A Large Round Python-Skin Mirror signed Karl Springer

About the Item

A Large Round Python-Skin Mirror signed Karl Springer, USA, 1985 A superb large round mirror by Karl Springer in pink faded to mauve python skin. Two concentric circles create a 6" wide frame with two large bronze mounts each 4" deep and 8" wide. The skins all masterfully matched as only Springer could - each laid against the frame full width and perfectly book matched. It's interesting to note that Springer was trained and began his business as a book binder using exotic leathers. This mirror represents the best and rarest of Springer's work and is signed and dated in leather on the reverse Karl Springer, 1985. Acquired directly from the original owner. Ideal as an over-mantle mirror.

Creator:
Karl Springer (Designer)
Dimensions:
Height: 43 in (109.22 cm)Diameter: 43 in (109.22 cm)
Materials and Techniques:
Leather
Place of Origin:
United States
Period:
Late 20th Century
Date of Manufacture:
1985
Condition:
Excellent original condition.
Seller Location:
New York, NY
Reference Number:
1stDibs: LU800845030902

Shop All Karl Springer

Karl Springer

The Berlin-born, New York–based designer Karl Springer brought a chic, high-fashion sensibility to his coffee tables, mirrors, Lucite lamps and other furnishings. During his heyday in the 1970s, Springer’s work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal.

In a sense, Springer was a pre-postmodernist. Much as the dull, safe, corporate sameness of late 20th-century modernism prompted Ettore Sottsass, Michael Graves and others to explore new and provocative structures and materials in design and architecture, so, too, was Springer driven to enliven his creations with fresh and alluring energy and sleekness.

Springer came to New York in the late 1950s and found work arranging window displays at the department store Lord & Taylor. He had studied bookbinding in Germany, and, using his meticulous skills, he began crafting desk accessories wrapped in leather as a sideline. These pieces were sold in luxury stores like Bergdorf Goodman and drew a sophisticated clientele that included the Duchess of Windsor.

By 1965, Springer had established his own Manhattan atelier. It was Pierre Scapula, decorator to Jackie and Aristotle Onassis, who spotted Springer's disco-era Onassis chairs — which didn't yet have a name — first commissioned for a private residence in Acapulco, on the floor of the designer’s East 61st Street showroom. Jackie ordered barstools for the couple’s yacht, the Christina O, and dining chairs for their house on the Greek mainland.

At the time of his death, Springer had showrooms as far afield as Los Angeles, Tokyo and Munich.

The chairs, tables, credenzas and other furniture forms Springer created are generally simple, but substantial, and often have robust, rounded lines. The appeal of his work lies in Springer's insistence on exacting construction and, above all, his eye for unusual materials and finishes.

Springer employed Lucite, brass, and gunmetal along with chromed and polished steel, and revived exquisite finishes rarely seen since the days of Art Deco masters such as Émile-Jacques Ruhlmann and Jean-Michel Frank: shagreen (a type of sharkskin), python, goatskin, bone, horn, and lacquered parchment, as well as fabrics that include batik prints. Made of such materials, Springer’s work is by its very nature flamboyant and eye-catching: a suite of pieces will astonish, and an artfully placed side table in exotic hide will add a surprising spark.

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