Coral Native American Objects
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Material: Coral
Large Vintage Native American South West style Coral turquoise Necklace
Located in London, GB
Large Vintage Native American South West style Coral turquoise Necklace
A double string of Large high quality natural red coral beads with turquoise and natural elongated pearls
Vint...
Category
1970s American Vintage Coral Native American Objects
Materials
Coral
Raspberry Alabaster Feather Bundled Bear Fetish with Heart Line
By Amos Pino
Located in Los Angeles, CA
Raspberry Alabaster feather bundled bear Fetish with distinct heart line
Amos Pino
1998
Ramah Navajo Band, Navajo Reservation, El Morro, New Mexico
M...
Category
Late 20th Century American Navajo Coral Native American Objects
Materials
Coral, Lapis Lazuli, Alabaster
Native American Style Coral and Glass Beads Turquoise Necklace
Located in Miami, FL
Native American style double-strand necklace with coral and turquoise beads. Top of necklace is double stranded and tapered out from the centre. Large double beaded turquoise knot fl...
Category
Late 20th Century American Native American Coral Native American Objects
Materials
Coral, Alabaster
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Free Shipping
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Henry Hunt (1923-1985) First Nations Bear Carving Mask
Located in Garnerville, NY
Authentic First Nations wood carved mask by master carver, Henry Hunt (1923-1985). This hand carved gem depicts a Canadian Grizzly Bear. Pencil signed in cursive on the reverse, Henry Hunt. Carved out of Pacific Northwest pine. Hunt had a rich history replicating and also making one of a kind masks, figures and totems in the Kwakwaka'wakw tradition. This piece dates circa 1970-80.
Good overall condition with wear consistent with age. One minor ding near the eye (see photo). Dark patina. No visible splits.
Approximately 5" deep x 5.13" wide x 7" high.
Galleries West Bio:
In 1941, the Royal British Columbia Museum in Victoria opened Thunderbird Park on a small piece of land adjacent to the museum. Centred around the historic Helmcken House on the same site, it was a small but growing collection of authentic examples of northwest coast art — poles, grave markers, and other ceremonial carvings by the Haida, Songhees, Nuu-cha-nulth, and Kwakwaka’wakw people.
By the early 1950s, the carvings had started to decay, and the museum hired a carver to replicate the existing poles, and create new carvings based on original works from sites along the west coast. Kwakwaka’wakw chief Mungo Martin was hired as head carver, and he brought in his stepson, Henry Hunt, to assist him.
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