Tortoise Shell Sterling Silver

19th-century Continental Tortoise Shell Silver-Mounted 2-Compartmented Box, European, possibly Dutch. Unmarked A unique and whimsical 19th-century continental tortoise shell silver-...

Gorgeous trinket box or powder jar featuring an ornate scroll and lattice design sterling silver overlay over a pretty pink porcelain. The mark on the bottom is not legible.

An exceptional, fine and impressive antique William IV English sterling silver table snuff box; an addition to our collectable silverware collection. This exceptional antique William IV sterling silver snuff box has a rectangular, rounded form. The body of the box is embellished with impressive chased floral motifs accented with scrolling stem and foliate ornamentation, all on a matte background. The decoration to the body incorporates a chased single leaf design to each corner, emanating from the rounded lower portion. The upper rim of the body and swept sides of the cover are encompassed with a continuous band of engine turned decoration. The underside of the box features a further panel of engine turned decoration. This exceptional example of antique silverware is fitted with a hinged hallmarked cover embellished with an engine turned bordered rectangular vacant cartouche to the upper plateau. The cover is further embellished with an exceptional cast and applied domed, incurved border to the upper portion, matching the ornamentation to that of the body and continuing to an impressive floral thumbpiece to the anterior edge. This antique sterling silver snuff box opens to reveal the original gilded interior. Condition This antique sterling silver snuff box is an exceptional gauge of silver, exceptional quality and in exceptional condition. The chased and applied ornamentation is all very sharp and the engine turned decoration is all very crisp. Full hallmarks struck to the interior of the box are all very clear. Reflections in photographs may detract from the true representation of this antique silverware. Dimensions Length 9.8cm/3.9" Width 6.5cm/2.6" Height 4.3cm/1.7" Weight 8.2 troy ounces/253g Maker: Joseph Willmore...

Elizabeth II sterling silver box. Made by Padgett & Braham Ltd in London in 1963. Rectangular with straight sides. Cover hinged with gently curved top and tapering tab. Interior ...

Rectangular/octagonal table box in 925 silver. The box was completely handmade in Florence at the end of the last century. Engraved with floral and abstract motifs, it has been fin...

Victorian pair of sterling silver-mounted cut crystal vases, England, circa 1895. Each heavy vase stands 7" high x 3 1/4" diameter at widest point. Crystal "twists" near the base of ...

Tortoise shell decorative box with bun feet. We have other tortoise boxes similar in form that would be a lovely collection. Feel free to call or email with questions. Priced per b...

Antique valuable handmade sterling silver box or Decorative jewllery box with Illustration pressed, cast and chased. Rectangular body on short, curved feet with hinged, vaulted lid. ...

Set of five antique sterling silver and glass vanity jars. Various repoussè floral designs. each sterling lid is stamped sterling. Large j...

Italian Mid-Century Modern 800 silver box. Rectangular with straight sides and thumb rest. Cover flat and hinged with tab. Allover engine-turned curvili...

George VI sterling silver box. Made by Robert Pringle & Sons in London in 1939. Rectangular with curved corners. Cover hinged and tabbed; top has engine-turned wave ornament and rect...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...