Granite Furniture

This is a substantial Circular Coffee / End Table in Polished Steel and Black Granite, custom-designed by Davis Allen and Gordon Bunshaft for use in the Sears Tower in 1973. At the t...

Green teal velvet wall mount console with black granite top. Customization is available in different sizes and fabrics (COM).

A brass side table with Rosso Tranas Rubino granite top designed by Cedric Hartman.

“Antoniolupi” was born in 1950 from the intuition of the homonymous founder, in the Florentine village of Cerreto Guidi, a beautiful town immersed in the Tuscan hills in the cradle o...

Polished granite vase Decoration - Vintage - mineral Measures : Ø 36cm H:40cm

This pair of Art Deco bronze figural bookends are signed, but the artist could not be identified. It is presumed this pair of bookends was made in Austria in approximately 1920 in th...

Bust of the famous Apollo of Belvedere, the original dating from the third century BC. Here a variant made of hand-cut granite with traces of weathering and a slightly softened authe...

This pair of cast and cold-painted sculptural horse head bookends are unsigned, but presumed to have been made in England in approximately 1960 in a realistic style. The well execute...

Rare and Exceptional French Art Deco hand-wrought iron coffee table with perfect line and pure symmetrical form by Paul Kiss. The iron has been hand-hammered and the feet end in eleg...

A 19th century Belgium bluestone planter.

Side tables, granite, metal, brass, Italy, 1980s These side tables feature a red granite tabletop in round format. The granite shows a vivid surface. A brass pedestal ends in a blac...

This round dining table features a stylish granite top, providing a sense of sophistication and durability. Its base consists of four solid wood legs, carefully designed to offer sta...

Large free-form coffee table in Zimbabwe black granite with the inclusion of a large Brazilian agate. The base consists of 4 asymmetrically arranged blackened solid brass supports. ...

Granite and chrome side table in the style of Nicos Zographos Polished chrome base with a black granite top. Measures: 18.5" x 18.5" x 17".   

Important pair of curved shape Louis XV style covered vases attributed to Maison Lexcellent, with godrons, in Aswan granite, gilded and chiseled bronze. The lid is topped by a pomegr...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

1831 Granite mortar and pestal

Karl Springer for Karl Springer LTD exceptional free-form coffee table with polished brass base and black granite top, designed circa 1970. This iconic Springer low table design has ...

Pair of tables with round granite tops in white and pink respectively over a brass square shaft and black pyramidal base.

Carlo Scarpa "Samo" oval table for Simon Gavina, granite, Italy, 1971. The Scarpa's way of thinking the architecture is particularly visible in this piece. The “Samo” dining table designed in 1971 for 'Ultrarazionale' collection by Simon Gavina consists of two grooved solid granite pillars...

Japan, a handsome and large natural organic shaped stone water basin planter -tsukubai- created from a natural granite mountain boulder and sourced from...

Hans Bergström for Ateljé Lyktan, floor lamp, model 'C716', plastic, aluminum, lacquered brass, brass, granite, Sweden, design 1951, production 1950s This floor lamp from 1951 is a ...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A Set of Three Neoclassical Style Gilt-Bronze and Rose Granite Corinthian Columns After The Model by Pierre Gouthière. Each acanthus leaf to the capitals individually cast. The qu...

Large granite square dining table with beautiful natural stone pattern and a central lag. The edges have been honed so no sharp edges/corners. Very good condition, timeless piece ...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

DELTA T Coffee Table Rainbow Avocado Granit by Frédéric Saulou Limited edition : 2/8 Dimensions: L 150 x W 60 x H 34 cm Materials: White glass, Inox, Rainbow Avocado granit Weight :...

After the famed design by Alain Chervet – Curate an edit of your most treasured books with this set of 2 Ibex Bookends with vintage brass finish. Sculpted from brass, this captivatin...

Elevate your decor with these Vintage Regency Solid Granite Columns. Crafted from durable granite, these columns exude classic regency charm and sophistication. Perfect for adding a ...

Architectural coffee table made from a solid travertine base. The table was designed by Willy Ballez. All these tables are hand made, so they are always a bit different. The mode...

Set of two abstract hand-carved sculptures by the Dutch artist J. Metaho made in the 1970's. They are both composed in alternating sections of contrasting polished and textured stone...

Elegant 1980s postmodern coffee table with glass top, black painted metal foot, and gray granite base. Excellent Condition. Made in italy.

Vintage Matte Nickle Plated Mounted on a Black Granite Base Geometric Sphere Table Lamp, Double Sockets, can be used 25v each Socket, Cord Dimmer Switch,

This stone Buddha statue is thought to have been created during the Tenmei era (circa 1781-1789) in Japan's mid-Edo period. Although difficult to read, the characters "Tenmei" can be...

Exceptional mosaic in the style of Van Gogh`s masterpiece "Country road in Provence" , mosaic is applied to a 4cm thick granite slab. The table is made of a wooden plate with brass b...

Designed by Daniel Barbera, the 'Bronze' table is a Minimalist round table consisting of Classic geometry on the exterior merged with organic flowing underside. The three legged cast...

Add a touch of refined opulence and elegant sophistication with this luxurious Italian modern gilt bronze mounted granite pedestal / stand. Italy, 20th century, highly polished sol...

Elevate your interior with these striking, architecturally designed bookends—a true modernist masterpiece from circa 1980. The bold, round glass slab is delicately etched with clouds...

Arquería Ocasional Side Table by Algo Studio Dimensions: D 42 x W 46 x H 54 cm. Materials: Plywood, foamular, PVA glue, sand, pigments, polyurethane and granite. Weight: 25 kg. ...

Japan a stunningly beautiful large hand carved Tsukubai Water Basin crafted from a rare red striped kurama granite. Kurama granite is no longer accessible in Japan and so this repre...

Whimsical pair of Art Deco Giacometti-style side tables crafted from forged wrought iron and granite. Charming yet modern, they feature a lightly polished granite top, twisted-iron l...

Stunning pair of French-style mid-century modern side tables attributed to Maison Ramsay. The tables are unmarked but display Ramsay's signature silhouette features, including turned...

Very handsome large Art Deco table, with a wrought iron base of neoclassical inspiration. Tasteful design with minimalist lines. The black granite top has canted corners. Raised on s...

Stone sculpture the 'Hiding man' by Roland Lavianne - made of granite Part of studio collection of Roland LAVIANNE (1948-2022). Simplifying the features in the extreme, Roland LAVIA...

This Contemporary French Medici Base is handcrafted in Europe and offers a durable and stylish base for any vessel or sculpture in your outdoor garden space. Made from a high-quality...

Exceptional Brueton quality! Simple design this circular PBLR table constructed of mirror like finish stainless steel flat apron, square legs welded, ground and polished into a seaml...

This set contains 24 marble specimens, the specimens including serpentine, granite, and Poltesco marble from Cornwall. The specimens take various shapes, including perfectly formed b...

MAD MEN - Standing Ashtray The Mad Men Standing Ashtray by French designer Marine Breynaert is a reinterpretation of a mid-century classic, blending elegance with a touch of vintage ...

Greenwich console by Arturo Verástegui Dimensions: D 300 x W 2.22 x H 75 cm Materials: oak wood, Metalicus granite, Katalox wood, stainless steel. Console made of burnt white oa...

Exceptional hand painted porcelain stylized toucan sculpture designed by Giulia Mangani for Oggetti, circa 1970s. The piece is multicolored with a ...

Stunning Lee Duran (1941-2014) aluminum and polished granite sculpture. This important work of art was part of Duran's Chrome Goddess Series Siren Sculptures...

Belle table basse ancienne, avec plateau en granit en forme stylisée de grappe de raisin sur pietement en fer forgé martelé. Dim Plateau : 82l x122L x 2,7 épaisseur cm Dim piètemen...

Single end table with granite top and parchment faux snake skin drawer with metal hardware. Please confirm location NY or NJ

Mid-Century Modern Dornes Coffee Tables, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Dornes nesting coffee table set is a tribute to Portugal’s scen...

Pair of granite and bronze obelisks, late 19th century.

Vintage Round Granite Top Bistro Side Tables - Pair Vintage pair of modern round granite top polished tops with steel bases bistro side tables.

This elegant console table is a masterful study in contrasting textures and materials. The expansive top is made from luxurious Estremoz marble, which has a beautiful honed finish t...

Maré Coffee Table by Wentz Dimensions: D 80 x W 160 x H 25 cm Materials: Granite, Steel. Also available in Black Brazilian Granite, White Brazilian Quartzite. The Mesa Centro...

A magnificent pair of 19th-century Italian pedestal planters, expertly made from solid granite and displaying an impressive monumental scale. Each planter features a broad, rounded b...

Drill vases Part chaos and part control, drill vases are an exercise in improvisation.   The origin of the project lies in Carrara, and the small fragments...