Clay Furniture

DYKA Centerpiece Bowl by ZEMNA Designed by Tetiana Krasutska. Dimensions: D 17 x W 25 x H 14 cm. Materials: Clay. Each object in the DYKA collection is unique because it is sculpte...

Hand-Built Ceramic Table Lamp with Linen Shade — Inspired by the New England Coast This one-of-a-kind ceramic lamp is entirely hand-built and assembled, celebrating the artistry of ...

Set of 2 unique antique decorative clay jars rescued in an Ranch in Guadalajara, Jalisco by Raiz Mx. According to the available information, the pieces were used as containers by peo...

For the La Terra collection, Lemon collaborated with renowned artist Jade Paton. Jade creates contemporary sculptures out of clay. Her main source of inspir...

Extra large high clay bathtub by Studio Loho Dimensions: D 90 x W 190 x H 53 cm Materials: clay Other colors and raw or smooth exterior available. Available in 4 sizes: W 160 x H 42(large), W 160 x H 53(large high), W 180 x H 42(x-large), W 190 x H 53(x-large high) The baths are entirely made of clay and are available in a wide range of colours or can be produced bespoke. The exterior of the clay can be raw or smooth according to preference, the interior of the baths is finished with a layer of smooth, silky lime plaster for maximum comfort. Due to the production process every piece is unique in size and form. Studio LoHo is a Belgian design office located in Bruges, Belgium. Founded in the autumn of 2017 by Karel Loontiens and Jo Hoeven, the studio focused from the beginning on high-end bespoke interior projects which forms an ideal matrix for product - and material design that is both innovative and durable. In current times there’s no more room for influx of disposable products, it is our studio’s goal to strive for design that will last and will be cherished for multiple generations. The introduction of the first collection “clay series” fully articulated the DNA of the newborn Studio and led to their international breakthrough. The appreciation of materials reflects their unique view on interior design with a strong and recognizable signature. Soon after, the collection was expanded on request by other architects and designers with new sinks...

David Gilhooly (1943-2013) Frog Ice Cream Sundae 1983 Glazed Earthenware 9.5 w x 4 d x 9.5 h in David Gilhooly (1943–2013) was an American ceramic sculptor and key figure in the Fu...

Ceramic Coffee Table Designed by Project 213A in 2023 Hand-sculpted ceramic coffee table with an organic shape made in Project 213A's in-house ceramic workshop and finished with a c...

Oversized vintage celadon glazed Vietnamese water jar vessel with elegant urn shape. The jade-green glaze, with its subtle crackle, exudes timeless sophistication. Versatile for indo...

The Danke Galerie team is delighted to present the latest creation by self-taught Lyon ceramist Katia Mihaylova. This modern table lamp was created and...

Antique c.1879 Wedgwood Majolica plate with a storied heritage and provenance, owned by legendary fashion icon André Leon Talley! Perfect for the "hostess with the mostest" who love...

Pair of late 19th century Victorian Staffordshire earthenware elephant sculptures/spill vases, England By: Staffordshire Material: pottery, earthenware, ceramic, enamel, clay, paint...

Hand-Built Ceramic “Foot Vase” with Matte Black Glaze — by Alexey Krupinin A striking and surreal ceramic vase sculpted from a life-cast mold of the artist’s own foot and lower leg....

Evan's distinctive style of raku pottery produced interesting fired and burnt glazes, both gloss and matte, that emulate patina, oxidation and verdigris, signed and labeled.

Monumental carved stoneware planter by Anne Goldman USA circa 1980's Wheel thrown cylindrical form vessel with hand carved outer wall in Goldman's Coastal Rock texture Incised signa...

Arcosanti Clay Bell by Paolo Soleri c. 1960 Clay Bell with incised abstract designs. Clay clapper and copper fin. Arcosanti cypher mark. 10" wide 8" deep 15" tall with out chain...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

Vessel No. 159, wide undulating open form with a mint green and charcoal black speckled glaze. Unique ceramic sculpture. Materials: White St. Thomas clay, stoneware glazes, multi fi...

Souda's Kawa Pendant Lights are slip cast porcelain directly into dozens of leather molds resulting in highly-unique ceramic shades. The finalized pendant...

Jacques Bergé "King David" - Terracotta or Fired Clay with Polychrome Remnants Dated 1736 14.5" h x 5.5" w x 4.5" d A rare and exceptionally refined terracotta sculpture of *King ...

1970s Hand-Painted Native American Vase decorated with intricate geometric designs and natural pigment paints of black, brown, blue and grey on white clay. It is handmade from native...

Large Laguna Pueblo Indian Polychrome Olla, circa 1880's. Measures 12 5/8"h x 13"w. Featuring Geometric Designs on the Shoulder and Floral Designs with...

Elegant white and blue jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar...

Vintage Folk Art brutalist Monkey sculpture. He is so cute and imperfect which makes him absolutely perfect to me. He is made of sculpted clay. This i...

Placida vase by Elke Sada Unique Piece Dimensions: W 22 x D 22 x H 44 cm Materials: red grogged clay, coloured slips, transparent glaze. What is fascin...

A striking early 20th-century Italian terracotta wall fountain featuring Bacchus, the Roman god of wine and revelry. This two-piece set includes a sculptural relief of a cherubic Bac...

Cut Smoked Black Small Vase by Studionudo Unique Piece. Dimensions: Ø 26 x H 24 cm. Materials: Clay. Different finishes and sizes are available. Prices may vary. Please contact us. ...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

White & Blue Wave Pattern with a Matte Finish and Blue Mohair Silk Shade Estimated processing time is 2 weeks from order confirmation. Pictured with a Mini Globe...

Italian Art Nouveau Majolica Hibiscus Plate, Early 20th Century A handmade Italian majolica plate featuring a detailed hibiscus flower in shades of pink, white, green, and yellow. C...

Antique Starfish and Seashell Majolica Tazza with a storied provenance, owned by legendary fashion icon André Leon Talley! The molded shell motif was commonly produced during the Vic...

Fantastic sculptural clay mask wall art made in Italy. Hand made in an aged adobe color with a short rope which ties off on the face of the mask. Hangs from a single screw making ins...

This artisan ceramic vase is distinguished by its generous ovoid form and finely controlled horizontal slip decoration, created through a layered throwing process that allows contras...

Marie and Julian Martinez Black Ware Jar. Black on black with graphics on upper shoulder. Well signed. Maria and Julian Martinez, of the San Ildefonso...

Black on black pottery jar with very finely etched feather design and three concentric bands, signed Marie and Santana. 1943 -1956; 5 3/4" x 6 1/2". ...

DYKA Drinking Bowl by ZEMNA Designed by Tetiana Krasutska. Dimensions: D 40 x W 40 x H 6 cm. Materials: Clay. Each object in the DYKA collection is unique because it is sculpted by...

Cactus Floor Lamp by Harshita Jhamtani Designs Dimensions: D 63.5 x H 167.6 cm Materials: Claypaste, metal. We made this lamp in collaboration with interior designer Stuti Muraka fo...

An organic and Brutalist style Jardine which would work perfectly with trailing foliage. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Paul Soldner (1921-2010) abstract expressionist pottery vase. Glaze in black and brown, partly unglazed. Excellent design, mint condition. Signed Soldner on the bottom. Measures: 10" H x 8 3/4" W. Paul Soldner (1921-2011) was an American ceramic artist, noted for his experimentation with the 16th...

Terracotta water jar from the coast of Michoacan, Mexico, circa 1950´s

Matte White Speckled Moon Jar by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture a...

A pair of ceramic lemon-yellow color lettuce leaf plates by Secla. This wonderful pair of Portuguese plates will be a fabulous touch on your serving table. Each plate features a rais...

Mid-Century Modern Architectural Pottery sculptural "Double Cone" Planter by LaGardo Tackett , rarely seen double cone version with wider base than top in a white glaze. Provenance 1960s MCM building of the Odd Fellows Association Hall - St. Louis. It was used with sand for an ashtray , seen in photos 5 & 6. The 1960s MCM modification to an existing building was designed by architect William E. Duncan and demolished in the summer of 2020. Duncan not only selected these planters , the entire hall, had Saarinen , Eames, Nelson, Howard Miller and Nessen designs. The condition is good, only with minor scuffs, no chips and light staining to interior as seen in photos. Stamped Architectural Pottery made in the USA. When the planter is on its side, it reminds me of the famous brass drawer pull on Paul McCobb designed furniture. Building & Rendering Odd Fellows Association Hall at 3765 Lindell Blvd, St. Louis Mo. designed by William E. Duncan and Associate Architect Lawrence H. Smith , Delineation by Harry A, Osborn Demolished in 2020 If your into Architecture, Search for this MCM church...

Handmade French vintage lidded stoneware jar, circa 1950s. Round body with shiny brown glaze, hand-carved line decor, and flat lid with unglazed top. Two handles with lined decor. St...

Modernist Ikebana vase with a vessel structure and textured surface. Unknown signature in bottom. Japan, 1950s. Mid-Century, Hollywood Regency, Art Deco, Eclectic, Coastal, Modern,...

Cream white midcentury modern vase manufactured in Denmark in the 1960s. Stamped under base. Beautiful vintage condition. Denmark, 1960s.

This one of a kind Mexican antique is one of few pieces Dolores had at her home at the time she passed away. Dolores portrays the flora from her garden...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Pair of antique French Provincial Amphora pottery. One stands approx 14" tall and the other is approx 13" tall. Very similar colors and patina. One ...

This mid-20th-century double-handled terracotta vessel originates from central Anatolia, Turkey, a region long renowned for its iron-rich clay and enduring pottery traditions. Hand-t...

Casa Bowl in White Designed by Project 213A in 2023 Artisanal large bowl created by skilled artisans in Project 213A's own workshop. Hand-sculpted ceramic with a textured finish in ...

Clay sink by Studio Loho Dimensions: D 40 x H 15 cm Materials: clay. Available in 3 models: round sink, oval sink and sink on structure. Due to the producti...

Wabi Sabi Pottery 9"x 9" x 9" Opening approx: 4"-7" Discover the charm of matte oil pottery, showcasing stunning gray hues and unique imperfections ...

An antique c.1880 Wedgwood Majolica "Ocean" patterned jug with a storied provenance, owned by legendary fashion icon André Leon Talley! Hand-made with a pewter lid as a small syr...

When it comes to organic modern, this large wood-fired vessel is nothing short of stunning. Utilizing rich earth elements to create this beautiful vase, Michael Imes often uses ash i...

These late 19th century reclaimed Italian floor tiles in Breccia marble were salvaged from Wingfield castle in England. Dating from circa 1880, th...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

An impressive 19th century terracotta scale Warwick Vase standing on a weathered terracotta pedestal. Stamped ‘Blanchard & Co’, this particular design features in their 1869 illustrated catalogue of Beautiful Works of Art: Terracotta (pictured), so we are confident that it dates from this period. Though smaller than the original, this Warwick Vase is of impressive scale, standing at 1.5m tall. It comprises of 2 components: the decorative vase and its pedestal. The vase is detailed with an egg and dart moulded rim above male and female masks among vine leaves, berries and scrolls in high relief and entwined handles as it is in the original. The pedestal is simpler, featuring moulded wreath decoration, elevating the urn to eye level so that its grandeur can be closely observed. It is approximately 160 years old and as such features age-related weathering, chips, losses and historic restorations, each adding to the time-worn appeal of the piece. Core details of the vase remain intact making it instantly recognisable as the famous Warwick Vase. Provenance This terracotta Warwick Vase and pedestal was sourced from Bodfach Hall, a historic country house with expansive grounds in the heart of the Welsh Marches. It resided here in the gardens until recently as an impressive late 19th century item of statuary. The Warwick Vase The original Warwick Vase, often closely associated with the Albani Vase...

A beautiful, quite colorful Indigenous Native American Southwest Acoma Pueblo of New Mexico bowl by Doris Concho Patricio (1944-2019) featuring a wonderful geometrical pattern and de...

Original antique large unique sculpture of goblin made by Danish artist Anders Møller. Anders Møller resided on Funen and was born in 1890. He was a member of Danish artist group “Germinalen”, a part of the art and ceramic movement in Denmark at that time. The sculpture is estimated to be from the 1930s. This mythical, grotesque creature has exaggerated features and is possibly influenced by European Gothic or Art Nouveau aesthetics. The expression also has a resemblance to the work of earlier artist such as Niels Hansen Jacobsen...

This antique, elegant early 19th Century allegoric figure composition was hand crafted in terracotta clay and placed on an oval wooden base, in good condition. Two cherubs are drapin...