Asian Lighting

Elevate your interior with this striking monumental rattan dome chandelier, a masterclass in organic texture and mid-century artisanal weaving. Hand-crafted from durable natural fibe...

Concrete ceiling lamps designed by Cantonese studio Bentu Design (large size). Material: Concrete, demolition leftover concrete Size: 100 × 280 × 650 mm Weight: 14 kg Colour...

Inspired by the whimsical story of ‘alice in wonderland’, this portable lamp evokes an imagined dreamscape of light. Its surprising projection of light and shadow onto the ceiling is...

These table lamps are made in the Satsuma style. They rest on wooden bases and are hand painted. They have gilt gold accents and pagoda like shades.

This impressive Chinese porcelain vase is mounted with gilt metal fittings. The incised design features poppy, chrysanthemum, and prunus blossoms.

Pendant lamp 'R' by Buzao x Bentu design. White marble and black aluminum Measures: 24 cm high, 26 cm diameter Wire: 2 meters black (adjustable) Lamp type: E27 LED 3W 100-240V 80Ra...

ain intricately carved Chinese soapstone vase as custom table lamp with six (6) foo dogs chasing a ball, brownish-tan coloring, on a darker carv...

Pendant lamp 'IN' by Buzao x Bentu design. Black lava stone Measures: 23 cm high, 11 cm diameter Wire: 2 meters black (adjustable) Lamp type: E27 LE...

Pendant lamp 'CIRCLE' by Buzao x Bentu design. Black marble Measures: 15 cm high, 13 cm diameter Wire: 2 meters black (adjustable) Lamp type: E27 LED 3W 100-240V 80Ra 200LM 2700K - ...

Pendant lamp 'R' by Buzao x Bentu design. White marble and black aluminum Measures: 21 cm high, 21 cm diameter Wire: 2 meters black (adjustable) Lamp type: E27 LED 3W 100-240V 80Ra ...

Constructed of tessellated Horn over translucent reinforced resin, cradled in hand-wrought iron bases, ornamented with square brass studs. Single socket illumination from body reflec...

'JIU' pendant lamp in concrete Measures: 24 x 10 x 11 cm Bulb: E27 COB LED 100-240V 80Ra 240LM 3000K - Comptable with US electric system. Bentu design furniture and lightings deri...

Churros Vertical Wall Lamp in Painted Solid Wood & Metal by KIMU Unique Piece Dimensions: Ø 10 x H 40 cm. Materials: Painted wood and metal. Available in different sizes and finishe...

Cordless table lamp providing direct light. Injection moulded body and PMMA clear transparent diffuser. Edge Lighting technology light source. 6/24 hours battery life, rechargeable w...

Cordless table lamp providing direct light. Injection moulded body and PMMA clear transparent diffuser. Edge Lighting technology light source. 6/24 hours battery life, rechargeable w...

Elegant Chinese Famille Rose Vase and Gilt Bronze Mount, Side Table Lamp Antique . Very fine 19th century Chinese Famille rose Baluster vases with 19th century gilt bronze mounts wir...

Vintage White Glass Lamp With Floral Touch—frosted glass, hand-painted pastel blooms, and gold base—perfect for elegant coastal or vintage-sty...

Pin concrete lighting designed by Cantonese studio Bentu Design Dimensions: Ø26 x 6 cm Light source: LED Panel AC LED 3W 185-240V 80Ra 295LM 3000K (US compatibility) Suitable fo...

Pendant lamps 'Bang' by Buzao x Bentu Design. After concrete and terrazzo versions, let's meet the black lava stone and white marble versions! (Sold individually) 31 cm high; 4,5 ...

Contemporary Chinese single white lamp. Pot shape. Belgian linen shade with gold liner. Shade diameter 16". Base measures 8" diameter and 14" tall. Overall height 21". Cord emerges f...

Pair of Chinese Export Style Armorial Porcelain Two Handled Vases Mounted as Table Lamps, 20th century, each decorated with polychrome flowers and a central coat of arms, depicting a...

Wall lamps 'W01' by Buzao x Bentu design. Black lava stone or white marble Measures: 27.5 cm high, 7 cm diameter, 12 cm width, Lamp type: LED Integrated 2W 100-240V 80Ra 200LM 3...

Organic Modern stoneware and hand-blown glass wall light by Ceren Gürkan. Asea is a sculptural, made-to-order wall piece featuring individually handcrafted wavy textures in ceramic s...

“Sare” is a floor lamp inspired by the 17th Century ruff collar which was a symbol of wealth and status. It also resembles the silent clown “Pierrot” wit...

Floor Lamp Palmer in brass finish on black cubic base. 4 bulbs, lamp holder type E27, max 25 watts. 220- 240 Volt. Bulbs not included.     

Terrazzo pendant lamps designed by Cantonese studio Bentu design Black wire 2m adjustable. Bulb G4 LED / 220V / 3W Measures: Ø 45×H 15.5 cm These pendant lamps are available in dif...

This lovely little lamp in the form of a Japanese pagoda, adds a charming touch to any room. An internal light glows from within, illuminating the windows...

Originally designed in 1959 as a pendant, the Topan floor lamp brings a new perspective to one of Verner Panton’s most recognizable forms, transforming it into a sculptural, freestan...

Cassini lamps are named after the famous “Cassini–Huygens” mission which was a collaboration between NASA, the European Space Agency (ESA) and the Italian Space Agency (ASI) to send ...

A good quality late 19th century Japanese Satsuma porcelain vase / lamp. Having wonderful classical hand painted scenes of courtiers, tradesman and children between boarders of motif...

Link Plus Glass Globe Wall Sconce by Lamp Shaper Dimensions: D 11.5 x W 11.5 x H 45.7 cm. Materials: Brass and glass. Different finishes available: raw brass, aged brass, burnt bras...

Fragment 04 table lamp by Sing Chan Dimensions: W 29,4 x D 29,4 x H 28,8 cm Materials: Stainless steel, glass. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. The past and the future are never disconnected. In this multifarious world, things are full of connections. Maybe we have to be reckless, maybe we can turn a blind eye, maybe we can be voracious, and maybe we can be casual, the time is. It has been two years since the last lamp creation, and this presentation will continue the past, complementing the Fragment series and expressing some ideas that have not been realized. The new collection was inspired by I.M. Pei's Louvre Pyramid, which was heavily criticized by Parisian society for being too avant-garde and out of place in the Classic Louvre. It seems to be the same as Fragment series, seeking a balance point between the avant-garde and the classical. The glass is attached to the metal to wrap the light, and the light travels through the tight structure, sometimes hitting the wall, sometimes being free, extending infinitely in the limited space. Although inspired by the Louvre Pyramid, but different in light efficiency. In the initial test, only the four sides of the glass were tested without fixed light effect. Staggered light was born to form a unique cross light...

Emerald Green and Brushed Brass Oyster Wall Mounted Lamp With Rod by Carla Baz Dimensions: Ø.30 x H.78 x D.9 CM Material: Brass, Blown glass globe. Weight: 2 kg Available in Brushed...

A circa 1960'd Chinese porcelain lamp with silvered base. Measurements: Height of body: 17.25" Height to shade rest: 26.5" Diameter: 6"

Russian Neoclassic-style (19th Century) ormolu lyre form 6 arm chandelier cast with eagle's headed scrolling arms

A pair of Asian style beige ceramic table lamps with brass base and Koi Fish Pattern. Perfect working condition and each Lamp takes a regular...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Boho Chic Rattan Floor Lamp offers sculptural bohemian elegance and organic warmth, a versatile statement piece for refined interiors. We sell items as acquired, without restorin...

Floor lamp, model 23N, designed by Isamu Noguchi. Manufactured by Ozeki & Company Ltd. (Japan). Bamboo ribbing structure covered by washi paper manufactured according to the trad...

"Chinese cylindrical table lamp made from a teal and gold-patterned cloisonne vase painted with floral arrangements and fruit bowls with a brown woode...

Antique Chinese table lamp made from a porcelain vase mounted with wood and brass hardware as a lamp, with an alum red Taishi Shaoshi lion d...

Elevate your coastal décor with this exquisite vintage pelican lamp, a masterful blend of artistry and functionality. Handwoven using the intricate Shangh...

This vintage blue and white porcelain table lamp is an elegant interpretation of classic Chinoiserie design, combining timeless craftsmanship with refined decorative appeal. The porc...

The Nara Family derives its name directly from the ancient Japanese capital which was built in a grid-like pattern. The classic shape of the Nara wall and ceiling fixture combines ha...

Table Lamp Vayana in aluminium in gold finish. On black granite base. 1 bulb, lamp holder type E27, max 40 watt. Bulb not included.

A fine and rare pair of Chinese Export, 19th century porcelain bottle vases mounted with French ormolu as oil lamps. The well potted ovoid light pale-green porcelain pear...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A circa 1950's Turkish painted lamp with flowers.  Measurements: Height of body: 27" Height to shade rest: 36" Diameter: 7"

The ‘Hatch’ Eggshell Floor Lamp transforms discarded eggshells into a luminous work of art, casting a warm, mesmerizing glow. Balancing fragility and strength, its hand-assembled egg...

Organic Modern stoneware and metal wall light by Ceren Gürkan. Asea is a sculptural, made-to-order wall piece featuring individually handcrafted wavy textures in ceramic stoneware, p...

an enchanted portable lamp that evokes the poetic beacon of hope. It is highlighted by a distinct hand-blown glass globe garnished with fluid ribbon patte...

a medium-sized table lamp designed to enlighten all interiors. with a feature hand-cast glass brick with natural grains and an anodised brass base in bronze patina, it is a lamp that...

Chinese 19th century porcelain blue and white vase converted as a lamp. Hand painted with Chinese figures in a courtyard setting with a light celadon ground and decorated with applie...

This is a lovely Chinese Famille Rose vase decorated with a centralized scene depicting Classic Chinese figures and floral motif, electrified as a lamp and ensconced in ornate gilt m...

Gilt brass Japanese urn with a pair of handles, the top handles with rings. Bands of relief at each pair of handles.

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A vintage Indian red painted and parcel gilt wooden finial from the mid 20th century with carved acanthus leaves, pre-drilled to be made into a table lamp. Created in India during th...

Rewired. Removed from Pineapple Hill, Summer house of Henry Forbes Bigelow. Beverly Mass.

Khipu 1250 Unique Chandelier in PETG by UNICOGGETTO One Of a Kind. Dimensions: D 120 x W 50 x H 58 cm. Materials: PETG. All our lamps can be wired according to each country. If sol...