Harewood Furniture

An antique two-panel wooden interior door, made in Italy, featuring distinctive artisanal craftsmanship. This is a double-leaf door made of solid wood and painted/lacquered in a dar...

Series of Six Prints with Popular Roman Costumes by Pinelli Bartolomeo dated 1831 Acquaforti reproducing costumes and scenes of popular life in the city of Rome. In good condition, t...

Italian Coffee Table In Gilded And Lacquered Wood With Rectangular Scagliola Top Masterfully crafted on Lake Como with gilded friezes from the 1700s. From northern Italy comes this e...

"Astral" is a modern and colorful coffee table to place near your sofas or armchairs. It has multiple functions and is a splash of color to be placed in the room. The plan is handma...

Pair of 1700s Italian Wall Decorative Panels, a pair of blue laquer vertical frieze dating back to late 18th century, with a stunning  hand-carved gilded relief  candelabra decoratio...

Presenting an absolutely stunning 19C French second empire style 2 tier console from circa 1860-80. This Console/Breakfast Buffet is of the HIGHEST...

Cirano Castelfranchi Veduta del Naviglio a Milano di Via San Damiano dipinto ad olio su compensato di pioppo firmato da Cirano Castelfranchi, Milano 1912-1973. Il dipinto si presen...

Quirky and diminutive Pembroke table having profuse inlay on harewood (stained sycamore) ground. Charming and somewhat naïve, but sincere nonetheless.

An exceptional mid-20th-century Italian Florentine wall plaque depicting a winged cherub (putto), beautifully hand-carved from solid wood and finished in traditional gilt leaf. Craf...

Abachus is a high table with a little extra, you can lean against any of its six arms while standing. Abachus is perfect for those occasions when a seated dinner would be too formal...

A Delightful And Charming Late 18th Century George III Period Harewood Tea Caddy, With Various Strung Decorations Throughout, The Two Oval Panels With Marquetry Inlaid Outer Borders ...

Solid walnut console table, from a northern Italian area with Venetian influence, datable to the first decades of the 19th century, in full Charles X taste with references still rela...

Rare pair of original table illuminators from the 1930s made by the Fontanarte company is designed by designer Pietro Chiesa in the era that together withL Arch, Gio Ponti performed ...

This exceptional demi-lune side table showcases superb eighteenth-century craftsmanship, executed with the finest gilding and composition work, and preserved in remarkable condition....

Venetian table that is carved with a floral and Foliate design in gold background and highlighted With silver edges. The foliate design is green with pale rouge flowers. The legs ar...

Highly important and palatial Napoleon III Louis XV Revival Ormolu-Mounted Marquetry Bonheur Du Jour by Charles Guillaume Diehl, Designed by Jean Brandely, The Marquetry by E. Varlot, Paris. The rarity & importance of this magnificent piece cannot be overstated, it is without question one of the finest examples you will see. Originally commissioned for European nobility as a statement of love and marital grandeur. Incorporating the finest & rarest veneers and timbers of the time, including Harewood, Thuya, Purpleheart, palm wood and tulipwood. The beautifully shaped ormolu gallery on the top, gracefully curving outwards inset with fretted heart shapes highlight the incredible attention to detail that flow throughout this majestic piece. The upper section set either side with ormolu mounted fluted pilasters, aside two doors both individually set with masculine & feminine central marquetry panels of the most supreme quality, as you would expect from the master E. Varlot. The colors incorporated in the inlay are outstanding to behold, simply perfection. Opening to reveal the double top & bottom lock, engraved with Diehl's mark and address. Internally veneered in Rosewood of the richest color with one shelf. With two drawers below the doors, both veneered on the inside with Sycamore, one fitted for inkwells. The ormolu edged writing flap again centrally set with both a male & female figure now seated, holding hands with the lady holding a Mandoline, a true sign of happiness & love. The writing flap opening to reveal the original richly tooled velvet leather surface. The stand with one central frieze drawer, again lined inside with rosewood and with a top and bottom lock. On ormolu-mounted fluted legs. This grand Museum Quality masterpiece is in excellent condition for its age. Charles Guillaume Diehl (1811-1885) was of Germanic origins, he is considered among the most important & influential of cabinetmakers of the 19th century. He was born in Steinbach, Germany later moving to France, establishing his atelier in Paris in 1840, at the 3, Rue de Thorigny and then at the 170, Rue Saint...

A gorgeous decorative suite of 18th century colonial Rococo chairs. Possibly from Brazil with Portuguese influence. Circa 1790. Immerse yourself in the timeless beauty of our exquis...

A rare pair of tables attributed to Donald Ross of London Constructed in citronnier, ebony and harewood, and dressed with a porcelain plaque in the 'Sevres' manner, and adorned wi...

A magnificent library table in the style of Robert Adam By Howard & Sons. Of free standing form, constructed using a field of finely grained sycamore, with precise use of its close ...

Baia is a chair in which the design intention was to soften the visual weight of the upholstered shell seat whole, to soften the profile. Upholstered seating is certainly of great co...

An exceptional pair of Russian panoramic marquetry commodes by Nikifor Vasilyev, St. Petersburg, circa 1780. Each with it’s original eared and moulded bardiglio marble top. The fr...