1760s Pottery

An English silver tea caddy by Harrison Brothers & Howson, Sheffield 1907. An oval round shaped silver tea caddy with hinged lid. The caddy raised on a footrim and 4 ball sha...

A large and very handsome glazed terracotta walnut oil jug, dating from the 18th century and originating from the south of France. Featuring two side handles and a single pouring spo...

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy; an addition to our silver teaware collection. This exceptional antique George III sterling silver locking tea caddy has a navette, paneled shaped form. The body of this silver tea caddy box is embellished with bands of bright cut engraved volute spiraling leaf ornamentation on a matte background to the upper and lower portions; these bands flank a plain undulating bordered panel. The ornamentation to the surface of the caddy alternates with panels of concave vertical fluted decoration. This antique Georgian tea caddy is retains the original hallmarked flush hinged covers; the flush hinge indicates the fine quality of this piece. The cover is embellished with further bright cut engraved undulating borders accented with bud motifs, in addition to simplified borders paralleling the domed paneled portion; the domed portions reflects the incurved shape of the body. This impressive cover is surmounted with a cast sterling silver urn style finial, in the Classic Adams style. The caddy retains the original fitted fully working lock and functional key. This sterling silver tea caddy is a highly desirable shape and style. Condition: This Georgian silver tea caddy...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

Turn of the century earthenware water jug with cream glaze and green and red finger style markings motif with handled lid and thin spout. Once a common piece of pottery used daily in...

An English sterling silver plate covered biscuit box or tea caddy with hinged finial lid top, attached claw footed gallery tray, and exterior repou...

Early 19th century English Sheffield silver plate tableware five pieces tea/coffee service. The coffee/tea features intricate exterior floral details and paw. The set include a tall ...

A wonderfully textured and hand coil and constructed bright orange glazed Bitossi covered vessel. The exterior resembles a craggy brick wall. High glazed olive colored interior. Fully signed on the bottom, 1966 B, Italy. Circa 1960. Good overall condition with some minor glaze misses and unglazed portions. No visible cracks, hairlines or restorations. The piece measures approximately 7.75" high x 6.25" diameter. Bagni Bio: ALVINO BAGNI was born in 1919 in Lastra a Signa in the environs of Florence. His boyhood and adolescence were spent without his father; as a communist, he had been exiled under Italian fascism. The young Bagni learned the basics of drawing and clay modeling under the tutelage of artist/sculptor Torello Santini. Bagni's interest in ceramics—a locally important industry—grew, and he found work at Arnaldo Pugi’s furnace in Ponte a Signa. Following WWII, Pugi helped him finance the opening of his own studio, BAGNI CERAMICHE, where several family members including wife Gina were employed. Gina would work along side Bagni throughout his career. 3,500 elephant-head plates bearing the slogan “I like Ike” were manufactured for export during Eisenhower's 1952 US presidential campaign—an early and prophetic commission: the large majority of Bagni’s work would be for the US market. In the 1950s and '60s Bagni established fundamental collaborations with Bitossi Ceramiche in nearby Montelupo Fiorentino and with the import companies Rosenthal Netter and Raymor, the latter being a dominant American firm. These relationships allowed Bagni to open a larger, better-equipped factory where he was able to surround himself with highly skilled artists—Enzo Borgini...

A fine 18th c Dutch Polychrome painted delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

Etruria, Staffordshire, c.1790, white jasper pierced grid, molded green body ornamented with bas-relief figure of Venus and alternating urns of flowers within molded arches, high-rel...

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

Etruria, Staffordshire, c.1780, thrown in four parts and bolted to a plinth built of five small slabs, decorated by molded handles with horned returns to high relief goats’ masks with drapery festoons, circular seal at bolt impressed “WEDGWOOD & BENTLEY: ETRURIA,” 18 in. Provenance: Dr. Ellis F. Rubin & Suzanne Borow Rubin. Exhibited at the Mint Museum in Charlotte, NC in 2020 and illustrated in “Classic Black: The Basalt Sculptures of Wedgwood...