Chenille Furniture

Grand Pouf, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Grand pouf is a versatile piece that combines elegance with functionality. Its curved, sculptural d...

Mid-Century Modern Laurence Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Laurence dining chair is an arti...

This exceptional armchair was produced by a master cabinetmaker in Northern France in the late 1920s. The chair was designed for a private residence in the Roubaix region. The diffe...

6 chairs model 620 by Silvio Coppola for Bernini, reupholstered in chenille. Clématite. Italy, 1960s. Silvio Coppola (Brindisi 1920 - Milan, 1985) is one of the most versatile and v...

Elegant 19th Century William IV Tub Chair On Original Brass Castors & Sabre Legs With A Chenille Upholstery. Full chair height 87cm Chair width arm to arm 66cm Chair depth from fron...

A pair of 18th-century English wing chairs, expertly crafted from walnut and featuring newly upholstered down cushions. The chairs are dressed in luxurious designer chenille fabric, ...

This super rare and iconic piece of Vivienne Westwood was part of the Cut and Slash era. 1991 fabulous mustard chenille cardigan with red collar and gol...

Beautiful iron stool with curved and looped base painted in a matte black finish inspired by French design. Rectangular cushioned seat upholstered in a sage chenille or can be COM. M...

This important curved sofa was designed by Otto Schulz and produced by his company Boet in Gothenburg. The generously sized sofa can comfortably sit four people. The sofa has been ne...

Incredible pair of carved oak armchairs from France, 1940s. Beautiful ornate carved wood chair frame with bobbin and scallop detail. Newly up...

This Mid-Century Modern iconic lounge chair, model U430, and matching ottoman, model 730, were both designed by the internationally popular Danish designer Jens Risom for Jens Risom ...

Pair Of Mid Century Modern Lounge Chairs By Karpen Of California. This sculptural pair of mid-century modern lounge chairs are upholstered in a beautiful shade of blue chenille. This...

Phenomenal set of four vintage large scale Jacobean style armed dining chairs with Barley Twist frames & gold sculpted chenille fabric with brass na...

Pair of armchairs designed by Nino Zoncada and produced by Cassina in the 1950s, the armchairs have been recently restored and upholstered with ivory-coloured ribbed chenille, as sho...

This is an antique dressing stool. An English, mahogany and chenille upholstered footstool, dating to the Regency period, circa 1820. Graced wi...

Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in light beige Dedar chenille and beige Dedar Wool fabric...

Designed by Ignazio Gardella in 1957, the Digamma lounge chair is a comfortable chair with roots in the late Italian modernist tradition. Its rational construction features two geometric sections - the rectangular upholstered back and seat - bound by a firm upholstered frame. The black metallic legs are finished off with Gardella's iconic brass 'duck' feet. The armchair has a three-position reclining backrest offering additional comfort and adjustability. This chair is a custom version realized by Santa & Cole for Kabinet Hubert, upholstered and sewn by hand in an emerald green Lelièvre fabric. This soft and dense fabric is a delicate combination of chenille and bouclé yarns. Ignazio Gardella was a member of the so-called third generation of the Modern Movement. He is considered one of the greatest exponents of Italian Rationalism, although he followed its principles in a much more personal way, searching to overcome its limitations. In 1957, he created the Digamma armchair...

This important pair of armchairs was designed by Osvaldo Borsani and produced by Tecno in Como, Italy in 1954. The very rare P71 was one of the first designs produced by Tecno after ...

Midcentury pair of Italian design stools, walnut wood legs, brass tips, very special green chenille cl.

As documented by Phillips Auction House - Design Masters Sale on December 17, 2014. Very sculptural details and perfectly restored to its original glo...

Designer John Hutton was a San Francisco designer, Who virtually created a genre of modern furniture. He came into his own after he became the influential design director at Donghia,...

A pair of mid century Italian armchairs attributed to Ico Parisi for Cassina. Recently reupholstered in a mocha colored crushed chenille. Brutalist style wood legs. Sold as a pair. S...

Beautiful pair of 1960s armchairs designed and manufactured in the USA, the chairs have beautiful lines, they are very comfortable and recently upholstered in a beautiful cream cheni...

An absolutely stunning Postmodern sofa designed and created in the mid-1990s. This stunning sofa is evocative of Vladimir Kagan custom designs and would lend itself nicely to Mid-Century Modern and postmodern styling. This contemporary cloud style sofa...

The 'Ingrid' Lounge Chairs, designed by Bruno Mathsson for DUX in 1969, are iconic mid-century modern pieces known for their sleek Scandinavian design and comfortable, curved wooden ...

"Mantilla" sofa by Kazuhide Takahama for Simon Gavina. Early edition with dark blue chenille removable cover and black padded base. Japanese design essentiality meets extreme seating...

Pair of custom pillows by Melissa Levinson. 19th century French handmade metallic thread and chenille embroidered appliqués sewn on a contemporary cayenne colored textured linen with...

Antique Austrian Biedermeier Style Burled Curved Back Vanity Accent Chair in Plush Green Velvet Chenille This antique Austrian Biedermeier Style burled accent chair is a timeless pi...

A Space Age armchair created by Italian designer BEKA in the 1970s featuring an elegant, curved silhouette with inset rectangular details along the sides. This sculptural armchair wa...

This rare wingback chair was designed and made by Danish cabinetmaker Frits Henningsen in the mid-1930s. The particular model was exhibited at the 1933 exhibition held at the Industr...

Mid-Century Modern Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in cream Holly Hunt fabric. Destined t...

These elegant white linen pillows feature intricate 19th-century French metallic and embroidered chenille appliqué, showcasing a rich floral motif in earthy brown, gold, and green to...

A sleek Mid-Century Modern Curved Chrome Frame Rocking Chair Upholstered In the original chenille. Insanely comfortable and relaxing chair. Classic look. Will go with many different...

Particular Chair Italian design very chic, cherrywood, dark green chenille fabric, special brass foot.

A pair of custom designed pillows by Melissa Levinson. 19th century metallic and chenille embroidered floral textile has been hand applied to a contemporary natural colored linen and...

A refined and versatile seating option that seamlessly combines the natural beauty of wood with the cozy texture of chenille. Crafted with a light Oak finish frame for a sleek and s...

Set of six Design Institute of America brass and chenille upholstered dining chairs with Art Deco details. Four side chairs and two armchairs with a thin but sturdy brass flat bar fr...

Red chenille upholstered chaise lounge, unmarked. In good condition. Wear consistent with age and use. Dimensions: 29" H x 74" W x 40" D; ...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

An elegant set of six French Louis XVI-style dining chairs, sourced from Provence. Each chair features a hand-crafted maple wood frame with an oval medallion back. Two chairs are sli...

With voluptuous curves and perfect poise, the Mid-Century Modern inspired La Folie Lounge Armchair exalts passion and fantasy as if you were in a burlesque show at Moulin Rouge. Let ...

Camaleonda, divano B&B 2 posti e divano 3 posti in tessuto bouclè, 1970 DESCRIZIONE In questa nuova versione, Camaleonda, con tessuto bouclè, conserva gli elementi che...

- 102" length x 36" depth x 29" height x 24" seat depth x 16" seat height x 20" arm height - Upholstered in our Parchment Chenille Get ready to Bundt-ify your home with the most coolest sofa you've ever laid eyes on! Our Bundt Sofa is like a time machine for your behind - it's got the funky cool vibes of the 70s, but with all the modern comforts you need to binge-watch your favorite shows in style. Imagine sinking into its plush Parchment Chenille fabric, surrounded by curves and contours that cradle your body like a warm hug. It's like being wrapped in a cozy blanket, but without the risk of overheating or awkwardly trying to get up to grab another snack. And don't even get us started on the retro-chic design - it's like a work of art, people! Your friends will be green with envy when they see this baby in your living room. So go ahead, treat yourself to a Bundt Sofa and get ready to become the ultimate couch potato. Your behind (and your sense of style) will thank you. Shine by S.H.O, a leader in luxury home furnishings, proudly announces the launch of its newest brand; SHO MODERN...

Scandinavian modern, lounge chair produced in Yugoslavia features a minimal beech frame with high back scoop seat newly upholstered in rust chenille.  

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Palm Beach Tropical Ottoman...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

Pair of custom pillows by Melissa Levinson. 19th century French handmade metallic thread and chenille embroidered appliqués sewn on a contemporary cayenne colored textured linen with...

Mid-Century Modern Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in cream jacquard fabric. Destined to ...

Custom pair of green velvet pillows made with 19th century metallic & chenille applique flower. Down insert, sewn closed.

These nice Pecan dining chairs are made by Drexel Heritage. There are 2 armchairs and 4 side chairs. The backs are made of cane and the fabric is c...

A rarely found games table executed in mahogany, designed by Edward Wormley for Dunbar, circa 1950-1950. Features an expandable mechanism that brings the table from 32" square to 62"...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

Set of four bleached mahogany frame and bent plywood back dining chairs with new textured black chenille upholstery. Made in West Germany and sold through Harvey Probber, Fall River ...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

A lovely pair of 1940s Austrian slipper chairs with matching throw pillows professionally reupholstered in the early 1990s in purple dupioni silk with chenille piping. Clean and cla...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

Orange chenille sofas, two and three seater, set of 2, 1970s Wooden frame, plastic feet. The backrest of both sofas has some slight signs of wear due to time. MEASUREMENTS 3-seater...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

Antique French Art Nouveau Maurice Dufrene Footed Barrel Back Lounge Chair and Tufted Back Boudoir Sofa in a Deep Red Velvet Chenille This Antique French Art Nouveau lounge chair ...

Stunning set of four, mid-century, art decco, upholstered dining chairs designed by the esteemed American designer Russel Wright for Conant Ball, circa 1940 feature a curvilinear, st...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...

Equally elegant and exotic, Miguel Cisterna’s works imbue the classical French tradition of fine embroidery with a modern sensibility. His hand sewn, labor intensive designs layer contrasting materials to create one-of-a-kind haute couture embroidered textiles. Raffia is wrought into shafts of wheat gently bending into the wind, insects crafted from wire and shell hover and crawl, floral designs sparkle with crystal embellishments, and the fragile elegance of humanity is made apparent through anatomical drawings in thread. Born in Chile, Miguel Cisterna now lives and works in Paris. Prior to opening his Parisian atelier, Cisterna was the former Creative Director for Ateliers Brocard, the firm that fabricated Napoleon’s coronation...

Beige chenille sectional sofa, 3 pieces, 1970s More information on the article Plywood frame, polyurethane seat and fabric Measurements mod.1 - H48 x W190 x D120 Measurements mod.2 -...

Equally elegant and exotic, Miguel Cisterna’s works imbue the classical French tradition of fine embroidery with a modern sensibility. His hand sewn, labor intensive designs layer contrasting materials to create one-of-a-kind haute couture embroidered textiles. Raffia is wrought into shafts of wheat gently bending into the wind, insects crafted from wire and shell hover and crawl, floral designs sparkle with crystal embellishments, and the fragile elegance of humanity is made apparent through anatomical drawings in thread. Born in Chile, Miguel Cisterna now lives and works in Paris. Prior to opening his Parisian atelier, Cisterna was the former Creative Director for Ateliers Brocard, the firm that fabricated Napoleon’s coronation...

Sleek, mid-century modern, walnut frame, slipper chair by Kroehler is newly upholstered in sumptuous taupe chenille. With it's tucked sides and tapered legs, it's the perfect midcent...

Pair of Tufted Rounded Back Armchairs Custom-Made by David Easton. Tufted, rounded back and arms, tight seat with long bullion fringe. Classic form. Chenille and bullion fringe in po...

Our custom individually hand-built large ottoman. As versatile as it is chic and luxurious. Created from ultra-luxe textural shearling textile, shown in Cloud color-way. Fully cushioned / solid wood inner-frame / superb quality. All soft and safe edge's and corner's. Impeccably styled and made by Fragments Identity...

Antique Renaissance Revival Figural Carved Framed Parlor Chairs Reupholstered in a Patterned Belgian Chenille - Set of 2 A stunning late 19th century American Renaissance revival hi...

The Rapture Collection is the exception to our hand-woven only rule. Woven Concepts purist philosophy focuses on the creation of hand-made, high-end rugs. The Rapture Collection rugs...