Chinese Furniture

A pillow made from a worn 19th-century Chinese rug. Zipper closure and insert included. Measures: 19” x 22''.

A Chinese Qing Dynasty period elmwood cabinet from the 19th century with tapered silhouette and two drawers. Created in China during the Qing Dynasty era, this elmwood noodle cabinet...

1960s Hand-Painted 4-Panel Folding Screen The screen features a painted traditional landscape and "figures in pavilions" design on both sides. One with a red background, the other bl...

Antique Chinese Lacquered Flip-Up Travel Shaving Jewelry Box Vanity Mirror Vintage Wooden Jewellery Box & Mirror Decorative Box & Lid Hand P...

Painted with overglaze enamels in the famille rose style, this small porcelain dish has a colorful design of four flowers representing the seasons. Rendered in shades of pink, green ...

Glazed in the classic, blue-and-white manner, this petite porcelain box offers a blessing of happiness and good fortune. Painted on the lid is the symbol for "double happiness" (shua...

Grand Chinese export post republic period eight panel coromandel screen featuring a waterscape decorated with blossoming lotus and birds....

Pair of antique celadon French oil lamps made with Chinese porcelain. Bronze doré bases and bases. Floral and court scenes. Measurements: Height: 22" Di...

A simple but chic early 20th century Chinese Art Deco rug with two large floral clusters in opposite corners, one with chrysanthemums and the other with peonies, and surrounded by a ...

Carved Cinnabar Lacquer Vase Chinese cinnabar lacquer vase finely carved with a garden scene featuring a seated robed figure, trees, rocks, and layered foliage. The detailed landsca...

Description A very nicely decorated SET of 6 dishes in Blue, Gold and white, Yongzheng Period. Decorated with flowers Condition Dish 1 with a chip, a hairline and some frits. Dish 2...

A collection of 50 stone houses from around the world that make the most of this extraordinary, tactile material Stone has an enduring appeal and has been used to build homes for centuries. Remarkably diverse and versatile, it is available in a multitude of colours and textures, ranging from the refined elegance of sleek white marble and polished granite to the rustic charm of grey slate and beige travertine. This carefully curated selection of 50 stunning houses from all over the world – from imposing mansions to tiny cottages – shows, through interior and exterior images, how leading architects from around the world have harnessed the beauty of stone to create exquisite houses in an inspiring array of styles. Featured architects and buildings: Además Arquitectura (CM House, Canning, Buenos Aires, Argentina); Ap Valletta (The Coach House, Balzan, Malta); B. E. Architecture (Armadale Residence, Melbourne, Victoria, Australia); Bard (Cruachan Beag, Isle of Eriskay, UK); Beef Architekti (Casa Fly, Palma De Mallorca, Mallorca, Spain); block722 (Viglostasi Residence, Syros, Cyclades, Greece); Carl Fredrik Svenstedt Architects (Casa Ward, Sarnano, Le Marche, Italy); Charged Voids (Residence 145, Chandigarh, India); Cubo Design Architect (C4L, Tokyo, Japan); Daniel Joseph Chenin (Fort 137, Las Vegas, Nevada, USA); DDM Architectuur (House B, Antwerp, Belgium); Ensamble Studio (The Truffle, Costa Da Morte, Galicia, Spain); Frank Lloyd Wright (Fallingwater, Mill Run, Pennsylvania, USA); Giordano Hadamik Architects (Villa Nemes, Liguria, Italy); Hw Studio (Enso II, San Miguel De Allende, Guanajuato, Mexico); Kengo Kuma (Jeju Ball, Jeju Island, Jeju, South Korea); Kropka Studio / Klub Architekci (House in the Landscape, Zawiercie, Poland); Leonel Marques Rodrigues (Casa Do Penedo, Moreira Do Rei, Fafe, Portugal); Lorenzo Guzzini (Villa Molli, Sala Comacina, Lombardy, Italy); Malik Architecture (House of Solid Stone, Jaipur, Rajasthan, India); Mar Plus Ask (The Olive Houses, Tramuntana Mountains, Mallorca, Spain); MASASTUDIO (Stone Court Villa, Paradise Valley, Arizona, USA); Matías Zegers Arquitectos / Catalina Pacheco (Casa Tapihue, Casablanca, Valparaíso, Chile); Mold Architects – Iliana Kerestetzi (Ncaved, Serifos, Cyclades, Greece); Nathanael Dorent Architecture and Lily Jencks Studio (Ruins Studio, Dumfries, Dumfries & Galloway); Neil Logan / Norman Jaffe (Heller Lane, Long Island, New York, USA); Nomo Studio (Stone House, Menorca, Spain); OBBA (The Layer, Ganghwa, South Korea); Olson Kundig...

Large carved wooden and partially gilt bird cage, 14 by 14 by 30 inches, with its original three white porcelain feeding bowls and two yellow glazed bowls, plus a taxidermy figure o...

Extraordinary Chinese export four-panel coromandel screen featuring a pagoda pavilion landscape with a dramatic gold leaf background. The black lacquered panels are incised with vibr...

Intricately carved wood and bone inlaid pair of Chinese foo dogs. Very unique and wonderful. We haven't seen another pair quite like them. Sure to stand...

Pendant lamp 'CIRCLE' by Buzao x Bentu design. Black lava stone Size: 15 cm high, 13 cm diameter Wire: 2 meters black (adjustable) Lamp type: E27 LED...

A porcelain Blanc de Chine Guanyin statue standing on a fine lotus flowers and leaves decoration ; China circa 1900. This is a tall piece to place on a large mantel or a commode, the...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

Duo salt and pepper grinder creates a playful, sculptural addition to any dining setting. The ceramic mechanism is enclosed within its tactile casing, combining style and functionali...

A wonderful and rare circa 1830 Chinese export reverse glass portrait painting of unusually large size of a lady in traditional robes holding a closed fan shown sat in front of black...

An early 20th century Chinese Art Deco rug with a tone-on-tone gray field surrounded by a wide gray border, and indigo scholar's vases in opposing corners each potted with auspicious...

Dazzling Chinese export lacquered four-panel coromandel screen featuring a flora and fauna waterscape with stylized cranes. The carved lacquer panels...

This antique Chinese export porcelain dish was hand-painted in the mid-18th century in the Qianlong Era. It features a blossoming plum tree adorned with orange, blue, and gold flower...

Elegant Pair of Chinese Blue and White Porcelain Fish Tail Lamps on Gilt Bases. 20th Century.

Pair of Blue and White Chinese Porcelain Jars with Foo Dog Finials. Jars feature dragon motifs. Jars are in the traditional baluster shape and lids have a do...

Relief made of carved and gilded wood. Some chip and repairs. Differences in shade. Wear due to age and use.

A Chinese Qing Dynasty period altar console table from the 19th century, with carved apron and side stretchers. Created in China during the Qing Dynasty, this altar console table fea...

19th Century Chinese Silk & Metallic Thread Meditation Carpet (4' x 7' – 122 x 213 cm) Silk pile of Asymmetric Knots with Gold Metal Thread Brocading Inscribed: “For Palace of H...

Pair of Chinese carved stone foo dogs. Very nice substantial size. Each with moveable ball in mouth. 6.5" x 4" wide 9" tall. Add some Asian style to your design project.

This antique Chinese ginger jar, from the Qing Dynasty, is beautifully decorated in the Famille Rose palette, known for its delicate pinks, greens, and intricate detailing. The jar d...

A lush and lyrical composition, this early 20th-century Chinese Art Deco rug brings together bold color, cultural symbolism, and painterly design. At its center, a floral medallion b...

China / 19th century / “Qing-Dynasty” cabinet or wardrobe / wood, copper / Antique A large Chinese Qing Dynasty period cabinet from the 19th century with accordion doors and drawer...

This is a beautifully hand-painted Chinese Export porcelain blue and white, large deep plate or dish which we date to the Qing, early 18th Century, Yongzheng period, Circa 1730. The...

This vintage Chinese trunk captures attention with its vibrant green painted finish, softened by areas of natural wear that reveal its age and hand-crafted origins. Rectangular in fo...

A Mid 20th Century Chinese Blue and White Porcelain Vase Mounted as Table Lamp Measures 5" in width x 5" in depth x 20.5" in height x 30" to the top of the porcelain finial

20th century Asian three-panel screen or room divider in red with palm leaf decoration. Striking crimson red will accent any room. Good vintage condition with age appropriate wear. ...

a poetic interplay of light and form, the inyo floor lamp embodies the balance of opposites. its sculptural shade—formed from layered translucent panels—diffuses a gentle, ambient gl...

A 19th century Chinese carved wood stand with rose marble top. Measurements: Height 37.5" Diameter 16.5".

Famille rose Chinese porcelain bowl with hand-painted enamel dragon motifs on a field of colorful geometric elements, the border with florals and leaves, orange trim. The white porce...

Early 20th Century Chinese Tibetan Saddle Cover ( 2' x 4' - 62 x 122 ) This exceptional pair of small, hand-knotted textiles represents a special...

Pair of 18th century Coromandel panels with Chinese Chippendale Frames. with a scene depicting figures with pavilions and having Chinese Chippendale ebonized fretwork carved frames.

Large 19th Century Canton Famille Rose Chinese Export Porcelain Celadon Platter. Decorated with butterflies , birds and flowers. 9.8 inches diameter.

A beautiful pair of Chinese Porcelain Qianlong vases, lidded ginger jars with the Qing Pottery markings. Hand painted designs are intricate and plentiful...

Lovebirds in Blossom: A Famille Rose Porcelain Plaque This beautiful Chinese Porcelain Plaque, dating to the 20th Century, captures a classic and auspicious natural scene in a horiz...

Console Table with Drawers combines elegant simplicity with practical design, making it an ideal piece for entryways, dining rooms, or hallways. Hand-painted in a soft Ivory Country ...

This pair of exquisite lidded Chinoiserie vases, or ginger jars, features an intricate, hand-painted polychrome decoration of flowers and foo dogs – mythical lion-like creatures that...

Vintage Chinese Qing Taizu Nurhaci Emperor Reverse Glass Hanging Painting ITEM DESCRIPTION: a beautiful reverse glass paintings. It has been in priv...

If you love the look of De Gournay wallpaper but not the price, this is for you. The colorways in this sections present our latest colorways, which can be applied to any designs a...

A very nicely decorated Plate, 4th quarter 16th century. Small dish on footring, wide flat rim. Decorated in underglaze blue with a striding phoenix in schematically rendered landsc...

From its very first year in 1964, Seletti in Cicognara, Mantova, has followed its principle of professionality service and constant research to strive for betterness innovation and o...

The Bold tables & stools are the recognition of materiality renewed, meant to be touched and used. BOLD is seamingly an easy oriental symbols, though it’s fate is no stranger to tha...

A late 19th-century Chinese Qing Dynasty altar chair, exquisitely handcrafted from hardwood and finished in a bold imperial red lacquer. This striking piece exemplifies the fine craftsmanship and technical woodworking skills for which Chinese artisans were renowned. Constructed using traditional mortise and tenon joinery—an advanced technique that requires no nails or glue—the chair demonstrates remarkable stability and artistry, hallmarks of Qing Dynasty furniture. The chair’s centre back splat features parcel-gilt cartouche decorations, each meticulously hand-carved and gilded with symbolic Chinese motifs and a central figural scene. The rich red lacquer and gilding reflect the traditional colours associated with good fortune and reverence in Chinese culture. Compact in stature, this antique altar chair...

This is a beautifully hand-painted Chinese porcelain Dish, dating to the middle of the 18th century, Qing, Qianlong period, circa 1750. The dish is circular, well potted, with rib...

Very decorative, hand painted, Chinese snuff bottle, made from porcelain, circa 1940s. The bottle has a narrow neck with a cone shaped stopper. The main decoration is hand painted.

'LV' concrete lightings designed by Cantonese studio Bentu design. Ceiling light LED GU10 7W 85-240V 80Ra 500LM 3000K (compatible with US electric system) Bentu Design's furnitur...

A Chinese Qing Dynasty period Elmwood wine tasting console table from the 19th century, with humpback stretcher and horse hoof feet. Created in China during the Qing Dynasty, this El...

A Chinese lacquered apothecary, circa 1820-1840. 77 drawers each with Chinese script for, herbs, minerals and natural remedies. Original restored lacquer with a wonderful warm color...

Large 8-winged lacquer shade, richly carved with garden scenes, symbols, ornamentation, trees and birds. Early 20th century. H. 224 W. 320 cm. Age-related wear; marks, cracks and cra...

Chinese Hardwood Console Table, with three short drawers and brass drawer pulls. 31.5" H x 48.5" W x 15.5" D. Provenance: From an East 80th Street, New York City Estate.

Six vintage Chinese cloisonné enamel vases, bowls / ashtrays, and vases featuring a variety of style and patterns, including cherry blossoms, chrysanthemums, peonies, and birds. Eac...