Stoneware Furniture

European studio ceramicist. Vase in glazed stoneware. Beautiful crystal glaze in turquoise shades. Late 20th century. Measures: 25.5 x 16 cm. In excellent condition. Signed.

Gunnar Nylund stoneware "GN ARH" vase for Rörstrand, Sweden, 1950s. Blue hares fur glazed stoneware relief vase, 1950s. Signed with GN ARH. And R for Rörstrand. Dimensions: He...

This stoneware sculptural vase by American sculptor Eric Roinestad is the V140 design, created in 2019 and handcrafted in the artist’s Los Angeles studio. Executed in pale ivory ston...

A stylish antique art nouveau style stoneware pedestal sink with a white glaze finish and original nickel-plated fittings. This beautiful sink includes a range of character features ...

The finest examples of vases produced in collaboration between Edmond Lachenal and Emile Decoeur date from 1901-1904. This vase, with the word “original” marked on its underside, ind...

Gordon and Jane Martz floor lamp with coin tile mosaic table Model W4-45R Marshall Studios USA circa 1960's Walnut base with an integrated floating table inlaid with round matte bl...

Hand-painted Danish organic modern ceramic pitcher bottle vase with large handle on one side. Rippled body with slender neck and bright sea green glaze with large anthracite dots. La...

wonderful ceramic light No.5010, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte white glaze on a cork colored clay body with...

A beautiful stoneware vase with amazing off-white glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Good condition. Factory second because of firing cracks to the under...

Miniature stoneware vase by Carl-Harry Stålhane with an angular plump body contrasted with a straight, slender nozzle. Beautiful greyish blue glaze. Carl-Harry Stålhane was one of...

Danish Mid-Century Stoneware Table Lamp by Frank Tromborg for Axella, 1960s. Amazing Scandinavian Mid-Century Modern table lamp with blue glaze. Made in cooperation between Axella S...

A beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Impressed wit...

Figural table lamp Sitting stone cat god France 1940-ies. The object is from the Art Deco period and very finely worked in stone. The animal sits majestically and straight and radia...

This antique ten piece tea set was made by the renowned Wedgwood Company of England in approximately 1830 in a Neoclassical Revival style. The set is done in an unglazed stoneware 'Jasperware' with white over a deep blue ground. The set is composed of a large teapot, a large water pitcher...

Swedish Vase by Gunnar Nylund, Rörstrand ca 1950s Model 'ARN', first grade quality. Height: 20 cm/7.8 inch Diameter: 8 cm/3.1 inch Gunnar Nylund (1904-1997) was a renowned Swedis...

‘Dal Negative Circles Black’ ceramic vase This vase is part of a new series inspired by iconic Art (and more precisely paintings) movements. Here is our DAL model with motifs base...

Unidentified large Swedish ceramic table light signed CF or CE. It is executed in a vibrant dusty green glaze and displays elements of the Italian Sgrafitto technique. It comes mount...

A beautiful tea set made of black glazed stoneware, designed by Luigi Colani in 1973. Executed by Porzellanfabrik Friesland, Germany. All items are in excellent condition. The set co...

Beautiful pair of ceramic blue glazed table lamps with dark brown upper side by Danish ceramicist Einar Johansen. The lamps has oval reliefs and vertical rows. Very good condition! ...

French Art Deco Stoneware Vase by Gilbert Méténier (Gannat), France, circa 1920. This exquisite French Art Deco stoneware vase by renowned ceramist Gilbert Méténier is a stunning exa...

An absolutely stunning, beautifully shaped and textured Shigaraki Yaki-Ware Japanese pottery vase/jar/pot - produced sometime during the late Edo Period (1603-1867) or early Meiji pe...

Antique Stoneware Two Gallon Crock with Cobalt Blue Slip Trailed Floral Design. Circa 19th Century. Measurements: 9" H x 10" W x 9.25" D.

A serving dish in faience designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 31.5 x 10.5 cm (12.6" x 4.2") in diameter. It´s in excellent condition. This vase is pa...

A brown and grey-glazed stoneware table lamp designed and produced by  Søholm, Bornholm, Denmark, c. 1960s. Dimensions of Lamp (inches): 9.45” H x 4.45” Diameter Dimensions of Shade...

A Chinese molded stoneware figure on a custom display stand likely from Han Dynasty (202BC-220AD). These pottery figures were used as part of tomb accouterment for the burial practic...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

Glazed blue Egypt ceramic "Bamboo" vase by Raoul Lachenal Signed: "Lachenal R". France: circa 1915-1920 Private Collection, Amsterdam Christie's, Amsterdam, 15 November 2000, lot 125...

‘Rounds Pattern’ Handmade White Ceramic Vase This vase is part of a new series inspired by iconic Art (and more precisely paintings) movement...

Mari Simmulson for Upsala-Ekeby Stoneware dish, model 1029/177. Decorative ceramic dish in glazed stoneware with a relief floral pattern in shades of blue, green, and white on a brow...

Drenched in color, these ceramic garden drums are drip glazed in the manner of ancient Chinese sancai ware, cloaked in luminous shades of emerald green and...

Tête-à-tête tea service by Wedgwood A Black on yellow cane Jasperware wedgwood stoneware with black lines and scene of Putti A serving tea set with a serving plate, 2 plates, a tea...

A brown and beige-glazed stoneware table lamp designed by Bruno Karlsson and produced by Ego Stengods, Sweden, 1960s. Overall Dimensions (inches): 13.25” H x 8.5”  W x 10”  D Stated...

Rare stoneware figurine of a huge goat buck model no. 20853 designed by Karl Larsen (1897-1977) in 1947. Made in a serie of 15 numbers. This one is no 1 out of 15 pieces. It 's manuf...

Stunning and rare stoneware vase with AMAZING glaze. Designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Swedish Grace. Great conditi...

A brown-glazed stoneware table lamp designed by Bruno Karlsson and produced by Ego Stengods, Sweden, c. 1960s. Dimensions of Lamp (inches): 10.8125” Height x 5.0625” Diameter Dimen...

Scandinavian midcentury modern ceramic vase with chocolate and caramel brown colors on tiered geometric relief pattern. Designed by Göran Bäck for Finnish A...

A wonderfully crafted and beautifully glazed (in Fall greens and browns) large bowl/vase by renowned American potter Laura Andreson. Gorgeous in its Mid-Century Modern design and shifting colors. Signed on the base by Andreson. A quite special and rare work. Certainly, one of the best pieces of Andreson's work we have had the pleasure to come across. Highly collectible. Would be a great addition to any midcentury ceramics collection or a very eye-catching stand-alone work in about any setting. Andreson, who studied under Glen Lukens, founded and headed the ceramics department at UCLA from 1933-1970. Her work can be found in many collections and museums worldwide including: Metropolitan Museum of Art The Museum of Modern Art Museum of Fine Arts, Boston Smithsonian Museum of American Art The Los Angeles County Museum of Art The Walker Art Center The Nora Eccles Harrison Museum of Art. Her exhibitions include: 1937 Rene Rosenthal Gallery, New York City, New York. 1938 First California Ceramic Exhibition, San Diego, California 1940 Honolulu Academy of Art. 1947 Eleventh National Ceramics Exhibition, Metropolitan Museum of Art. 1970 Fredric Art Gallery, UCLA, Los Angeles, California. 1970 Laguna Beach Art Gallery. 1971 Mills College Art Gallery, Oakland, California. 1971 Hoover Art Gallery, San Francisco, California. 1971 San Diego Fine Arts Gallery, San Diego, California. 1971 Utah State University, Logan, Utah. 1972 Pasadena Art Museum, Pasadena, California. 1972 Ceramics West, Utah State University, Logan, Utah. 1972 Ogden Art Center, Ogden, Utah. 1972 Bower Museum, Santa Ana, California. 1973 Utah Museum of Fine Art, Salt Lake City, Utah. 1973 Clay and Fiber Gallery, Taos, New Mexico. 1973 California Crafts VIII, Crocker Art Gallery, Sacramento, California. 1974 California Ceramics...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Future Fossils End Table is the result of hand pressing slabs of clay into a plaster mold, using the collections texture. The cracks and defects of this type of assembly remain visib...

French Art Deco ceramic seagull statue by Moulin-des-Loups (Orchies), France, 1920s. Seagull with a fish in its beak. Height : 8.7"(22cm), Width : 9.1"(23cm), Depth : 4.3"(11cm). Mou...

A beautiful miniature stoneware vase with amazing dark blue-green hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1960s. Grea...

This is a very rare ironstone vase, in the Chinese style, all hand painted in the coloured dragon pattern, made by the Mason's factory in the early 19th century. Both the vase shape and the pattern are very rare. The vase has a bottle shape with a fairly tall neck, having two dolphin head handles, with attached loops. (NOTES ON SHAPE This vase style is a copy of a much earlier Chinese bronze vase shape produced in the Ming, Hongwu period of 1368 - 1398, which had similar decorative animal head side handles with loops. ( See the book Chinese Ceramics by He Li, page 216, published by Thames & Hudson. ). Also On view at The Met Fifth Avenue in Gallery 204; The square handles and rings illustrate the metal origins of the shape of the vase. Similar examples have been excavated in Chinese tombs dating to the fifteenth and sixteenth century, suggesting that the shape was particularly popular at that time.) This vase is beautifully hand decorated in a more complex variant of the Coloured Chinese Dragon pattern, with strong coloured enamels depicting a green dragon on one side and a pink dragon...

French Art Deco Stoneware Vase by DENERT & BALICHON (Vierzon), France, Circa 1920. This exquisite tri-vase, crafted from flamed stoneware, is ...

This sculptural ceramic wall mirror embodies an organic, free-form silhouette inspired by natural erosion and irregular landscapes. The frame features a fluid, asymmetrical contour w...

An " Herbarium " Ceramic Coffee Table by Roger Capron Vallauris France 1970's. Attractive oval shape. A rare model combining sandstone and white ceramic. Signed R. Capron In good...

Danish Mid-Century ceramic table lamp of the 1960-70s. Glazed stoneware. Organic style, glazed in brown / beige with an impressed pattern. Rattan lampshade of the period in very nic...

A lovely rare late 18th century French ironstone pitcher for olive oil, HUILE D' OLIVE. A beautiful and quite a rare piece as I've never seen another for olive oil. The glaze is crac...

A pair of blue-glazed stoneware and white fabric table lamps produced by Søholm Stentøj, Bornholm, Denmark, 1960s. Wear consistent with age and use. Dimensions of Lamp with Shade (...

Wilhelm Kage studied painting at art school and worked as a poster artist after graduation. As art director of Gustavsberg from 1917, he laid the foundations for modern design in Swe...

Large and unique stoneware bowl designed by Stig Lindberg and produced in Gustavsberg studios in the 1960s. Graphic pattern with a beautiful turquoise matt glaze. Marked with sig...

Midcentury French ceramic lamp by Marcel Giraud - Vallauris - 1960s. It is a beautiful handcrafted table lamp both raw and elegant that can blend either in a country chic atmosphere...

Stoneware and metal sculpture of a wading bird. Glazed stoneware. Brazed metal. Feathers at the tail and at the back of the head made in ceramic and metal wire. Raphaël Giarrusso ...

A very rare Bird figurine, by Lisa Larson for Gustavsberg from a limited studio production known as "Fåglar" from 1964. This is typical of Lisa Larson's Scandinavian minimalism, a ni...

Art Deco slender cylindrical fluted vase by the Danish ceramist Arne Bang (1901-1983). The vase is decorated with speckled brown and earthen color glaze. Marked on bottom with mono...

Wilhelm Kåge white ‚Carrara‘ glazed ‚Våga‘ (wave) bowl for Gustavsberg in the late 1940s to early 1950s, hand-crafted in Sweden. Very good condition with normal signs of use and ag...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

One of a kind Swedish Mid Century Modern ceramic and opaline glass pendant by Tilgmans Keramik and attributed to renowned artistic designer Marian Zawadzki. Exterior glazed to depict yellow and blue butterflies, white flowers and leaves on a striped background made with the sgraffito technique. Perforated golden metal top and milky white opal...

A fine and large Chinese brown ochre glazed stoneware storage jar, commonly known as a Martaban or Martavan jar. Shoulders decorated with pearls and five lion heads molded in relief...

This gorgeous antique creamy white ironstone soup tureen dates from the very early 20th century, and is part of the 'Regent' series by reno...

This classic Scandinavian Modern Vase is from the Argenta series designed by Wilhelm Kåge for Gustavsberg. A beautiful example of Swedish Grace and Mid-Century design, the elegant va...