features a central band of yellow slip adorne...

A black and beige-glazed ceramic pitcher designed and produced by Nittsjö, Sweden, 1930s.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

Very nice pitcher dating from the beginning of the 20th century manufactured by Faiencerie Onnaing in the north of France. Depicts a politician sitting on a sign reading "Urgent Ref...

Beautiful hand painted water pitcher in Barbotine Ceramic from the northern France, from the 1880s. This pitcher is called "maitre d'hotel" features a pig dressed as a waiter and sea...

A beautiful glass pitcher from the 1950s, designed and executed by Carl Auböck, Austria. Usually these pitchers have a leather belt, but this one has a lovely newspaper decor on its ...

A striking almost monumental pottery jug from Sylvac, England. This design 1410 dates back to the 1930s and it features delicate bone-texture-like brown and yellow glazes. A beautifu...