Enamel Furniture

A superbly crafted circular gilt bronze box of exceptional quality, featuring a rich turquoise-blue guilloché enamel top centered with an oval medallion bearing a finely hand-painted...

French factory pendant by Sammode dark petrol green enamel white interior Green cast iron top Weight: 3.90 kg / 8.6 lb Priced per individual item. All lamps have been made suitable...

A relief-cast scene of Moses holding a pointing rod beside the tablets of the Ten Commandments decorates the rear cover of this open-face pocket watch. Crafted in Switzerland around ...

Fine antique Japanese Cloisonne Ginbari pigeon blood enamel vase. High quality vase and made well. Dates from the mid part of the 1900's. Beautiful colorful chrysanthemum flowers and...

1950s Art Deco Italian rectangular black and gold geometric door handles, made from sold Bronze with an enamel finish. The concentric trapezoidal pattern gives them an Art Deco-insp...

A hand-painted ceramic bowl designed by Frederick Rhead in the 1930s for Wood & Sons’ Bursley Ware line, this decorative piece belongs to the highly collectable Dragon pattern ra...

Scandinavian Modern counterweight pendant, attributed to Gunilla Jung, 1940s. Brass, enamel and glass. The lamp has a counterweight that allows to adjust its height. Good vintage con...

This antique Japanese cloisonné cache-pot was created during the Meiji period and showcases the refined enamel craftsmanship for which Japanese metalwork became internationally celeb...

A large and early two-tone opaline glass pendant light made by REVO. c.1930 Two-tone blown and rolled glass shade - designed to illuminate a subject, whilst diffusing the bulb from ...

Antique French Mantel Clock - Allegory of Love Paris Ormolu circa 1815 Dimensions: H x W x D: 45 x 35 x 13 cm Description: Antique French mantel clock as an allegory of love. Set...

A late 20th Centuy Japanese Champleve Enamel Decorated Bronze Vase. Measures 6" in width, 6" in depth and 10" in height.

Rising from a flat hexagonal base, this floor-standing candle holder takes a cylindrical column form that narrows into a pointed, bullet-shaped top. A narrow vertical slot cut into t...

A large Japanese cloisonné enamel vase attributed to Yoshiko Noda, exhibiting a refined and modern aesthetic characteristic of early 20th century work. The composition features styli...

Antique French Enamel Turret Clock Face. The clock face retains its original enamel. Good size which would suit a domestic or commercial setting. The clock has a few small chips ...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enamelled Chinese symbol of happiness. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created ...

An antique Japanese Meiji Era brass and enamel vase. Circa: early 20th century. The baluster form vase is enameled with a polychrome image of an...

This wonderful modern masterpiece has been created using original antique and vintage elements. The beautiful silver and guilloche enamel case da...

Chinese Cloisonne Vase 20.5"

Early 18th Century Limoges Enamel Plaque, painted with Saint Joseph being crowned by the Christ Child while an angel upholds a wreath towards the Child, the flowers in the corners ar...

A large blue and white Chinese porcelain baluster vase, produced in the late 20th-century in the Kangxi revival style. The body displays a finely hand-painted figural scene in cobalt...

A fine antique French enamel tea caddy. Mounted with gilt silver mounts. By Risler of Paris. Decorated with polychrome birds or paradise, rock outcroppings, and flowers/flor...

Three arm "triennale" floor lamp with marble base, circa 1960s. Attributed to Gino Sarfati / Angelo Lelli for Arredoluce. Adjustable arms feature leather sleeved counterweight han...

Midcentury Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover flat and hinged with slight overhang; top decorated with engraved and...

A set of two long striking door handles with a simple flat design mounted on brass fixings. Italy, second half 20th century. The pieces are of good quality, nicely made and attribu...

This is a really cute and rare find, a 1930's Art Deco compact with the most delightful green and black enamel decoration on a chrome casing . The interior is an engineers delight wi...

L'ours polaire en céramique craquelée , provenant de la manufacture L&V Céram, constitue un véritable exemple du style art déco français des années 1930. Avec son regard expressi...

Circa 1900 gilt brass filigree & enamel scent bottle, European. The central portrait hand-painted of an elegant woman. Covered with enamel faux moonstones & turquoise colored beads. ...

Unique Impressionist painting "Caribbean" in patinated and engraved bronze and pewter with enamel cloisonne in green, yellow, blue, and red with hand-brazed braided bronze frame by P...

A large enamel center bowl by famed Mid Century Italian design firm, Studio Del Campo. Signed . More of kiln fire mark to one side but doesn’t distract from its beauty.

This exquisite Ludwig Moser opaline glass vase, crafted in Karlsbad during the mid-19th century, is a remarkable example of fine Bohemian glass artistry. The elegant white opaline bo...

A Fine Louis XVI Style Gilt-Bronze and Cut Crystal Tent and Frame Chandelier with Blue Enamelled Galleries. The corona of the chandelier is in the form of a blue enamelled band wit...

These small Dutch-made side tables follow the iconic Tulip silhouette developed by Eero Saarinen — a round pedestal column rising from a broad, flared circular foot. The tops are rou...

This small Chameleon Ware urn vase by George Clews & Co was produced in Staffordshire, England during the 1930s and presents one of the manufacturer's most recognizable decorative ce...

apanese Shakudo bronze vase, Art Nouveau. From Nogawa workshop, seal marked at the bottom approx. 1890. With pheasant on branch and flowers, inlaid with silver enamel and 24 cara...

Vintage industrial wall scissor. Black Enamel shade. Weight: 1.70 kg / 3.7 lb Priced per individual item. All lamps have been made suitable by international standards for incandes...

A finely painted polychrome enamel miniature portrait of an elegant young lady adorns the reverse of the middle gold case, framed within translucent green enamel over engine turning ...

Four 1980s armchairs designed in the style of Mario Botta's architectural furniture work. Each chair features a black enameled wire rod frame with a pronounced geometric X-pattern ba...

Rattan catch-all basket by Dutch manufacturer Artimeta, featuring a round woven rattan bowl set on a spare tripod frame of thin black metal rod. The three legs splay outward to a cir...

Linear fluorescent pendant inspired by Anders Pehrson's iconic 'Supertube' design from the 1960s. The elongated tubular form showcases the minimalist Scandinavian approach to functio...

A six-fold paper screen painted in ink and colour on a gold ground with grape vines hanging from a pergola and woven fence amongst golden clouds, the details in gin-sunago (cut silver leaf) and moriage (raised design). The metal mounts are decorated with cloisonné enamel, a special detail rarely seen on screen mounts. Japan, 17th/18th century, Edo period. Grapes represent the autumn season and have been regarded as an auspicious symbol of fertility and prosperity since ancient times. Also the Japanese word of grape ‘budō’ is the same word for martial arts. Often paired with squirrels (‘risu’ in Japanese meaning, to follow discipline), the subject was a favourite of the samurai class. Designs incorporating grape vines have been used for ceramic and lacquer works as well as paintings from early times and screens depicting this subject matter seem to have been particularly popular in the early Edo period, however only a few examples are known today. These known examples depicting grape vines are rendered in a similar manner using gold leaf and moriage (raised design): A pair of screens from the Kano School housed in the Tokyo Fuji Art Museum (17th century, Momoyama period) A pair in the Gardner collection (17th century, accession no. P14e3) There are another comparable pair of 17th-century screens housed in the Okura Museum of Art, Tokyo and there are a pair of sugido (cedar wood doors) with the same subject housed in the Nagoya Castle, Aichi prefecture. Paravent à six volets peint à l'encre et à la couleur sur fond doré, représentant des vignes suspendues à une pergola et une clôture tressée parmi des nuages dorés, avec des détails en gin-sunago (feuille d'argent découpée) et moriage (motifs en relief). Les montures métalliques sont décorées d'émail cloisonné...

Presenting a truly captivating and highly collectible pair of Meiji Period Japanese Cloisonné Enamel Pink-Ground Vases, attributed to the renowned artist Hayashi Kodenji. These excep...

Set of 4 playing card suit-shaped boxes in 925/1000 sterling silver with Art Deco style fire enamels, early 1900s. Total weight 793 g. Designed by Renato Salimbeni in 1951 inspired b...

Discover this exquisite handcrafted brass repoussé and enameled wall plaque of Mary and Baby Jesus, a breathtaking example of European devotional artistry—possibly of Russian Orthodo...

Vase "Boule Vibration" in clear crystal with black enamel made by Lalique France in 2010s. Engraved signature. Edition of 999 pieces - this model is 295/999. Perfect condition. N...

An exceptionally large and finely decorated Japanese Totai Shippo (cloisonné on ceramic) vase from the Meiji period, featuring an intricate and r...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

RUSSIAN TETRAPTYCH ICON WITH TWENTY PANELS OF THE GREAT FEASTS AND IMAGES OF THE MOTHER OF GOD Russia, probably the workshops of Old Believers First half of the 19th century Cast co...

Torino painted and glazed ceramic woman figurine 'Verginità' by Sandro Vaccetti for the firm Essevi, Italy By: Sandro Vaccetti Material: ceramic, paint, enamel, clay Technique: glaz...

Step into the glamour of Hollywood Regency with this exquisite round metal tray, a true gem from the 1960s handcrafted by the renowned artisan Moire Glaze Kyes in sunny California. T...

Classical monochrome miniature painting distinguishes this refined late eighteenth-century timepiece, executed en grisaille on the case back with a detailed scene of the huntress Dia...

Large lamp designed by Hubert Olivier, made of ceramic, from the ochres of Provence, varying from Bordeaux with the shade of wine. Its dimensions are imposing, with a height of 55 cm...

A Monumental 19th Century Meissen Schneeballen Covered Vase with Birds, Parrots, Blossoms and Fruiting Branches This monumental 32-inch-high Meissen Schneeballen covered vase repres...

A rare and exquisite creation by Camille Fauré Limoges, this enamel and silver-plated decorative box is a masterwork of French craftsmanship, dating circa 1950. Likely a bespoke comm...

Exceptional Russian Silver Goblet with Cloisonné Enamel – 1848 Exceptional Russian silver goblet (Goblet), crafted in solid silver and fine ename...

Elaborate translucent green and opaque blue champlevé enamelling frames the painted oval cartouche on the reverse of this Georgian pair case watch. Exe...

A very rare Ando Jubei (1876-1956) Rose vase on imperial yellow background in excellent condition. In classic form using colored enamels of burgundy, cream, pink and green to depict ...

An extremely rare ring that commemorates the naval hero, Horatio Nelson, who died in 1805 at the Battle of Trafalgar, fighting against the Napoleonic forces. Dr William Nelson, the admiral's brother, ordered 58 mourning rings for family and friends and every admiral and post-captain who fought at the Battle of Trafalgar . The ring is inscribed on the bezel ‘Trafalgar’; outside the hoop with Nelson’s motto in Latin, ‘Let him who earned it bear the palm [of victory]’, adopted by Nelson from a poem ‘Ad Ventos’ written in 1727 by John Jortin (1698-1770). Inside is the inscription ‘Lost to his country 21 October 1805, aged 47’. The initials N and B stand for Nelson and Bronte. Admiral Nelson was given the title of Duke of Bronte in 1799 by the King of Sicily and in 1801 became a Viscount. The two coronets above the initials refer to these titles. Tthe motto Palmam qui meruit ferat ("let him who has earned it, bear the palm") was added to his coat of arms in 1798 after the Battle of the Nile. Nelson was buried with full honours in St Paul's Cathedral. His cortege consisted of 32 admirals, over a hundred captains, and an escort of 10,000 soldiers. This ring is an example of only fifty-eight that were made by Nelson's jeweller John Salter in 1806. Thirty-one were for Nelson's close family and friends, the rest for pall-bearers and other dignitaries (see The Nelson Dispatch, vol.3 pt.XII, oct.1990). Three similar examples of this ring are held extremely prestigious museums in the capital. One is in the Greenwich National Maritime Museum in London, another in The British Museum in London and another in the collection of the Victoria & Albert Museum, London, exhibited in the Jewellery Gallery, case 23, no. 8. The ring has a particularly special provenance, arguably like no other mourning ring of Admiral Nelson’s. The ring belonged to the Reverend Alexander John Scott. The Reverend Alexander John Scott (1768-1840) was a British naval chaplain. He was appointed to the flagship H.M.S. Victory in 1803 where he served as private secretary to Lord Nelson. He was with Nelson when when he was shot on the quarter-deck of the Victory at the battle of Trafalgar on the 21st October 1805. Scott attended his dying chief in the cockpit of the flagship, receiving his last wishes. He refused to leave Nelson's body until it was brought back to England and placed in the coffin to lie in the Painted Hall Greenwich. The ring, lock of hair and music book were passed down by the direct descendants of the Reverend Alexander John Scott's family and eventually gifted to the previous owners. The music book was a personal possession of the Reverend which gives watertight provenance of the person who owned the ring. It is not clear exactly what Admiral Nelson’s last words really were although Scott documents Nelson’s last words to be “God and my country“. However, it is also recorded that a statement during his last hours was "Thank God I have done my duty.” Perhaps these two statements uttered in the last moments sound similar when mumbled by a feeble dying man. Nonetheless, it is noteworthy is that Scott remained by Admiral Nelson’s side as he died and his version is probably the most reliable. The lock of hair is reputedly that of Lord Admiral Nelson. Without a DNA test there can be no conclusive proof of such. However, given that Reverend Alexander John Scott was with Nelson from the moment he was shot on the quarter-deck of H.M.S. Victory until the moment he was placed in his coffin, there is no reason to believe it is not a lock of Nelson’s hair. It is difficult to overstate the significance and rarity of Nelson’s mourning rings. With only fifty-eight made, the vast majority of them were given to close family members and only a few were given to close friends. A close friend who receives a morning ring...

Wonderful serving bottle, opaline glass, a very nice piece from the early Jugendstil era, made in France, around 1895 /1900. This mouth blown opaline glass is very thick - a high q...

Maison Lecan presents this superb vintage wall plaque from the 1970s, crafted from thick grogged stoneware and adorned with an abstract, stylized motif evoking vegetal or solar patte...

This pair of Japanese cloisonné enamel vases by Hayashi Kihyoe date to the Meiji period, circa 1900, and are of elegant tapered form with bulbous upper bodies, tightly pinched necks ...