Harewood Furniture

Presenting an absolutely stunning 19C French second empire style 2 tier console from circa 1860-80. This Console/Breakfast Buffet is of the HIGHEST...

An exquisitely crafted, rare wood charger/platter by American California master Woodturner Bob Stocksdale. Signed and marked ("Harewood from England"...

Attributed to BAROVIER & TOSO , Murano glass tourchon frame, although not signed , from the quality, design and era (1940s), can be attributed to Barovier & Toso. La cornice è in pe...

Quirky and diminutive Pembroke table having profuse inlay on harewood (stained sycamore) ground. Charming and somewhat naïve, but sincere nonetheless.

Venetian table that is carved with a floral and Foliate design in gold background and highlighted With silver edges. The foliate design is green with pale rouge flowers. The legs ar...

Cirano Castelfranchi Veduta del Naviglio a Milano di Via San Damiano dipinto ad olio su compensato di pioppo firmato da Cirano Castelfranchi, Milano 1912-1973. Il dipinto si presen...

Cassettiera cinese dei primi del 1900. Pharmacy cabinet from China, with 7 drawers in 7 rows (49 drawers) Each drawer has 4 scopes (each with Chinese writing that indicated the cont...

Rare pair of original table illuminators from the 1930s made by the Fontanarte company is designed by designer Pietro Chiesa in the era that together withL Arch, Gio Ponti performed ...

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...

Claudio Salocchi Rare container table in wood and aluminum alloy From the ELISSE series. SORMANI production 1966.

Sideboard made of ebonized wood and inlaid in different woods, England, 19th century, rounded body with glazed side doors and central door with medallion inlaid with dense whorls th...

A fine late 18th century Hepplewhite period harewood commode, green boxwood strung and padouk wood crossbanded throughout, having serpentine top with padouk wood central inlaid oval ...

A fine and rare George III centre table in the manner of Ince & Mayhew. In harewood with fine marquetry inlay. The shape is similar to some of the serpentine commodes of the 18th cen...

Baia is a chair in which the design intention was to soften the visual weight of the upholstered shell seat whole, to soften the profile. Upholstered seating is certainly of great co...

A rare pair of tables attributed to Donald Ross of London Constructed in citronnier, ebony and harewood, and dressed with a porcelain plaque in the 'Sevres' manner, and adorned wi...

A fine corner cabinet in the neoclassical revival taste firmly attributed to Maples & Co Constructed using the very finest timbers and workmanship, the lustrous satinwood counterpointed by inlays in specimen woods including sycamore and harewood; rising from turned and knopped legs, the single lockable blind door quarter veneered about a central roundel depicting with great depth and clarity a meeting between Cupid and Euterpe, the goddess of music...

An exceptional pair of Russian panoramic marquetry commodes by Nikifor Vasilyev, St. Petersburg, circa 1780. Each with it’s original eared and moulded bardiglio marble top. The fr...