Baroque Revival Armchairs

Baroque Revival white arm chair, of a heavily carved body, upholstered in silver-gray faux alligator skin, unmarked. Dimensions: 42.5" H x 33" W x 26" D; seat: 19.5" H. Dealer: S...

Pair of 19th century oak and leather armchairs circa 1890. Good quality pair of show frame wing back armchairs.  Complete with original brown leather which still shows traces of an ...

This chic and modern armchair by furniture manufacturer Dessin Fournir combines sharp lines with soft, cushioned upholstery. From Old World baroque to cutting-edge contemporary, Dess...

"Throne" chair with Ikat designer fabric, antique brass nail head detail & blanched hardwood in a natural finish.

European parquetry hall chair, with bone inlay creating hunting scenes in the late Baroque taste, upon four turned legs, circa 1900. Dealer: S138XX.

20th century pair of carved walnut Spanish Savonarola. You can use like an armchairs, swivel chairs, settee... it´s a very decorative and functiona...

Baroque pair of armchairs with gorgeous embroidered upholstery. Exceptional early 20th century pair of armchairs in stained beech and needlepoint upholstery, realized in the late Ba...

A large nicely carved pair of Baroque Revival style Walnut and Parcel-Silver Leaf Winged Throne Armchairs. The tall padded winged back armchairs, with scrolled carved walnut frames in a dark finish stain, each with finely carved open-armrests with parcel-silver leaf edges and clam-carved supports, raised on scrolled conjoined legs with wavy corners, all upholstered with a recent whimsical Scalamandre/Old World...

This is an early 20th century interpretation of an armchair inspired by the infamous, sumptuously, upholstered, 17th century, couch with hinged arm rests, found at Knole Park, Sevenoaks, Kent, the ancestral seat of the Sackvilles made by the most eminent upholsterer of the early 20th century. The original couch served the dual purpose of bed and settee, and is one of the earliest examples of English, upholstered, seat furniture. This is a particularly fine example, with a Morant & Co provenance. A matching 3-settee is also available The inside and outside back, wings, seat and cushion are upholstered in green strie velvet and trimmed in the traditional manner with matching braid and fringe. The strie velvet could be original, if this armchair has been lightly used, as there is significant fading from the original bright green. The adjustable padded wings are joined to the arms with original ratched iron hinges which are attached to the back. The arms are supported by oak turned uprights. The seat has a large loose cushion. Standing on original castors. English, circa 1900. Bearing the fabric retail label of Morant & Co Upholsterers, Decorators. 91 New Bond St., London. with Royal Coat of Arms, dated 1825, 1831, 1837 & 1890, founded 1790. During the late 16th-early 17th century a new form of day-bed was introduced to match the contemporary upholstered ‘X’ chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse’s engravings of domestic interiors but they were only found at Court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I’s execution a number of couches were included in the sale. Morant & Co (fl.1885-1915) The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded frames from early in the reign of George IVth, and his trade card describes the company as ‘Ornamental Painter and Paper Hanging Manufacturer to their Royal Highnesses’. Work was executed for Sir Thomas Lawrence, Sir Robert Peel...

Recently restored pair of vintage walnut framed barrel back chairs with white upholstery.

Antique Baroque carved walnut throne chair, circa 1880. The chair having a carved crest with a shell motif to the center flanked by a pair of fin...

1 poltrona , stile barocco Siciliano, originale anni 70, proviene da Palermo. Gusto e stile tipicamente Barocco, struttura in legno di ulivo con intagli a mano di altissimo livello artigianale. Tessuto Sanderson con disegni in velluto a rilievo e fili oro (rarissimo). presenta piccoli strappi nel tessuto . (vedi foto). per il resto e' in buono stato. sia i cuscini sotto che il fondo seduta sono rivestiti dello stesso tessuto, che eventualmente si può recuperare per sistemare lo strappo. eventualmente disponibili su richiesta 1 altra poltrona e divano 3 posti.

Versace original Vanitas gilt dining chair set of 4, Gianni Versace, 1994. The shape ' of the Vanitas took inspiration from a Louis XV chair bought ...

A fine Italian 19th century baroque revival style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolo...

Versace Original Vanitas Gilt Dining Chair Set of 6, Gianni Versace, 1994. Listing is for set of 6 (2 armchairs and 4 without arms). The shape of th...

- Attractive armchair injecting period character into any interior - Sturdy and suitable for regular use - This model of chair was made in plentiful numbers in the mid-17th century...

- Rare child's armchair or possibly a sample made when large country houses were being remodeled in the Baroque taste towards the end of the 19th and beginning of the 20th century. ...

19th century Spanish revival high back armchair with red velvet upholstery.

20th century carved walnut Spanish Savonarola, rocking chair You can use like an armchairs, swivel chairs, settee... it’s a very decorative and fun...

A fine pair of Italian 19th century Baroque Revival style carved walnut throne armchairs. The high-back frames with recent upholstered back and seat and open carved scrolled armrests...

Extremely decorative and impressive armchair from the Neo-Baroque period. Wooden body made of solid walnut. Upholstered seat and backrest. Cover made of high quality fabric. (C...

A fine French 19th century Louis XIV style Baroque Revival carved walnut throne armchair. The upholstered back and seat frame with open scrolled and carved armrests with carvings of ...

Recessionary armchair from the Neo Barrock period. Very fine carved and high quality. Fabric cover with floral pattern. (C-136).

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

The entire chair was gently restored, the upholstery fabric is the finest Alpaca bouclé, in a soft cream and blue check. The Alpaca is from the Sandra Jorday Pima Alpaca collection....

A fine and palatial pair of Italian 19th century renaissance style carved walnut figural throne armchairs. The intricately carved Baroque frames with the backrests depicting a pair o...

A fine pair of Italian 19th-20th century Baroque Revival style walnut figural carved high-back throne armchairs, each upholstered in a floral cream silk and gold fabric...

19th-Century Baroque Revival Armchair With Floral Upholstered Seat We present you a wooden Baroque Revival armchair with a softly upholstered backrest, armrests, and a spring seat. ...

Original Antique Venetian Baroque armchair in carved wood. This beautiful exemplary cream-colored lacquered armchair with golden threads is a Fine commentary on Venetian-style, cabri...

Italians midcentury pair of Baroque style armchairs 1950 covered in Ecru Linen fabric, internal padding in hypoallergenic material and the structure in golden walnut has had a conser...

Code: FI60 New upholstered 19th Century Antique Venetian Baroque Pair of Armchairs laquered and Gold Leaf. Armchairs in walnut with richly carved details. The Venetian duo would mak...

They can be sold separately Pair of Venetian Baroque chairs Louis XV decorated armchairs Hand-decorated with natural and white lacquered colors, padding on the tufted backrest, cover...

Extremely decorative and impressive armchair from the Neo-Baroque period. Wooden body made of solid walnut. Upholstered seat and backrest. Cover made of high quality fabric. (C-134)