Caucasian Ceramics

Decorative ceramic tiles by Antoni Gaudi, inspired by the marigold and dianthus motifs on the decorative ceramic tiles he designed for the fac...

A distinctive studio ceramic vase has a tall narrow shape, brown, with an outer glossy glaze and speckled white detailing. The cylindrical form contains an unglazed area at the neck ...

Exceptional Danish Mid-Century Modern piece of ceramic artistry. Handmade wall plaque made of six glazed tiles (each 15x15 cm) in white, dark pine and forest green colors, all handpa...

Scandinavian antique copper cake baking mold pan in an intricate tiered design. This Danish cake mold was found at a flea market north of Copenhagen. Cake...

An exquisite, beautifully crafted, and wonderfully designed Yunomi teacup by master Japanese potter Shoji Hamada featuring his wax-resistant technique and highly coveted rich Kaki glaze over Mashiko...

Danish modern 1950s ceramic decorative plate / dish / wall plaque by Knabstrup Keramik. Hand-painted decoration of two people in blue dancing on cream colored base. Great vintage con...

A truly wonderful and whimsical work by Uruguayan-born American ceramist Lidya Buzio. This work was done when she was at her most prolific during her time in New York in the 1970s/ 1...

A fine antique 18th century Dutch Delft pottery tile. Depicting a mermaid in the ocean wringing a snake with her hands. Simply a wonderful Dutch Delft tile! Date: 18th Cent...

This pair of natural surface Firehouse Windsor chairs are in good sturdy condition. They are the look of the 18th century Windsor chair rail chairs f...

An earthenware pottery bowl in conical shape supported by a short foot ring covered in white slip and decorated with black slip paint of calligraphy in Kufic script. This type of bowl is identified as Nishapur ware circa 10-11th century (in nowadays Iran). It was made either in Samanid Dynasty (819–999) or the successive Ghaznavid Empire (977–1186) before the Mongol invasion. The white glaze on the vessel's exterior was thinly applied, resulting in areas with streaks of opaque yellowing. The black slip paint was used to decorate the bowl in flowing Kufic script before a transparent top glaze was applied. The writing, consisting of cursive strokes in bell shape, is likely an Arabic Maxim. Under UV examination, the bowl shows some professionally restoration as described in condition. It comes with a custom-made acrylic stand as shown. Provenance: From an American collection, thereby descent. Purchased from Yacobs Gallery, London England, July 1998. Two digital copy the original hand-written documents...

3-400 two hand painted Folk Art ceramic panels set in a natural wood frame. Image size: 12.5 x 6" Signed Whedon.

Decorative ceramic tile by Antoni Gaudi, inspired by the marigold and dianthus motifs on the decorative ceramic tiles he designed for the facade of Casa Vicens, which constitute some...