Belgian Black Marble Furniture

A Nautical timepiece with a French eight day movement regulated by a large high quality English lever platform escapement, behind a silvered roman dial with blued steel spade hands u...

Antique Louis XV style fireplace in Belgian black marble The deep moulded mantelpiece rests above a panelled serpentine frieze, which is centred by a carved Rococo style clam shell ...

19th century centerpiece epergne featuring Italian pietra dura round floral panel inset to French gilt bronze base and mounts with trumpet form facet...

An unique table lamp with a large marble base. The lamp is ornamented with circles and gold details. It comes with a handmade lampshade with a stripe...

A grand and large scale pair of French 19th century ormolu and black Belgian marble tazzas. Each tazza is raised on an octagonal black Belgian marble base with a bottom ormolu band a...

Carlos Gardel Tango Bronze & Marble Plaque Portrait / Sculpture. The signature is Hard to understand. Carlos Gardel (born Charles Romuald Gardès; 11 Dec...

Mirror ta tilting table by Sergio Mazza Narciso series Plastic frame and aluminum frames. Marble base. Prod. Artemide, Italy, ca. 1970. Iconic piece

These amazingly crafted end tables in the waterfall design have an interior iron reinforced walls and a brass footing. These are heavy and BEAUTIFUL in the black honed Belgian marble...

Stunning little fireplace surround with black marble details. 19th century period and reclaimed from a townhouse. The French limestone has a beautiful patina. The patina on the tabl...

This very heavy iron and bronze detailed tall locker with black Belgian marble base is all original. Interior details include a heavy turning handle door w...

Pedestal for important sculptures, with clock, made of black Belgian marble and red Verona marble, with golden floral engravings. The base is octagonal, the first elevation is circul...

Cosy chic fireplace surround with black marble details. This original antique French chimneypiece stood in a library with a boiserie wall. Dimensions: 145 cm Exterior Width 57,09 Inc...

Early Spirale ashtray by Achille Castiglioni for Bacci. Belgian black marble base and spring steel movable part.

A handsome and high quality pair of French 19th century Louis XVI st. Burl Walnut, Mahogany, Ormolu and black Belgian marble side tables. This most elegant pair of Guéridon tables ar...

Nice sculpture by minoru Kano in brass and socle in black marble

Paperweight in Belgian marble with micromosaic representing the Forum Romanum. Roman manufacture half of 18th century. The micro mosaic is realized with woven enamels and represent...

A very unique and exclusive castle fireplace of black marble. The provenance of this antique fireplace is Chateau de Doyon in the neighborhood of Namen (Belgium). This castle is buil...

Decorative black marble box with brutalist bronze cast lid.

Art Déco sculpture of a seagull landing on top of a seagulf. Made in spelter and moulded opaline glass on a black marble base. Attribuated to Fritz Diller (1875-1946) Made by the be...

Medium scale table lamp created in our work shop with a glass tube, black marble base, and plaster of Paris elements. The grey cotton shade has a silver wash interior. It is a one of...

This is a fabulous, one of a kind , original antique fireplace surround in a porfierish hard stone. The inlay is of a high quality. This one is very easy on the eye. The straight lin...

A fine pair of late 19th century French Louis XVI gilt bronze and marble top gueridon tables. Fine details and gilding . Original Belgium black marble tops

Beautiful wood and brass side table designed by Osvaldo Borsani for Tecno. The coffee table has a round curved plywood top, brass frame reaching to a black marble base from Belgium. ...

A very impressive 19th century Belgium black marble mantel clock with a clock, barometer and moon phase calendar, having classical scrolling...

A French Directoire ormolu mounted black marble portico clock of Egyptian temple form. Set upon ormolu toupee feet with a rectangular black marble base. Black marble columns rise up ...

Sculpture in patinated bronze by unknown artist. Portrait of General Harald Petri, General Inspector of Sweden at the World Exhibitions in Antwerp in 1930 and Brussels in 1935. Uncl...

An exceptional Italian 19th century Florentine ebony, burl walnut, giltwood, and pietra dura side table. The side table is raised by its origina...

Art Deco bronze sculpture of a bird on a wheat stalk signed by the French artist Chatill. France 1930. Marked bronze. The sculpture has a green patina an...

An impressive and large scale French 19th century Renaissance st. verdigris Bronze, Ormolu and Black Belgian marble centerpiece/planter. This stunning planter is raised on four claw ...

Fine Bronze of a small bull on a black belgian marble base. The Original Bronze figure propably dates from the Art Nouveau or early Art Déco period in France. These small bronzes wer...

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

Pedestal Table In Hard Stones 19th Century Elegant Italian pedestal table in hard stones and blackened wood from the 19th century In very good general condition: 53 cm in diameter an...

This Noir Trois Assiettes Coffee Table in hot-rolled steel and black marble from Dinant ( Belgium) can grow and shrink by means of simply spinning the marble blocks around their axe...

This refined marble sculpture by Italian artist Aldo Dazzi embodies the harmonious balance between geometry and organic form characteristic of Carrara’s modern sculptural tradition. Carved from a single block of white Carrara marble, the sphere reveals subtle circular incisions that rhythmically encircle its surface, evoking both planetary movement and the timeless perfection of classical form. The hollow center introduces an intriguing spatial tension — an inward gesture that contrasts with the flawless outer curvature. Dazzi’s craftsmanship demonstrates his deep connection to the marble of his native Carrara, blending the precision of traditional stonework with the abstraction typical of Italian sculpture from the 1960s and 1970s. The smooth polish accentuates the translucency of the marble, allowing light to animate the piece and emphasize its sculptural purity. Presented on a Belge Noir marble base, Sfera stands as a serene, contemplative object — a synthesis of material mastery and poetic minimalism. Aldo Dazzi (1920 – c. 1988) Italian sculptor and graphic artist Aldo Dazzi was an Italian sculptor and visual artist, born in Codena, a district of Carrara (Tuscany, Italy), on January 1, 1920. He trained and worked in the historic marble-working tradition of Carrara, a region famous for its quarries and its long line of sculptors. Dazzi’s artistic career developed during the mid-20th century, reaching maturity in the 1970s, when he produced a number of sculptures and graphic works that reflect a modern interpretation of classical marble forms. His style combined the disciplined craftsmanship of Carrara’s marble masters with a more contemporary sensibility, often emphasizing clean lines and organic volumes. Dazzi was part of the post-war Italian sculptural scene, active in local exhibitions and circles that connected traditional marble artisans with the evolving language of modern art. Some of his pieces—such as Sfera (1978)—show his interest in geometric abstraction and the expressive qualities of natural stone. Aldo Dazzi’s works occasionally appear in Italian art sales and collections, including limited-edition serigraphs and small marble sculptures.

A fine mid-19th century serpentine grand tour micro mosaic tablet or paperweight of the iconic St Peter's Vatican, The Colosseum of Rome, The Pantheon, The Ruins of The Roman Forum a...

Art Deco bronze pheasant sculpture by André Vincent Becquerel, Bronze, patinated on a Belgian Black marble base. France 1925.

The top of this large dining table is fine black Belgian marble with stylized jellyfish-shaped inclusions of rock crystal from Madagascar. The transparency and richness of the rock c...

Orientalist Vienna bronze sculpture by Franz Xaver Bergmann (Nam Greb) ,, Stunning depiction of woman with serving dish, exquisite detailing ...

Art Deco bronze sculpture bird on horseshoe by André Vincent Becquerel, bronze with green patina on a Belgian black marble base. France 1930. ...

Exceptionally beautiful and powerfully decorated antique front fireplace crafted from the exquisite Noir de Mazy black marble. Every aspect of this fireplace exudes luxury and eleg...

An elegant and most handsome Continental mid 19th century Directoire st. white Carrara and black Belgian marble mantel. This beautiful mantel is elevated by stepped Black Belgian mar...

A striking and large scale pair of Italian 19th century Neo-Classical st. Sienna and Black Belgian marble obelisks. Each obelisk is raised by a square mottled Black Belgian marble ba...

An important and most impressive French 19th century Belle Époque Period black Belgian marble, ormolu and cloisonné signed centerpiece. The striking and large scale centerpiece is raised by four pierced ormolu scrolled feet each decorated with a warm blue and a black enamel fillet below the circular black Belgian marble base. The base is decorated with a highly detailed cloisonné band with foliate patterns. With cabochons at each side that are centered by two charming ormolu cherubs, each sitting with their legs crossed and reading a book. The black Belgian marble bowl is decorated with a sensational wide cloisonné band with impressive detail and rich vivid colors, with foliate patterns and ormolu fillets on a warm blue background. At each side is a richly chased handsome handle in the shape of a dog's head. The mottled inside of the bowl has a smooth finish. Signed Prosper Roussel...

An imposing and striking large fireplace in highly polished Belgian Black Marble. The wide and deep moulded shelf sits above a panelled frieze with a crisply carved central tablet, which is flanked by two lion mask endblocks over wide panelled...

A very fine quality period Louis Philippe fireplace in Belgian Black marble. The shaped jambs carved lion's feet to base, surmounted by carved scrolls with acanthus leaves to front a...

18th Century, Italian Bronze Sculpture with Venus Removing Her Sandal This bronze sculpture represents Venus as she takes off her sandal. Made in the neoclassical era in Italy, it consists of the bronze sculpture of the Greek goddess Aphrodite, Venus for the Romans. The naked goddess, getting ready for the bath, makes the very human gesture of loosing a sandal. The left arm is raised, as if to compensate the position while maintaining the balance. Next to her, wrapped around a rocky spur, is a dolphin, an animal iconographically linked to the goddess because of his birth from the foam of the sea. The figure rests on a cylindrical and concave bronze base, with finely chiselled reserves. The bronze element is in turn resting on a africano marble cylinder with black of Belgium marble base. Venus is one of the major Roman goddesses primarily associated with eros and beauty. It is traditionally understood as the equivalent of the Greek goddess Aphrodite, goddess of beauty, physical and passionate love, among the major deities of Olympus. His birth is due to a dramatic event: Uranus, Heaven, is mutilated by his son Cronus, who punishes him for the wrongs inflicted on his mother. The torn limbs of Uranus fall into the sea and fertilize the foam of the waves of the island of Cyprus. From the waves emerges in all its splendor Aphrodite. Since the 4th century, Aphrodite begins to be represented with characters more human and less heroic. Praxiteles with the 'Aphrodite Cnidia,' for the first time in the history of sculpture, depicts her naked, as she prepares to take a ritual bath. From the Pressitele’s model descend the Capitoline Venus (Capitoline Museums of Rome) and the Venus de’ Medici (Uffizi Museum of Florence) accompanied by Eros on the back of a dolphin. This vein also includes a subject frequently attested in the Hellenistic and then Roman Ages, with examples in bronze, marble and terracotta: the Aphrodite who fastens the sandal. The luck that this type of representation had in the following centuries is demonstrated by the vast number of sculptures that represent it. In this bronze work the goddess resumes the position of Oplontis’s Naked Venus: here Venus holds an apple in her left hand, a reminder of her victory in the beauty contest in which she prevailed over Minerva and Juno by judgment of Paris. In our bronze instead, the hand seems to want to shake the apple, which however has not been molded. Perhaps the bronze is inspired by another work, such as the bronzes kept in the archaeological museum of Padua. Another example is the famous 'Venus in bikini" found in Pompeii, so-called because it depicts the goddess in the same pose, but with the breasts and hips covered by bands painted in gold. The dolphin depicted next to it could be inspired instead to the Medici Venus...

Antique fireplace mantle in black Belgian marble, richly carved with shells. The fireplace has an elegantly curved top and a front decorated with carved shells, the central one being...

French 19th century neoclassical black marble baluster vase Impressive neoclassical tall baluster-shaped vase made of polished black marble, showin...

19th century French Empire walnut commode with Belgian black marble top. Circa 1850. This is a handsome piece that is perfect for any space.

Pair of brass abstract lamps Dimensions given without shade No shade provided Frannce

A stunning and large-scale pair of French 19th century Louis XVI st. patinated bronze and ormolu lamps. Each lamp is raised on wonderfully scrolled ormolu feet, supporting the black ...

As part of STONE VALLEY first artistic collaboration called "Pierre Partagée", we invite you to discover pieces of art from Maurizio Toffoletti’s personal private collection. Italia...

The superb pair of urns is formed in the classical Empire style, dating to the Empire period, and constructed in gilt bronze and patinated bronze. Each featuring a shallow, rounded b...

A handsome and finely detailed Italian 19th century Neo-Classical st. black Belgian marble, Ormolu, and patinated Bronze statue of Ajax the Great. This wonderful bust of Ajax the Gre...

Hercules holding a coat of arms Flemish, XVII century White and black marble Measures: 67 x 32 x 19 cm Hercules is depicted naked, holding a coat of arms with the right hand an...

A striking pair of Italian 19th century Scagliola and black Belgian marble pedestal columns. Each pedestal is raised by a square black Belgian marble base below a beautiful double mo...

Pair of modernist paperweights functioning as bookends, made of nickel-plated metal with a black marble base and adorned with a translucent glass sphere. Dimensions : H : 14 cm; W: 9 cm ____________________ Paire de presse papiers formant serre livres...

Blanck marble sculpture by Jean Frederic Bourdier white marble base Unique piece.

A striking French 19th century Neo-Classical st. ormolu, black Belgian and white Carrara marble clock, signed Vaillant à Paris. The clock is raised by a black Belgian marble base with fine ormolu topie feet and striking fitted ormolu plaques...

Nice pair of coffee tables by Gulio Lazzotti and manufactured by Megeia, italy 1979. The base consists of four marble columns with beautiful cut lining. Three black and one white. Two black columns are shaped like half a cylinder. The other two are two cylinders with a diameter which perfectly fits in the half parts, a nice visual detail. The bases can be put in a playful position to your wishes. The large square tops are from thick glass. The tables are in excellent condition. Priced and sold in a set of 2. This Postmodern design resembles the relationship between ancient masonry skills and applying these traditions in modern forms. Like some other Italian designers, Lazzotti in particular has an innovative approach towards experimenting with form, especially in stone and marble, and applying these mainly into tables. Giulio Lazzotti is an Italian designer and architect who has always given an important place to objects’s sculptural dimension. A great lover of marble, his work is modern, reconciliating a sense of craftsmanship with industrial production. Often hired as a consultant for his experience, Giulio shares his attention to detail throughout the world and collaborates with major furniture brands. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair...