Sterling Silver Furniture

Pair of beautiful, George III Period, sterling silver gilt serving spoons, London, year-hallmarked for 1770, Thomas Evans and George Smith III - makers. E...

Late 19th century cut glass and sterling silver tableware / barware serving claret jug. The pitcher is hallmarked by an unknown maker, but clearly originated from Italy since it's 80...

Entirely handmade solid sterling silver centerpiece. The shaped and edged oval bowl with a double line rim, rests on a foot which is also oval shaped. The body of the centerpiece is...

A beautiful Arts & Crafts period sterling silver on bronze lidded canister, tea caddy, or cigar box with verdigris green patina. By Heintz Art Metal Shop (signed to the underside) ...

Salimbeni Pillbox in 925/1000 sterling Silver, oval section with lid with lost hinge, that is, semi-invisible. Salimbeni Pillbox has guilloche with Art Deco early 20th century styl...

Sterling silver photo frame. The frame was made in Italy by the Argenteria Raddi of Florence. The design is typically Libeerty with the characteristic flowers, festoons and ribbons...

Victorian, sterling silver-mounted hobnail-cut glass claret jug, with hinged lid, London, year-hallmarked for 1898, John Thomas Heath and Thomas Hartshorne Middleton (Heath and Middleton...

Chantilly by Gorham Exceptional Chantilly by Gorham Duchess sterling silver five-piece tea set - all hand chased. This set includes: 1 - Coffee Pot: Marked #732, measures 9" x ...

From the Stieff Silver Company in Baltimore, Maryland, a sterling silver liquor collar tag, circa 1930s. The rectangular and curved tag is engraved, Rye, in a block type with a deep...

Established in Venice in 1846, Missiaglia is one of the world's premier makers of the finest jewelry objects, as well as a select number of bespoke sterling silver tabletop accessories. This handcrafted stylized sea dolphin shaker and pepper mill showcase the skill of Missiaglia's artisans in rendering life-like plant and animal forms in pure sterling silver. The pieces depict stylized dolphins (fantastical sea monsters) wrapping around tridents. They are replete with incredible details including striated tails and fins, and incredibly fine demilune form scales. The pepper grind...

An exceptional, fine and impressive pair of antique Victorian English sterling silver wick trimmers; an addition to our silver flatware collection....

This is a vintage condiment set. An English, Sterling Silver salt & pepper shaker and mustard pot in Art Deco taste, dating to the mid 20th cent...

Rare assortment of 3 Elsa Peretti for Tiffany & Co. sterling silver belt buckles with 5 matching leather belts, from the 1970s, consisting of: a heart-shaped buckle, measuring 2 1/2...

Art Deco clear glass pinch decanter, dimpled on three sides and with silver overlay grid around the neck and a silver overlay collar, the shoulders and sides decorated with thistle l...

An exceptional, fine and impressive antique George III English sterling silver bachelor teapot; an addition to our Georgian silver teaware collection. This exceptional antique Edwardian sterling silver teapot has an inverted pear shaped form onto a circular spreading foot. The surface of the bachelor teapot is plain and unembellished. The upper rim of the body is ornamented with a band of cast and applied gadroon decoration all in a swirl design. This antique silver teapot is fitted with a hallmarked, domed flush hinged cover surmounted with an impressive and original, cast sterling silver flame style finial; the flush hinge indicates the high quality of the piece. This exceptional example of antique teaware retains the original C scroll carved painted wood handle featuring a plain scrolling thumbpiece and a cast silver leaf decorated design to the upper socket, This impressive example of antique silverware has a cast silver swan necked spout embellished with fluted decoration and applied leaf motif to the lip. The ornamentation to the underside of the spout incorporates a vacant oval cartouche below a shell motif. The cast circular spreading foot is encircled with further gadroon decoration to the rim. Note: This maker may have been recorded in the missing 1739-1758 Smallworkers' Register or the 1758-1773 Largeworkers' Register, determining this maker's mark to be classed as 'unidentified' in all documents. The mark has been discovered on other holloware items such as mugs, salts and sauce boats. Condition This antique silver teapot for one...

A magnificent, fine and impressive, antique Edwardian English sterling silver cup and plinth; an addition to our presentation silverware collection This magnificent antique Edwardian sterling silver trophy cup has a plain circular baluster shaped form to a circular spreading foot. The surface of this antique silver cup is...

An art deco guilloche enamel box designed by Deakin & Francis. This is a fabulous squared antique case-box, created in the city of Birmingham England at the silversmiths of Deakin &...

Sterling silver Kirk & Sons candleholders signed & S Kirk & Sons sterling silver bowl. Repousse pattern in pristine condition. Measures: Sterling silver candleholders - 4.5 x 4 St...

Incredible early 20th century floral wedding basket featuring an etched floral design on the bottom area and a garland scroll sterling silver overlay design on the top part. It is co...

A beautiful vintage Art Deco era sterling silver and enamelled cigarette case. The case has an erotic theme and features a lady topless in a reclined po...

An exceptional, fine and impressive antique Georgian English sterling silver locking tea caddy by Henry Chawner; an addition to our silver teaware collection. This exceptional antique Georgian sterling silver tea caddy has an oval form. The surface of the tea caddy is encompassed with bright cut engraved fabric swag designs and floral festoons, suspended from impressive spiralling foliate anchor-points accented with pensile bud designs. Each spiralling motif flanks a shield shaped cartouche displaying the contemporary engraved initials 'WM' and surmounted with a ribbon style bow. The upper and lower portions of the body are encompassed with engraved bands of chevron style decoration, in addition to an applied bead decorated border. This antique silver tea caddy...

An extraordinary sterling silver fish server. William Bateman produced it in 1830 in London. The engraving of a burning building was unfamiliar and fa...

Outstanding Colonial by Tiffany & Co. sterling silver Flatware set in large vintage Tiffany fitted chest -184 Pieces. This set includes: 18 din...

This amazing hard to find set of Kirk Sterling is in fine as found condition. Great addition to a set of Kirk flatware. Measurement's are taken from left to right as in the first ph...

Hawkes, Attributed Sterling Alternating Hinge & Cut Glass Olive & Twist Server, Circa 1930s  A rare and unique 1930s sterling and cut glass olive & twist server, attributed to T.G. H...

A very handsome pair of candlesticks that are sure to delight the buyer. They have a square base with a four leaf clover holding them up. There are leaves on each corner of the base,...

For 70 years, James Robinson has been selling exquisite handmade sterling silver flatware in Sheffield, England. Today, the silver is still made in the traditional way. They start wi...

A rare silver reliquary arm with relic bone, with the coat-of-arms of Cosme Roger (1671-1710), bishop of Lombez, France, with original bone relic Poss...

Large, sterling silver-mounted threaded crystal, cup-form match striker, Birmingham, England, year-hallmarked for 1897, Charles Mappin (of Mappin Brothers) - maker. Measures 4 inches...

An exceptional, fine and impressive antique Charles I English sterling silver chalice; an addition to our collectable range of 17th century silverware. This exceptional antique Char...

Elegant and timeless small salt & pepper by high end french brand Christofle. Made of 925 sterling silver and glass. Stylish and chic addition to your table. All sterling silver piec...

Pair of 1950s sterling silver small cherub candlesticks.3 cherubs holding a rose. 925 marked on the foot of one cherub.

PIerre Cardin rectangular vide poche change tray with clear glass and sterling silver / made in Italy Original mark on the tray Length: 8.5 inches / Width: 7 inches / Height: 1 inch ...

Edwardian, sterling silver chamber stick, Tiffany and Company, New York, inventory marked for 1902-1903. Measures 4 inches high x 5 1/2 inches in diameter x 7 1/4 inches across from ...

Legato by Towle sterling silver flatware set, 55 pieces. This set includes: 12 knives, 9" 12 forks, 7 3/8" 12 salad forks, 6 5/8" 12 teaspoons, 6" 1 g...

Round French Silver Deep Blue Guilloché Enamel and Crystal Table Box  Hallmarked with French Minerva on the silver rim  This exquisite round French ...

This Bolo Tie is made of leather and sterling silver. It has a Charoite setting in a beaded clam shaped shell.

A set of five hand made Sterling Silver highball or iced tea hollow sipping and stirring straws with abstract leaf shaped bowls. Mexico, Circa 1940s. The bowls are shaped as stylize...

Solid sterling silver ice bucket and lid, the bucket has two handles and incised geometric decoration. The bucket is stamped with Asprey's maker's marks, the sterling silver mark an...

Egg on tripod in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè, Russian Empire style inspired by Carl Fabergè eggs ...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Native American Shalako Kachina Pendant by Esther Wood. Esther Wood is a Navajo silversmith and jeweler. She has had several pieces in the Smithsonian. Thi...

Antique American hammered sterling silver trumpet bud vase, circa 1890's.

925 Sterling silver vase. The round pot-bellied vase was made entirely by hand and subsequently embossed with a torchon motif. The concave grooves have be...

An exceptional, fine and impressive, large antique Victorian English sterling silver tea caddy/biscuit box; an addition to our silver teaware collection. This exceptional antique Vi...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Rare and beautiful chess game in sterling silver and gilt (gold on silver) from Maison Boin Taburet With marble board, the pawns in Sterling silver and enamel at the base (missing e...

Hallmarked in London in 1793 by Henry Chawner, this handsome, George III, Antique Sterling Silver Teapot & Stand, is oval in shape, and feature...

Antique "Lily of the Valley" sterling silver serving spoon by Georg Jensen, circa 1910s. The spoon is in very good vintage condition and measures 9"L x 2.75"W and weighs approx. 105 ...

Happy to offer this sterling silver hand wrought tray by the Baltimore Silver Company. Designed and manufactured at the height of the “Arts and Crafts” (aka Craftsman) period it has...

A fine large serving spoon. By Gorham. In the Buttercup pattern. We think that this a rare solid oyster spoon. With a shaped bowl and thick gauged handle. Fully hallmarked to t...

Important solid silver coffee tea service finely chiseled in rococo style with a decoration of foliage, acanthus and cartridges on a mat back...

Antique English Georgian sterling silver 18-piece dessert service in case, Hallmarked "London, 1801." 18 Place settings, 36 Total Pieces. Measurements: Knives: .13 inches high ...

Unusual, Victorian, beautiful, all sterling silver gilt dresser jar, Dominick and Haff, New York, year dated for 1890. Lovely interlocking script m...

Ovalized handbag perfume holder in 925/1000 sterling silver with screwed cap with translucent fired enamel on guilloché. English style, early 1900s. Measurements: 1.5 x 2 cm, total h...

PRESENTING A GORGEOUS piece of DALLAS History, namely, an Early 20C European Etched Crystal Jug with Sterling Silver Base by Arthur A Everts of Dallas. Ci...

A fine Regency Period / George IV sterling silver coffee pot of baluster form, bearing partially rubbed London hallmarks with date letter for 1819 and makers marks for William Batema...

A sterling silver Georg Jensen meat fork, item #143 in the Beaded pattern, design #7 by Georg Jensen from 1916. Additional information: Materia...