Agra Folk Art

Mahal is a region in NW Persia. Mahal's just like Sultanabad’s are famous for their floral designs as they improved the quality and designs to match the European taste. Adapting the ...

Finely woven Farahan Sarouks were produced in the late 19th century until just before world war I. They have become extremely rare and are highly valued for their artistry and color...

This is Central Anatolian Modern Kilim from the Konya region with a rare and beautiful color composition. This modern kilim is a collaboration between traditional kilim weaving and...

Antique South Indian Malabar Dowry Jewelry Box, 19th Century Teak with Brass – Kerala, India A rare and collectible South Indian dowry box from Kerala...

Very unusual design, Kazak rugs are among the most sought after Caucasian rugs. This Kazak is a great example of a 19th century collectible piece. Measures: 3'3" x 6'6".

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

Hand carved & hand painted rooster sculpture. Very folky rooster.

A rectangular wood box, Postmodern design period, circa late-20h century. Box has three wood hues, velvet lined, easy open/close lid. Very good condition as shown.

George IV English embroidered needlework tapestry sampler picture by Elizabeth Castle dated 1829 in walnut frame. Dimensions: Height 20 inches. ...

Hand-carved wood ancestor figure with surface pictorial carving showing kangaroo hunting and decorated with black and red paint and white and yellow ocher pigment. The figure slightly leans forward as made. The piece was carved by aboriginal artist...

A quite wonderful Mexican Day of the Dead (Dia De Los Muertos festival held throughout Mexico) La Catrina symbolic skeleton figure. La Catrina is the festival’s most recognizable image/figure. She is the model of a high-society woman who has met Death, her maker. She represents something between the fear induced by her skeletal form and the revelry exhibited by the comical way she is typically portrayed, making her a perfect symbol of the Mexican holiday. She often appears in paintings, window displays, and costumes all around Mexico during the Day of the Dead festivities. La Catrina was originally conceived in the early 1900s by newspaper illustrator and printmaker José Guadalupe Posada...

This is a Sofreh—a type of kilim traditionally used for serving meals. Because of its intended purpose, it is woven using a particularly soft and loose flatweave, making it thinner a...