Wenge Armchairs

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

The Velo armchair by Uultis embodies sculptural simplicity, crafted entirely from sustainably sourced teak veneer. Defined by its dynamic silhouette, the Velo features an organically...

Incorporate this upholstered green lounge chair in your living room, or as a bold addition to a dining table or desk. Simple, striking, and deceptively comfortable despite its slende...

Set of rare design brass chairs. Low profile HEAVY brass dining chairs.

Elegant set of 4 model S83 chairs designed by Eugenio Gerli and manufactured by Tecno, Italy 1962. Made from black painted plywood these chairs have a robust metal structure for stre...

Amazing set of six bamboo rattan dining armchairs made in the Brighton Pavilion style. The chairs feature an intricate Chinese chippendale open fretwork design crafted from bamboo. The horseshoe shaped frame gracefully curves down to the arms and seat. Newly upholstered fitted loose seat cushions, webbing, and dust covers. The fabric has a laurel leaf style motif over a white ground. Beautifully crafted with a desirable aged patina on the bamboo finish. Rare to find a matching set of six. Provenance: From the estate of William Bernstein...

Gorgeous pair of velvet armchairs of English manufacture of the late 1800s. The beautiful armchairs have a walnut wood structure and have been lined with sand colored velvet tending...

1970s Mid Century Modern Milo Baughman style set of six chrome armchairs newly professionally reupholstered in super soft ivory white bouclé and attributed to Design Institute of Ame...

Classic mid-century french lines on this ''egg" chair upholstered in brown bouclé, on four conical walnut legs ending in brass spheres.

The P142 lounge chair, designed by Italian designer Eugenio Gerli for the renowned furniture manufacturer Tecno in 1969, is a true symbol of timeless design and exquisite craftsmansh...

Brown velvet armchair designed by Eugenio Gerli for Tecno, Italy. These beautiful ‘split back’ armchair sit very comfortable. Unique chrome casters (wheels). Original condition.

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...