Belgian Black Marble Furniture

Pierre LAGENIE (1938-2020, France) : "La Louve" (The She-wolf) Original "mordoré" patinated bronze sculpture showinga nude standing on her knees, the high part of the body propelled...

Late 19th century, possibly French Urn Lamps. Each converted to a table lamp, each urn with a short gadrooned neck flanked by scrolled handles, the tapering ovoid body decorated in r...

Stunning little fireplace surround with black marble details. 19th century period and reclaimed from a townhouse. The French limestone has a beautiful patina. The patina on the tabl...

1990s polished modern abstract rounded sculpture in hand carved black Belgian marble.

Cosy chic fireplace surround with black marble details. This original antique French chimneypiece stood in a library with a boiserie wall. Dimensions: 145 cm Exterior Width 57,09 Inc...

Pedestal Table In Hard Stones 19th Century Elegant Italian pedestal table in hard stones and blackened wood from the 19th century In very good general condition: 53 cm in diameter an...

This refined marble sculpture by Italian artist Aldo Dazzi embodies the harmonious balance between geometry and organic form characteristic of Carrara’s modern sculptural tradition. Carved from a single block of white Carrara marble, the sphere reveals subtle circular incisions that rhythmically encircle its surface, evoking both planetary movement and the timeless perfection of classical form. The hollow center introduces an intriguing spatial tension — an inward gesture that contrasts with the flawless outer curvature. Dazzi’s craftsmanship demonstrates his deep connection to the marble of his native Carrara, blending the precision of traditional stonework with the abstraction typical of Italian sculpture from the 1960s and 1970s. The smooth polish accentuates the translucency of the marble, allowing light to animate the piece and emphasize its sculptural purity. Presented on a Belge Noir marble base, Sfera stands as a serene, contemplative object — a synthesis of material mastery and poetic minimalism. Aldo Dazzi (1920 – c. 1988) Italian sculptor and graphic artist Aldo Dazzi was an Italian sculptor and visual artist, born in Codena, a district of Carrara (Tuscany, Italy), on January 1, 1920. He trained and worked in the historic marble-working tradition of Carrara, a region famous for its quarries and its long line of sculptors. Dazzi’s artistic career developed during the mid-20th century, reaching maturity in the 1970s, when he produced a number of sculptures and graphic works that reflect a modern interpretation of classical marble forms. His style combined the disciplined craftsmanship of Carrara’s marble masters with a more contemporary sensibility, often emphasizing clean lines and organic volumes. Dazzi was part of the post-war Italian sculptural scene, active in local exhibitions and circles that connected traditional marble artisans with the evolving language of modern art. Some of his pieces—such as Sfera (1978)—show his interest in geometric abstraction and the expressive qualities of natural stone. Aldo Dazzi’s works occasionally appear in Italian art sales and collections, including limited-edition serigraphs and small marble sculptures.

French massive mantel clock of Psyche and Cupid signed Deniere. Superb example after the original late 18th century model by Claud Michalon. This version was made by the famous early...

A very attractive pair of French 19th century patinated bronze tazzas which are raised by a high reeded column black Belgian marb...

Empire-style portal clock, France, early 19th century. Open portal case made of black stone with gilt bronze appliqués, enamel dial with Roman numerals, movement with hook escapement...

An unique table lamp with a large marble base. The lamp is ornamented with circles and gold details. It comes with a handmade lampshade with a stripe...

19th century centerpiece epergne featuring Italian pietra dura round floral panel inset to French gilt bronze base and mounts with trumpet form facet...

Guillerme et Chambron Exceptional large table "Gustave", Edition Votre Maison circa 1975 solid oak base. the tray is composed of 8 marble slabs (Pierre de Soignies) dimension : 73x24...

A very impressive 19th century Belgium black marble mantel clock with a clock, barometer and moon phase calendar, having classical scrolling...

An elegant and high quality pair of French mid 19th century Neo-Classical st. patinated Bronze and marble lamps. Each lamp is raised on a black Belgian marble and Vert de Patricia ma...

Pedestal for important sculptures, with clock, made of black Belgian marble and red Verona marble, with golden floral engravings. The base is octagonal, the first elevation is circul...

This is a fabulous, one of a kind , original antique fireplace surround in a porfierish hard stone. The inlay is of a high quality. This one is very easy on the eye. The straight lin...

18th Century, Italian Bronze Sculpture with Venus Removing Her Sandal This bronze sculpture represents Venus as she takes off her sandal. Made in the neoclassical era in Italy, it consists of the bronze sculpture of the Greek goddess Aphrodite, Venus for the Romans. The naked goddess, getting ready for the bath, makes the very human gesture of loosing a sandal. The left arm is raised, as if to compensate the position while maintaining the balance. Next to her, wrapped around a rocky spur, is a dolphin, an animal iconographically linked to the goddess because of his birth from the foam of the sea. The figure rests on a cylindrical and concave bronze base, with finely chiselled reserves. The bronze element is in turn resting on a africano marble cylinder with black of Belgium marble base. Venus is one of the major Roman goddesses primarily associated with eros and beauty. It is traditionally understood as the equivalent of the Greek goddess Aphrodite, goddess of beauty, physical and passionate love, among the major deities of Olympus. His birth is due to a dramatic event: Uranus, Heaven, is mutilated by his son Cronus, who punishes him for the wrongs inflicted on his mother. The torn limbs of Uranus fall into the sea and fertilize the foam of the waves of the island of Cyprus. From the waves emerges in all its splendor Aphrodite. Since the 4th century, Aphrodite begins to be represented with characters more human and less heroic. Praxiteles with the 'Aphrodite Cnidia,' for the first time in the history of sculpture, depicts her naked, as she prepares to take a ritual bath. From the Pressitele’s model descend the Capitoline Venus (Capitoline Museums of Rome) and the Venus de’ Medici (Uffizi Museum of Florence) accompanied by Eros on the back of a dolphin. This vein also includes a subject frequently attested in the Hellenistic and then Roman Ages, with examples in bronze, marble and terracotta: the Aphrodite who fastens the sandal. The luck that this type of representation had in the following centuries is demonstrated by the vast number of sculptures that represent it. In this bronze work the goddess resumes the position of Oplontis’s Naked Venus: here Venus holds an apple in her left hand, a reminder of her victory in the beauty contest in which she prevailed over Minerva and Juno by judgment of Paris. In our bronze instead, the hand seems to want to shake the apple, which however has not been molded. Perhaps the bronze is inspired by another work, such as the bronzes kept in the archaeological museum of Padua. Another example is the famous 'Venus in bikini" found in Pompeii, so-called because it depicts the goddess in the same pose, but with the breasts and hips covered by bands painted in gold. The dolphin depicted next to it could be inspired instead to the Medici Venus...

Carlos Gardel Tango Bronze & Marble Plaque Portrait / Sculpture. The signature is Hard to understand. Carlos Gardel (born Charles Romuald Gardès; 11 Dec...

A very unique and exclusive castle fireplace of black marble. The provenance of this antique fireplace is Chateau de Doyon in the neighborhood of Namen (Belgium). This castle is buil...

Medium scale table lamp created in our work shop with a glass tube, black marble base, and plaster of Paris elements. The grey cotton shade has a silver wash interior. It is a one of...

A stunning French 19th century patinated bronze statue of Hebe and the Eagle of Jupiter, signed by Louis Charles Hippolyte Buhot. The statue is raised by a circular black Belium marb...

French Directoire period mantel clock. Constructed of black marble with white statuary marble mouldings with fire gilt/mercury ormolu touches such as ...

Hand Carved 19th C. Green Serpentine Group of Hercules and Nessus, on Black Obsidian and Red Rouge Marble Base, After Giambologna The group is very finely carved in green serpentine...

Antique Louis XV style fireplace in Belgian black marble The deep moulded mantelpiece rests above a panelled serpentine frieze, which is centred by a carved Rococo style clam shell ...

'Sholapur' sculpture vase / centerpiece Michele de Lucchi for Up & Up, Carrara Italy, 1985 Postmodern Marble sculpture centerpiece. Composed of several geometric elements resting on a large marble disc, this abstract sculpture is an iconic decorative piece of highest quality and artistic value. Carrara Marble, Portoro Marble, Green Alpi Marble...

Early Spirale ashtray by Achille Castiglioni for Bacci. Belgian black marble base and spring steel movable part.

A French Directoire ormolu mounted black marble portico clock of Egyptian temple form. Set upon ormolu toupee feet with a rectangular black marble base. Black marble columns rise up ...

Art Déco sculpture of a seagull landing on top of a seagulf. Made in spelter and moulded opaline glass on a black marble base. Attribuated to Fritz Diller (1875-1946) Made by the be...

This exquisite 1990s Italian hand-carved demilune console table embodies the elegance and craftsmanship of late 20th-century Italian furniture design. Expertly crafted in Italy, the ...

A handsome and high quality pair of French 19th century Louis XVI st. Burl Walnut, Mahogany, Ormolu and black Belgian marble side tables. This most elegant pair of Guéridon tables ar...

Beautiful wood and brass side table designed by Osvaldo Borsani for Tecno. The coffee table has a round curved plywood top, brass frame reaching to a black marble base from Belgium. ...

A pair of Beautiful Art Deco Silver Plated vases with portoro Marble bases. Made in Gernany Made in Circa: 1930

Mirror ta tilting table by Sergio Mazza Narciso series Plastic frame and aluminum frames. Marble base. Prod. Artemide, Italy, ca. 1970. Iconic piece

Jolie lampadaire dans le goût des créations de Gino Sarfatti pour la galerie Mai

Elegant and timeless pair of modern craftsman table lamps in marble and brass by Keith W. Gregor. The pieces are constructed of...

Fine Bronze of a small bull on a black belgian marble base. The Original Bronze figure propably dates from the Art Nouveau or early Art Déco period in France. These small bronzes wer...

A handsome and most decorative pair of French mid 19th century Renaissance st. patinated Bronze and black Belgian marble lidded urns. Each urn is raised by a square black Belgian mar...

A charming pair of French 19th century Louis XVI st. patinated Bronze, Ormolu, and marble cherub statues. This wonderful pair is raised by a Black Belgian marble square plinths above...

Art Deco bronze pheasant sculpture by André Vincent Becquerel, Bronze, patinated on a Belgian Black marble base. France 1925.

Orientalist Vienna bronze sculpture by Franz Xaver Bergmann (Nam Greb) ,, Stunning depiction of woman with serving dish, exquisite detailing ...

Sculpture in patinated bronze by unknown artist. Portrait of General Harald Petri, General Inspector of Sweden at the World Exhibitions in Antwerp in 1930 and Brussels in 1935. Uncl...

Art Deco bronze sculpture bird on horseshoe by André Vincent Becquerel, bronze with green patina on a Belgian black marble base. France 1930. ...

The top of this large dining table is fine black Belgian marble with stylized jellyfish-shaped inclusions of rock crystal from Madagascar. The transparency and richness of the rock c...

A pair of bronze and Belge Noir marble porte-torchères in the manner of Barbedienne. French, circa 1870.

An unusual pair of 6 sconce candelabra. The 8 sided marble base set on four winged paw feet. The base has a silvered bronze collar decorated with a bac...

A stunning and large-scale pair of French 19th century Louis XVI st. patinated bronze and ormolu lamps. Each lamp is raised on wonderfully scrolled ormolu feet, supporting the black ...

French 19th century neoclassical black marble baluster vase Impressive neoclassical tall baluster-shaped vase made of polished black marble, showin...

A stunning true pair of French 19th century Renaissance st. black Belgian marble, ormolu and patinated bronze, five arm candelabras, attributed to F. Barbedienne. Each candelabra is ...

A striking and extremely decorative French 19th century Renaissance st. Belle Époque period ormolu, silvered bronze, and black Belgian marble centerpiece. The centerpiece is raised b...

A most impressive and high quality true pair of French 19th century Louis XVI st. patinated bronze, black Belgian marble and ormolu lamps of Bacchus and Diana the Huntress signed F. ...

Belgium black marble hand carved modern abstract figurative elongated bust with square base.

Nice pair of coffee tables by Gulio Lazzotti and manufactured by Megeia, italy 1979. The base consists of four marble columns with beautiful cut lining. Three black and one white. Two black columns are shaped like half a cylinder. The other two are two cylinders with a diameter which perfectly fits in the half parts, a nice visual detail. The bases can be put in a playful position to your wishes. The large square tops are from thick glass. The tables are in excellent condition. Priced and sold in a set of 2. This Postmodern design resembles the relationship between ancient masonry skills and applying these traditions in modern forms. Like some other Italian designers, Lazzotti in particular has an innovative approach towards experimenting with form, especially in stone and marble, and applying these mainly into tables. Giulio Lazzotti is an Italian designer and architect who has always given an important place to objects’s sculptural dimension. A great lover of marble, his work is modern, reconciliating a sense of craftsmanship with industrial production. Often hired as a consultant for his experience, Giulio shares his attention to detail throughout the world and collaborates with major furniture brands. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Italia...

A magnificent polished Belgium Black and Rosso Levanto marble chimneypiece in the Renaissance manner. The moulded shelf set over a panelled frieze, supported...

A very good quality 19th Century black and rouge marble mantle clock with calendar. Having a gilded ormolu foliate mount to the top, a gilded clock face with an eight day, hour and h...

The superb pair of urns is formed in the classical Empire style, dating to the Empire period, and constructed in gilt bronze and patinated bronze. Each featuring a shallow, rounded b...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated bronze, ormolu and black Belgian marble statues of Mercury and Fortuna, after a model by Louis Gu...

1990s polished modern abstract sculpture in hand carved black Belgian marble.

An impressive and large scale French 19th century Renaissance st. verdigris Bronze, Ormolu and Black Belgian marble centerpiece/planter. This stunning planter is raised on four claw ...