Clay Lighting

Small I Sonora Rattan Table Lamp by NASSI Dimensions: W 27 x D 27 x H 34 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired clay with beeswax f...

Elegant and simple in style, fluted, tall (29.5 to the top of the socket) and with a heavy base for support. Porcelain is a pure white and in perfect condition. Wiring is sound and U...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

Bitossi, Italian Mid-Century Modern, Table Lamp, Chamotte Clay, Gold Leaf, Italy, 1960s A wonderful chamotte clay table lamp with brass cap and gold-glazed relief pattern. This exam...

STRIKHA / Ukrainian for straw roof / shelter and protect the warm energy of a home. The authentic lighting draws inspiration from roofs that ornate traditional Ukrainian dwellings (...

Huge unique table lamp made in the 1970s by Danish artist Birthe Troest at her own workshop in Nysted, Denmark. The vessel is beautifully sculpted in stoneware clay and is decorated ...

Our newest collection, Valentine, takes old fashioned romance to a whole new level. A classic silhouette with added detail of handmade clay drops, this new style is as dreamy as ...

- Handbuilt white ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potter Hou...

This is a very unique table lamp made by hand with a blue glaze. Impressive measurements. Lamps are very hard to find from this artist, a real must have. This is a real lamp not a va...

A French ceramic table lamp from the 1970s, crafted in earthenware with an earthy speckled brown glaze that captures the tactile beauty of artisanal ceramics. The lamp’s organic form...

Pleto Biocomposite Buton Floor Lamp by Pleto Studio Dimensions: W 48 x D 48 x H 184 cm Materials: Pleto Biocomposite (clay, hemp fibers, cellulose, wood shavings, eco-friendly binder...

A gorgeous table lamp from the mid 50's. The lamp is partially glazed and was created by hand. Incredible design! Comes with fiberglass shade pictured, shade is not original to the l...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

This 20th-century terracotta vessel originates from southern Anatolia, Turkey, where it was traditionally used for storing and transporting olive oil. Hand-thrown from coarse, iron-rich clay and fired using traditional methods, the jar was made for everyday agricultural use, with a broad, stable body and twin looped handles at the shoulder for lifting and handling. The unglazed surface has developed a deep, sun-baked patina over time, with rich tonal variation ranging from warm burnt terracotta to darker mineralised areas. Subtle firing marks, surface texture, and areas of natural wear reflect years of practical use and give the piece its distinctive depth and character. Carefully and professionally converted in the UK into a table lamp, the vessel retains its original weight and proportions while incorporating antique bronze fittings and traditional wiring. Its rounded silhouette and grounded scale create a strong yet understated presence, ideal for adding warmth and texture to a space. With its rich earthy tones and classic twin-handled form, this Anatolian olive jar lamp...

Brun Foncé Vase in Deep Brown Glazed Ceramic by Gazar Studio Unique Piece Dimensions: Ø 22 x H 44 cm. Materials: Clay with deep brown glaze. Dimensions may vary. Please contact us....

Ceramic Table Lamp by Charolles, Faience Green Crackle Glaze, France 1980s Elegant table lamp crafted by the renowned Manufacture de Charolles in France, dating from the 1980s. The lamps of the Manufacture de Charolles are entirely handmade in France. This lamp is made of green celadon crackle-glazed faience, mounted on a black-painted wooden base. It bears the signature "M. Charolles" under the base. The piece reflects a 1980s neo-oriental modernist style, inspired by traditional Chinese celadon...

Gemelle #1 Recycled Clay Lamp by Elisa Uberti Unique Piece Dimensions: D 15 x W 34 x H 51 cm. Materials: Clay. This product is handmade; dimensions may vary. Please contact us. Aft...

New Edition 2025 Medium Sonora Rattan Table Lamp by NASSI Dimensions: W 30 x D 30 x H 45 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired cla...

Flower Wall Lamp by Harshita Jhamtani Designs Dimensions: D 5 x W 20.3 x H 20.3 cm Materials: Clay. Introducing our enchanting wall light, inspired by the delicate beauty of organic...

Pleto Biocomposite Laco Floor Lamp by Pleto Studio Dimensions: W 45 x D 45 x H 157 cm Materials: Pleto Biocomposite (clay, hemp fibers, cellulose, wood shavings, eco-friendly binder)...

Two charming Danish chamotte (texture clay) table lamps model DL/21 with impressed decoration by Annelise and Per Linnemann-Schmidt for Palshus, Denmark, 1960s. Palshus produced a...

This desk light comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Groninger Museum. Unlike the Clay Serie...

Green Ceiba lamp by Chuch Estudio (Handmade in México) Materials: clay and oxides minerals. Dimensions: H 150 cm x D 18 cm Also available: differe...

Coral Lamp by Dzovag Kotchian Dimensions: W 22 x D 22 x H 44 cm Materials: Stabilized Raw Clay, Metal. Dzovag Kotchian's work develops through theoretical reflection and artistic re...

Wonderful pair of rustic style tables lamps, rustic olive oil jars with carrying handles. The lightly glazed clay jars date from the middle of the 20th Century and were originally us...

Wonderful pottery lamp designed and hand produced by John Virando of Richmond Hill. The lamp dates from the 1970s. The piece has been newly rewired with good quality brass fitting...

Pair of French Mid-Century Modern Craftsman table lamps in the form of urns. The pieces possess a rare warmth from the use of natural materials of hand made and fired earthenware pot...

Small II Sonora Rattan Table Lamp by NASSI Dimensions: W 27 x D 27 x H 49 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired clay with beeswax ...

An early 20th century Anatolian terracotta oil jar from Western Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. This vessel was used for stor...

Kyrtos Wall Light by Lisa Allegra Dimensions: W 22.5 x D 17,5 x H 33,5 cm Materials: Clay Born in 1986 in Paris, Lisa Allegra earned in 2010 a degree in furniture design from the Éc...

Model DL/27 XL table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Dark Chocolate Brown. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 40 cm / 16 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 72 cm / 28 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

Model DL/35 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Dark Olive Green with traces of Blue. The l...

Rectangular table lamp in glazed chamotte clay, decorated with a botanical print. Signed by the artist Raymonde Leduc. Base and upper parts in stained oak. Shade for showing purposes...

A large early 20th century Anatolian terracotta amphora from Western Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. This two-handled vessel ...

A fabulous vintage boho lamp. A chic brown clay urn with a hand carved ring of circles. Acquired from a Palm Beach estate.

Medium Sonora Rattan Table Lamp by NASSI Dimensions: W 30 x D 30 x H 45 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired clay with beeswax fi...

Koilos wall light by Lisa Allegra Dimensions: W 22 x D 14 x H 32 cm Materials: Clay Born in 1986 in Paris, Lisa Allegra has earned in 2010 a degree in furniture design from the Écol...

Will Blush Wall Lamp by Harshita Jhamtani Designs Dimensions: D 6 x W 15 x H 15 cm Materials: Claypaste, terrazo, metal. Introducing the Wilo Blush, a stylish and versatile wall lig...

Green lamp base with a drippy texture and a matte finish paired with an Apple Green lampshade Bulb NOT included Recommended bulb fitting: E27/26 Recommended bulb type: Mini Globe L...

This refined example of 1960s French Modernist lighting is defined by its clean, ovoid ceramic form. The sophisticated jade green celadon glaze features a fine, uniform 'craquelé' (c...

Dusty Rose Small Half Sphere lamp by Lisa Allegra Dimensions: Ø 20 x 27 cm Materials: Clay Also available in Blackened Gold and Pearl. Born in 1986 in Paris, Lisa Allegra has e...

The Laminar Floor Lamp by Naaya Studio is a sculptural ceramic and wood lighting piece inspired by the smooth flow and layered movement of laminar motion. Handcrafted in stoneware an...

This collection is shaped from clay sourced from the Sierra Madre mountains in Oaxaca. Local legend holds that the clay is blessed. Before firing, each piece is meticulously burnish...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Coral Wall Lamp by Dzovag Kotchian Dimensions: W 22 x D 12 x H 46 cm Materials: Stabilized Raw Clay, Metal. Dzovag Kotchian's work develops through theoretical reflection and artist...

“It was a funny project because it wasn’t intended to be sold. It was totally free of rules you want as a designer or artist. It’s a project born only from the desire to do it, and I...

Handsculped Alcazar table lamp by Ia Kutateladze Dimensions: W 32 x H 26 cm Materials: Raw Black Clay Alcazar lamp combines hand-built organic structure, with soft geometric elemen...

Dawn Wall Lamp by Harshita Jhamtani Designs Handmade Dimensions: D 5 x W 22.9 x H 28 cm Materials: Clay. Available in Egg White or Charcoal Black. Introducing our Sculptural Wall L...

Souda's Kawa Pendant Lights are slip cast porcelain directly into dozens of leather molds resulting in highly-unique ceramic shades. The finalized pendant lights are dynamic and high...

Moor pendant lamp by Lisa Allegra Dimensions: ø 23 x 25 cm. Materials: Clay. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA fo...

Set of 3 Contemporary Floor Lamps - Soniah by Victoriya Yakusha for Faina Design: Victoriya Yakusha Material: upcycled steel, flax rubber, wood chips, cellulose, and clay all with biopolymer cover Dimensions: Small: H 105 x W 60 x L 30 cm Medium: H 135 x W 60 x L 33 cm Big: H 200 x W 60 x L 40 cm Cable length: 5m On/off cord foot switch Glass lamp plafond 1 x E26/27 LED Bulb max 60W, non dimmable Available in 6 colours. Please refer to the color card in the image section. All Faina lamps...

Set of 3 Contemporary Big Wall Sconces - Soniah by Victoriya Yakusha for Faina Design: Victoriya Yakusha Material: upcycled steel, flax rubber, wood chips, cellulose, and clay all with biopolymer cover Dimensions: Big: 50 x 25 cm Medium: 40 x 20 cm Small: 30 x 15 cm Glass lamp plafond 1 x E26/27 LED Bulb max 60W, non dimmable Available in 6 colours. Please refer to the color card in the image section. All Faina lamps...

Big Rio Clay Table Lamp by Harshita Jhamtani Designs Dimensions: D 30.5 x H 35.6 cm Materials: Stoneware clay. Available in Egg White, Blush Pink, and Charcoal Black. Please contact...

Unfolding Darkness Decorative Stoneware Everyday Sculpture IV by Giulia Cosenza Unique Piece. Dimensions: D 13 x W 13 x H 46 cm. Materials: Stoneware dark brown clay, with a rough te...

Dal Wall Lamp by Idaaf Architects Dimensions: Ø 30 x H 35 cm. Materials: Glazed clay. The wall lamp ‘Dal’ was created under the influence of Svan mythology. The eye symbolizes the most necessary skill for the hunter, while the glazed clay branch represents the forest and the horns of the animals protected by the hunting goddess Dal. Its use in the bedroom is based on the idea: "I wake up, I open my eyes, I go to sleep, I close my eyes." All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Please contact us. Born and based in Tbilisi, Nana Zaalishvili...

An early 20th century Anatolian terracotta oil jar from Western Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. This vessel was used for storing olive oil or water, with its rounded body and stable base designed for everyday use. The defining feature is the glazed rim, finished in a deep green glaze applied to strengthen and seal the lip during use. This sits in contrast to the unglazed body below, where the terracotta shows a naturally developed patina with tonal variation across warm clay and darker areas formed through firing. Subtle pitting and surface markings are visible throughout, adding depth without overwhelming the form. The proportions are full and grounded, with a broad body and slightly narrowing base, giving the piece a strong, balanced silhouette. The glaze at the top draws the eye upward, adding a layer of contrast and refinement to an otherwise raw, material-led surface. Now reworked as a vintage terracotta lamp...

An early 20th century Anatolian terracotta oil jar from Western Turkey, hand-thrown and heavily fired, now converted into a sculptural table lamp. This vessel was used for storing olive oil or water, with its rounded body and narrowing base designed for practical, everyday use. The surface is defined by dense firing and natural pitting, with small cratered marks and irregular texture formed through direct exposure to flame in the kiln. Darkened areas sit against warmer terracotta tones, creating a layered surface with depth and variation. The patina has built gradually over time, giving the piece a more textured, almost granular quality compared to smoother examples. The proportions are simple and grounded, with a fuller mid-body and a gently tapering base, allowing the surface to take focus. Now reworked as a vintage terracotta lamp...

Totem I Table Lamp by Camila Apaez Unique Materials: Stoneware, Clay Dimensions: ⌀ 10 x H 31 cm Ila Ceramica emerged from a process of inner inquiry where ceramics became a space fo...

Rous Table Lamp by Ia Kutateladze One Of A Kind. Dimensions: Ø 18 x H 42 cm. Materials: Clay. Each piece is one of a kind, due to its free hand-building process. Different color var...