Stoneware Furniture

A very large and unusual antique stoneware keystone attributed to Blanchard (unsigned), circa 1865. This huge keystone stands at 3ft tall and is detailed with the mask of a heavily ...

A wonderfully hand crafted and beautifully glazed Hagi Yaki Ware Chawan tea bowl by the 10th Shinbei Sakakura (X). This piece has quite a special feel to it. The Chawan radiates i...

Discover this unique large stoneware vase and plate set, crafted by the renowned ceramicist Antonio Salvador Orodea and the famous ASO Factory from the 1960s. This work is a testamen...

Handmade Minimalist Linen Shade Boho Decor Ceramic Table Lamp by Maku Ceramic Dimensions: Ø 12.7 x H 37 cm Materials: Handmade ceramic base with gold-tone metal accents All our lamp...

A wonderful Mid-Century California Studio Pottery or Asian art vase featuring an earth-toned mottled green and brown glaze and bamboo style embellishments/decoration on the rim. A v...

Set of five vases by Swedish Lillemor Mannerheim. Midcentury stoneware in organic shape with black glaze. It was designed in 1955 as part of the Mangania series. The Mid-Century Ston...

Cobridge stoneware trawler at sea, seagulls, rock table lamp, 27cm, 10¾” high Captures the atmosphere of a trawler returning to port accompanied by...

A beautiful and quite engaging sculpture/vase/vessel by American sculptor/studio potter/artist Warren Hullow (1938-2006). This piece, made of glazed stoneware, exhibits his very cov...

Canyons are formed by the process of long-term erosion from a plateau level. Then come the cliffs, remaining exposed on the valley walls. Ceren Gürkan is utterly enchanted by their m...

Here is a beautiful vase by Wilhelm Kåge. From the "Argenta" series, made in the 1940s by Gustavsberg. Glazed stoneware with makers mark. Good original condition except from a small ...

Unique Arq 009 vase by Raquel Vidal and Pedro Paz Dimensions: Ø 15 x H 23 cm Materials: hand-sculpted glazed stoneware. The Arq series emerged from our own past production. Draw...

One of a set of beautiful ceramics from Ciboure Pottery, this vase is decorated by Pedro Garcia de Diego (1904-1969)with a captivating arabesque pattern in blacks and browns on a neu...

Discover the timeless elegance of the "Tamnel" vessel by Claude Conover, a notable American ceramist (1907-1994), renowned for his intricate craftsmanship. This large ceramic piece, ...

Striking hand-built stoneware vessel or jar with lid features slightly tapered cylindrical body with sculptural round lid. The jar is decorated with traditional salt glaze, applied i...

A very fine midcentury handcrafted Studio Pottery yunomi decorated with brushed designs renowned potter Shoji Hamada (Japanese, 1894-1978) and probably made at the Leach Pottery in S...

This handcrafted ceramic stoneware bud vase by E. Harris is a striking example of studio pottery, combining sculptural form with expressive surface detail. The vessel features a styl...

Handmade Minimalist Linen Shade Ceramic Table Lamp by Maku Ceramic Dimensions: D 6 x W 20 x H 49 cm Material: Handmade ceramic base with gold-tone metal accents Lampshade: Soft cream...

Large Swedish Floor Lamp by Tomas Anagrius, circa 1965-70, for Alingsås Keramik Tomas Anagrius' ceramics are represented in numerous museums, including the Swedish National Museums ...

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

A large antique glazed stoneware recumbent lion statue, attributed to R. Brown & Son of Ferguslie Fireclay Works, Paisley, Scotland (1850-1938). Though unsigned, other known ornament...

A charming vase made by ven Wejsfelt. Made in Gustavsberg Studio and marked with the Studio hand. Modell "Castrol", and signed and dated 1981. Bright glaze, almost resembling a lemon...

Jomon Contemporary Fertility Vessel 12 by Noe Kuremoto Materials: White stoneware Dimensions: D 25 x W 28 x H 45 cm I’m a middle-aged woman who had babies late—too late, some might...

Large single table lamp model 141 designed by Gordon and Jane Martz for Marshall Studios (ca. late 1950s, USA). Composed of a matte brown glazed ceramic base with sgraffito weave dec...

A Chinese Mataban Stoneware Storage Jar 18th century The baluster body set at the shoulder with lug handles brown glaze Height 12.87 in Catalogue note The glaze is influenced by the...

Wonderful organic blue glazed ceramic table lamp with a wild silk shade by Ingeborg und Bruno Asshoff from 1980s. Marked on the bottom with worksho...

Signed: Bareff Guy Bareff's work over the last decade represents a renewed exploration of the visual vocabulary that characterized his powerful œuvre in the 1970’s. His new pieces r...

Amphora Vase by Moldra Dimensions: D 45 x H 40 cm Materials: Stoneware Moldra is a ceramic studio devoted to sculptural vases and objects. Rooted in the ancestral hand-building tech...

Aquilla vase by Cosmin Florea Unique piece Dimensions: W14 x D 30 x H 66 cm Materials: Stoneware Please note that this item is handmade and therefore unique; variations are to ...

Olé 3 Vase by Hania Jneid Unique Piece. Dimensions: Ø 19 x H 20 cm Materials: Stoneware, glaze and gold luster. Numbered Olé Vase in the collection Olé, a tribute to the Flamenco cu...

Signed: Bareff Guy Bareff's work over the last decade represents a renewed exploration of the visual vocabulary that characterized his powerful œuvre in the 1970’s. His new pieces r...

Striking, decorative and unique stoneware platter by Birger Kaipiainen. The platter is adorned with large stylized blossoms in nuanced shades of violet against a deep burgundy backgr...

Faceted Low Bowl by Sophie Vaidie One Of A Kind. Dimensions: Ø 43 x H 14,5 cm. Materials: Brutal Beige stoneware with fine chamotte. In the beginning, ...

Canyons are formed by the process of long-term erosion from a plateau level. Then come the cliffs, remaining exposed on the valley walls. Ceren Gürkan is utterly enchanted by their m...

Ash #8 wall light by Margaux Leycuras. One of a Kind, Signed and numbered. Dimensions: Ø44 x H40 cm. Material: Ceramic, black stoneware with burnished gold glaze. The piece is si...

This is a very rare, highly individual and very decorative, very large Lidded Vase in the Chinoiserie style with applied dragons, made by Mason's Ironst...

Pedetal Tables by Clément Brazille Material: Stoneware, turquoise glaze Dimensions: H 33 x Ø 27 cm / H 42 x Ø 27 cm / H 51 x Ø 27 cm Year: 2025 Unique pieces, dated and signed. -- B...

The Seeker’s Lamp by Deetee Home Dimensions: W 34.29 x D 34.29 x H 66.04 cm Materials: Stoneware All our lamps can be wired according to each country. If sold to the USA it will be ...

A wonderful small vase designed by Carl-Harry Stålhane for Rörstrand. Features a bulbous body and a longer thin neck. Stunning terra cotta color to complete the vase.

Staffordshire, England, circa 1745 – 1760 This charming and unusual figure depicts a seated cat, its body marbled in tones of buff, grey, and warm brown, the patterns flowing like fur beneath a translucent salt glaze. From the crown of its head rises a small candleholder—an enchanting, functional variation that transforms the cat into a decorative light for the Georgian home. The salt-glazed surface has a gentle satin sheen, enlivened by a cobalt wash brushed across the ears and shoulders, a subtle touch of color that draws the eye. The figure is compact and beautifully balanced, exuding both humor and grace: a work of wit and craftsmanship meant to charm and amuse as much as to illuminate. As a pair, this cat with candleholder and its companion cat carrying a mouse form a dialogue of light and life—one playful, one practical—representing the Staffordshire potters’ genius for turning everyday subjects into artful curiosities. Attribution and Significance Within the history of English ceramics, agateware animals represent the marriage of experimentation and domestic charm. They were objects of conversation—proof of a potter’s technical mastery and a household’s refinement. This cat, with its delicate candleholder, captures that artistic playfulness and innovation. The glaze’s clarity, the elegant pose, and the subtle marbling make it not only an artifact of mid-18th-century Staffordshire but also a small masterpiece of whimsy and craft. Scholarly Analysis and Authentication The figure is made from laminated clays of contrasting colors, known as laid agate, a technique perfected in Staffordshire workshops during the 1740s and 1750s. Strata of buff, pale grey, and iron-bearing brown clay were rolled together, pressed into a two-part mold, and luted along the spine before firing. The cat’s body thus shows true through-body marbling: the veining continues through the thickness of the clay, not merely applied on the surface. The candle socket, made from a single buff clay rather than agate, was luted to the head before glazing. This practical choice prevented distortion during firing and was a typical workshop economy seen in other mid-18th-century functional animal forms. The piece was salt-glazed in a wood- or coal-fired kiln into which common salt was introduced near peak temperature. Sodium vapor combined with the silica of the clay to form a thin, glassy coating. Here, the glaze is smooth and even, suggesting the cat was fired within a protective sagger. The underside of the figure is open, revealing the pressed-clay interior. Two or three very small stilt contacts are visible on the bottom ledge, confirming that the figure rested on kiln props during firing rather than being supported from beneath a closed base. The cobalt wash was brushed under the glaze before firing. It fuses permanently into the surface, creating soft haloes of blue wholly consistent with decoration on salt-glazed figures from the Whieldon circle circa 1750-1760. Later 19th-century reproductions employ overpainted enamels that sit atop the glaze. The open underside, authentic stratified body, integrated socket, and original cobalt staining collectively identify this as a genuine product of Staffordshire’s mid-18th-century agateware tradition, most plausibly from the orbit of Thomas Whieldon at Fenton Vivian or a closely related potter. The measured height, modelling, and marbling correspond closely to examples in the Burnap Collection (nos.. 362–363, Nelson-Atkins Museum) and Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Provenance / Condition: Current Condition: Excellent, with one ear repaired at the tip and restoration at the top of the candleholder; the glaze remains bright and continuous across the body and socket. References: Burnap Collection, English Pottery 1675–1825, nos. 362–363. Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755. Christie’s, London 2010, lot 82. 1stDibs “Staffordshire Agateware Pottery Saltglaze Figure of a Cat,” item ref LU95812370442 Price: $3100 Chipstone Foundation, Marbled Agateware: Techniques and Identification, 2005. Henry Sandon, Staffordshire Pottery, 1970, pp. 52–54. John Howard Antiques, Antique Agateware...

Miniature stoneware vase by french renowned ceramist Auguste Delaherche. Oxblood glaze. Signed. Made in his workshop Rue Blomet in Paris, France. Circa 1895 / early 1900s.

Organic Modern stoneware and metal wall light by Ceren Gürkan. Asea is a sculptural, made-to-order wall piece featuring individually handcrafted wavy textures in ceramic stoneware, p...

Small American studio pottery vase by Cherie Tekko of North Bend, Oregon, retaining the original paper maker’s label to the underside. The vase has a rounded bulbous body with a shor...

A striking and deeply expressive Scandinavian modernist studio ceramic bust of a child, created by Swedish artist Kari Landegren. Executed in fine stoneware with a tactile, matte bis...

This exceptional vintage ginger jar (or lidded urn) is a beautiful study in texture and subtle coloration, deeply rooted in the Wabi-Sabi aesthetic and the artistry of Mid-Century St...

Gerd Bogelund for Royal Copenhagen, Denmark Stoneware lamp with carved decoration body with Classic celadon glaze, 1960. Painted Royal Copenhag...

Lamp by Arne Bang, Danish 20th century Studio Potter. Built in two sections, the crown is removable to allow access to the light socket. Arne Bang (1901-1983) trained at the Royal...

This sculptural side table from the TWIST series is crafted in grogged stoneware, finished in a nuanced sand tone with subtle variations that enhance the perception of material and c...

A very decorative German brown stoneware jar from the 1st half of the 20th century. Suitable for 4 litre capacity, as indicated by the engraving "4L". Cool stoneware jars like thi...

Andersson & Johansson, Höganäs, Swedish Mid-Century Modern, Floor Vase, 1960s Large swedish modern vase designed by Andersson & Johansson for Höganäs in Sweden circa 1960s. This exa...

Antique English masons ironstone pitcher, circa 1880. As per the last photo, we have 2 of these pitchers listed individually and they are near ...

Bowl designed by Stig Lindberg, Gustavsberg Sweden, 1950s Stoneware. H: 14 cm / 5 1/2" L: 24 cm / 9 7/16" D: 25 cm / 9 13/16"

A charming Korean celadon glazed stoneware bowl with white and black sangam inlay, Goryeo Dynasty, 12th - 13th century, Korea. The celadon glazed stoneware bowl of generous propor...

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

COBRIDGE STONEWARE TRAWLER AT SEA, SEAGULLS, ROCK TABLE LAMP, 37cm., 14½” high Captures the atmosphere of a trawler returning to port accompanied by...

Bullet planter by David Cressey from the Pro/Artisan collection for Architectural Pottery. This stoneware planter is finished with the “leaf” texture. Dimensions 18.5" diameter x 20...

Set Of 2 Black & White Stilleto Cups in Glazed Stoneware by Muscellaneous Dimensions: Ø 10 x H 7,5 cm Materials: Glazed Stoneware Where coffee meets art & design. The Still...

Set Of 2 Bauhaus Mini Espresso Cups in Glazed Stoneware by Muscellaneous Dimensions: Ø 19,5 x H 33 cm Materials: Glazed Stoneware Color: Matte finish- Black+ speckled white An amalg...

Unique Arq 007 Musgo Vase by Raquel Vidal and Pedro Paz. Dimensions: Ø 15.5 x 15.5 cm Materials: Hand-sculpted glazed stoneware. The Arq series emerged from our own past product...

Italian ceramic decorative bottle by Bruno Gambone (circa 1990s). This sculptural work consists of a rectangular body with soft, curvy shoulders leading to a graceful, elongated neck...

A stylised 19th Century Marbleised Bathroom Bowl Sink ideal for positioning sunk into a counter or mounted on a surface or wall with wall-mounted taps. Fitted with the original wast...