Granite Furniture

Floor lamp with vintage brass finish and black granite base, timeless elegance. Light up your interior with this floor lamp, featuring a vintage brass finish. Its bamboo-inspired ba...

Modern Armona Stone Coffee Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona stone coffee table draws inspiration from the serene landscape of Armona Island, embodying a sense organic beauty and effortless sophistication. Its flowing tabletop reflects the gentle curves of the coastline, creating a harmonious balance between nature and contemporary design. Meticulously crafted with precision and care, the Armona stone coffee table stands as a statement of refined artistry, destined to be the heart of any living space. Designed by Rute Martins, Greenapple's Creative Director. The Armona Coffee Table...

Vintage oval dining table designed model Samo, by Carlo Scarpa and Manufactured by Simon, Italy 1970s. Light grey granite dining table with o...

“Antoniolupi” was born in 1950 from the intuition of the homonymous founder, in the Florentine village of Cerreto Guidi, a beautiful town immersed in the Tuscan hills in the cradle o...

Vintage bronze dolphin leg occasional table with round black marble top.

Tetsuo Harada (1949-2024), "Surf – Sail – Junk – Wave – Birth – Profile," a series of six granite totems, 2002. Height 130 to 142 cm (granite alone : ​​30 to 45 × 23 to 27 × 4 cm). B...

Clean line console table in black and ivory lacquered linen with black granite top, custom design, American, 1970s. This piece is beautifully m...

Large granite oval dining table with beautiful natural stone pattern and a central leg. Very good condition, timeless piece 1970s - Belgium Height: 75cm Width: 180cm Depth: 100cm ...

This is a custom-made Black Granite and Chromed-Steel Dining or Conference Table, initially commissioned in 2006 by a Hedge Fund for use in their HQ. The top is comprised of high-qua...

Sculpture depicting a man head, made out of black granite, mounted on a square iron base with a brass support. Russia early 18th century.

Bronze abstract sculpture with applied verdigris patina mounted to a thick granite base. Signed by the artist. Dimensions 8" width x 3.25" depth x 13.5" height. Condition Good vint...

Knoll black granite and stainless steel side/end tables, 1980. Custom made for a Corporate Headquarters, top is incised with graphic grid pattern.

Rare Find, Only One Japan a handsome large oval shaped hand carved Tsukubai Water Basin crafted from a rare red kurama granite. Kurama granite is no longer accessible in Japan and...

Very elegant Italian coffee table handcrafted out of granite, 1980's. It has a very nice teardrop shaped top. It is made of beautiful granite. The base is made of two separat...

Pair of Tuscan Granite stone troughs Modern looking rectangular trough shape suitable for indoor or outdoor use. Ideal for patio, or walkway landscaping. Each trough has a draina...

French demi lune sideboard in mahogany. Empire, circa 1820. Two-door corpus in demi lune form. Mahogany veneered on oak. One drawer. Newer slightly overhanging granite top instea...

Striking solid bronze & green 1" thick floating solid granite top, and solid patinated bronze base, circa 1970's a one of a kind rare piece can be used in between club chairs or as e...

Mid-Century Modern Style 3D Cube Sculpture Offered is a beautifully unique sculpture. The piece is made of tube steel which has been painted silver. It is in good condition, showing...

Designed by Daniel Barbera the great dining table base consist of a singular bronze sculpted form paired with toughed grey tinted glass. The great dining table is the culmination of ...

This is a wonderful antique French Grand Tour bronze model of the Vendome Column, circa 1840 in date.   This splendid bronze features Napoleon I standing atop in his 'redingote' coat...

This configuration is for a pair of stereo floor speakers with built-in subwoofer. Our audio evokes the beauty and mystery of the northern lights in a...

Pair of modern black metal wine rest designed as a sculptural bar accessory. This wine rest holds a bottle at an angle, combining function with decorative appeal. The piece features ...

Abstract stone sculpture ‘Metropolis 4’ by Vittorio di Muzio (1924 - 2014), Italy 1986. Di Muzio studied sculpture at the l’Accademia delle Belle Arti di Brera in Milan and was train...

20th French ashtray made of solid granit stone in dark brown, elegantly decorated with a sculpture of three bronze figures of young kids watching a small frog on the other side. Pret...

A pair of carved white granite classical urns with floral decoration on the bodies. Custom-made marbleized wood pedestals. Measure: urns are 26.5 tall...

Amadeus Granite Dining Table with Quatrefoil Shape Top, Brazil

Unusual Tramp Art / Folk Art Wood and Stone (granite) Clock, sculpture. cabinet.. Amazing decorative item.Antique hand crafted,Stone ,granite cylinders,

Embracing Work of Art entirely hand-crafted in Italy of organic modern shape, realized in bronze, finished with hand-made patina in lapis lazuli turquoise blue color. Raised on black...

Abstract and Figurative Marble Hand-Carved Sculpture on a Granite Base Offered for sale is an abstract and figurative hand-carved marble sculpture raised on a granite base. The scu...

The Dose coffee table was developed because we needed a table for our family room that looked and felt softer than any of our designs from the past. We have always loved the idea of mixing and matching materials. So what’s cool about the Dose is that you can combine them in different colors and surfaces to add some interest to the room. We chose the performance velvet for the upholstery because it has such a soft look to it but it’s super durable. A versatile table with a stone surface that sits flush in the base. Suitable as a coffee or side table on its own, or pair them up to fill a larger space. Made by hand in USA Available in: Sand/ pink composition Sand/ ming green...

Spectacular Italian dining table made of granite stone. From the 1980’s. It has two granite stone pedestal based one of them has a small chip, other than that the table remains in g...

A pair of side tables made and designed by Cedric Hartman. These tables feature a new granite top with a beveled edge and a frame of stainless steel. Under the tabletop, on the metal...

Handcarved sculpture of a abstract shape in brutalist style, This sculpture with in a stunning pink granite texture emphasizes the strong abstract shape. This sculpture with its r...

This pair of cast and cold-painted sculptural horse head bookends are unsigned, but presumed to have been made in England in approximately 1960 in a realistic style. The well execute...

Amazing vintage burl wood and granite “Drum” coffee table, designed by Paul Mayen for Habitat International in the USA, circa 1970s. This exquisite table, professionally restored to ...

Post modern design table lamp made from a granite stone piece, with an integrated light bulb, chromed metal rod and a black an silver lamp shade. Be...

Conference table or dining table with high quality Star Galaxy granite plate oval. stands on 5 steel columns. ideal for the office or at home as a dining table. some scratches on th...

Sculpture made of lost-wax cast bronze with a granite base. The sculpture depicts the bust of Benito Mussolini, mounted on a parallelepiped granite base. The man is depicted in milit...

A sensational and palatially scale Continental 19th century Granite urn/planter. The impressive oval urn is raised by a rectangular shaped plinth below oval socle. Above is the Grani...

A pair of unique French Louis XVI style urn-form gilt bronze-mounted granite lamps. Each lamp is constructed in a classical urn shape, with a wide, rounde...

large scale pink granite urn-form jardiniere, 19th century France, mounted on a custom nickel plated base with Greek Key detail and ball feet on a custom made black marble plinth, Fr...

This configuration is for a single mono floor speakers without built-in subwoofer. Prices starts from € 7.950 / $ 8.450 Our audio evokes the beauty...

Pair of modern gold metal anemone wine rest in sculptural design. This decorative object is a functional wine holder designed to support a bottle at an angle. The piece features a cu...

Stainless steel base with granite top. High quality.

An American bronze table with acanthus leaf motif, granite top, and lower shelf, circa 1920's. This antique rectangular-shaped occasional table f...

This is a substantial Circular Coffee / End Table in Polished Steel and Black Granite, custom-designed by Davis Allen and Gordon Bunshaft for use in the Sears Tower in 1973. At the t...

Modern Gimonde Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde quartz dining table is a bold expression of exclusive design...

Hand-carved sculpture in moss green marble / granite on a polished round bronze plinth by the late Alice Ward. Her sculpture echoes a voyage of discovery in not just the visible natu...

Machined brass feet and banding with ring accents granite top side, end table, pedestal, or small gueridon. In style of Parzinger.

A striking Art Deco–inspired sculptural stone vase, expertly carved from contrasting light fossil marble and darker speckled granite. This bold geometric form features sharply facete...

This cylinder shaped table has a floating granite top. The granite top rest upon brass balls and gives this table a look unlike many of its kind. The base is constructed of walnut an...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Stunning mid-century square burl wood side table/end tables by Paul Mayen for Habitat International, circa 1970s. The olive burl wood side table has been meticulously restored, resul...

Mario Botta for Alias, dining table model ‘Terzo’, metal, granite, Italy, 1983 The ‘Terzo’ dining table features a long rectangular granite tabletop that consists of three parts an...

The Granada Round Coffee Table is a refined living space centerpiece. Its Absolute Black Granite top provides a subtle, monochromatic element to the design, while the simple and slee...

Infinite Ody Circular Seat in Paarl Grey Granite & Bronze by Jesse Ede Limited Edition of 5 Pieces + 2AP Dimensions: D 44 x W 201 x H 202 cm. Materials: Granite and brass. A bronze ...

Decorative object in antique brass and black granite, this set of two sculptural pieces is designed for indoor use. This decorative object in antique brass and black granite creates ...

Hemispheres is the act of creating both: the intricate and the simple. It's the tangible philosophy of seeing things in their most complex and basic form. It's a collection created b...

Teak Color Finish Wooden X Base Side Tables With Black Granite Tops

A magnificent pair of 19th-century Italian pedestal planters, expertly made from solid granite and displaying an impressive monumental scale. Each planter features a broad, rounded b...