Chenille Seating

This sofa is a stunner. Classic design meets contemporary allure with the exquisite creation by legendary designer Milo Baughman for Thayer Coggin. A masterpiece that seamlessly brid...

A stunning set of sculptural walnut lounge chairs by Erwin Lambeth, circa 1950s. Expertly restored to highlight the elegant curves of the walnut frames, these chairs have been reupho...

Early edition Le Bambole lounge chairs, Mario Bellini, C&B Italia, 1970s. Reupholstered in a fabric of stunning contrasting jute and soft chenille yarns. It’s a modern take on a tra...

Grand Pouf, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Grand pouf is a versatile piece that combines elegance with functionality. Its curved, sculptural d...

Beautiful curved conversation sofa with 4 seats with warm white chenille, designed and handcrafted by us with structure in solid wood. It's possible to customise the fabric; in the p...

Amazing set of 6 streamline chrome Italian dining chairs in the style of Willy Rizzo, newly re-upholstered in Chenille fabric, with minor wear and patina to the chrome due to age and...

Beautiful bench upholstered with forest-green chenille, designed and handcrafted by us with structure in solid wood. It is an object of high quality and refinement, ideal for giving ...

Chaise lounge designed by the American designer Adrian Pearsall. The structure of the cocktail lounge is made of walnut in a beautiful curved shape and covered in white chenille fabr...

A rare set of four Crucible Dining Chairs by Dan Johnson for Shelby Williams, circa 1950s. Fully restored by Stamford Modern, the walnut frames are refinished in a rich dark walnut, ...

Stunning set of three Palm Beach modern pencil reed rattan stools. Their sleek, sculptural design is perfectly complemented by luxurious off-white chenille upholstery from renowned d...

A stunning set of sculptural walnut lounge chairs by Erwin Lambeth, circa 1950s. Expertly restored to highlight the elegant curves of the walnut frames, these chairs have been reupho...

Pair of armchairs designed by the American designer Adrian Pearsall. The frame of these cocktail lounge chairs is made of walnut wood in a beautiful curved shape and upholstered in w...

Designed by Ignazio Gardella in 1957, the Digamma lounge chair is a comfortable chair with roots in the late Italian modernist tradition. Its rational construction features two geometric sections - the rectangular upholstered back and seat - bound by a firm upholstered frame. The black metallic legs are finished off with Gardella's iconic brass 'duck' feet. The armchair has a three-position reclining backrest offering additional comfort and adjustability. This chair is a custom version realized by Santa & Cole for Kabinet Hubert, upholstered and sewn by hand in an emerald green Lelièvre fabric. This soft and dense fabric is a delicate combination of chenille and bouclé yarns. Ignazio Gardella was a member of the so-called third generation of the Modern Movement. He is considered one of the greatest exponents of Italian Rationalism, although he followed its principles in a much more personal way, searching to overcome its limitations. In 1957, he created the Digamma armchair...

Green bedroom chair with brass feet midcentury Italian design Chenille Minotti.

Italian Midcentury "Sapporo" Nutwood Armchairs by Mario Marenco for Mobil Girgi A beautiful set of 2 walnut arm chairs, designed by Mario Marenco for Mobil Girgi, Italy 1970's. Bea...

Stunning and rare large sculptural sectional sofa by Wiener Werstätte, 1970. Very distinctive design and extraordinary shapes. New upholstered in a High quality terracotta color Pl...

An exquisite set of six 1930s French Art Deco gondola dining chairs, sourced from Provence, France. Expertly handcrafted from solid walnut, each chair features a rich, naturally aged...

Perfect proportions on this beautiful and rare modular design from IPE Cavalli in a gorgeous, deep emerald green, chenille. Subtle silhouette and pillowy cushions. Can be set up as multiple chairs by removing armrests...

An exquisite set of six 1930s French Art Deco gondola dining chairs, sourced from Provence, France. Expertly handcrafted from solid walnut, each chair features a rich, naturally aged...

This sofa is a stunner. Classic design meets contemporary allure with the exquisite creation by legendary designer Milo Baughman for Thayer Coggin. A masterpiece that seamlessly brid...

A stunning 1990s Preview organic form sofa upholstered in its original sea-foam green chenille. With its curvy silhouette and an aesthetic that was ahead of its time, it blends beau...

An exquisite set of six antique French dining chairs in the Louis XVI style, sourced directly from Provence, France. Each chair features a hand-carved, oval-shaped medallion backrest...

Capri Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe by GF Contemporary. The Capri pouf is a sophisticated addition to any space, offering both style and fu...

Mid-Century Modern Laurence Chair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Laurence dining chair is an arti...

Stunning and rare large sculptural sectional sofa by Wiener Werstätte, 1970. Very distinctive design and extraordinary shapes. New upholstered in a High quality terracotta color Pl...

Beautiful 1984, three-piece sectional "Sit Tight" sofa by iconic designer Milo Baughman for Thayer Coggin. The original owners reupholstered the sofa with a stunning cream colored, s...

Armchair in Chenille and Brass by Gio Ponti. Expert-crafted in Italy exclusively by Molteni&C. The end of the Second World War ushered in an era of creativity and it was no differen...

Ennio Chiggio “Environ” modular sofa for Nikol International, 1969 The Ennio Chiggio "Environ" sofa for Nikol International, designed in the 1960s, is a ...

Armchair designed by the American designer Adrian Pearsall. The frame of this cocktail lounge chair is made of walnut wood in a beautiful curved shape and upholstered in white chenil...

Early edition Le Bambole lounge chair, Mario Bellini, C&B Italia, 1970s. Reupholstered in a fabric of stunning contrasting jute and soft chenille yarns. It’s a modern take on a trad...

Handsome 1930s French club chair retaining original hide leather elements and partially reupholstered in an Anatolian Turkish Kilim chenille upholstery whose primary color is bisque ...

Italian Midcentury "Sapporo" Nutwood Armchairs by Mario Marenco for Mobil Girgi A beautiful set of 2 walnut arm chairs, designed by Mario Marenco for Mobil Girgi, Italy 1970's. Bea...

French Louis XvI Style Marquise Bergere Armchair & Ottoman with distinct design elements of the period including hand-crafted Gustavian inspired finish, carved rosette corners atop t...

Halden armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Halden armchair is inspired by the Norwegian border town of the same name at the mouth of the ...

Handsome vintage modern Drexel club chair & ottoman with original tan chenille fabric with welting trim. Chair has front casters & the ottoman has fo...

Really wonderful and uncommon chairs designed by Lawrence Peabody for Richardson Nemschoff. What we love is the delicate arms and frame in beautifully restored oiled walnut. To compl...

Add a touch of 1970s sophistication to your living space with this pair of modular chenille armchairs, designed to combine style and functionality. Upholstered in rich brown chenille...

An exquisite set of six antique French dining chairs made in the style of Louis XVI, sourced from Provence, France. Each chair features a hand-molded frame adorned with an oval-shape...

Beautiful armchair upholstered with creamy white chenille, designed and handcrafted by us with structure in solid wood, legs and armrests. It is an object of high quality and refinem...

Gorgeous late 19th-century French chaise lounge or daybed in the style of Napoleon III, sourced from Provence, France. Handcrafted from solid wood, it features an elegant oval back w...

This exceptional armchair was produced by a master cabinetmaker in Northern France in the late 1920s. The chair was designed for a private residence in the Roubaix region. The diffe...

Early edition Le Bambole lounge chairs, Mario Bellini, C&B Italia, 1970s. Reupholstered in a fabric of stunning contrasting jute and soft chenille yarns. It’s a modern take on a tra...

Cy Mann Designers collection Serpentine Biomorphic Sectional Sofa. Classic Mid Century style. In a blue/ purple chenille. Comes with 5 sections plus the ottoman. Structurally sound ...

Handsome 1930s French club chair retaining original hide leather elements and partially reupholstered in an Anatolian Turkish Kilim chenille upholstery whose primary color is bisque ...

This antique, early 20th century, Regency style barrel-back tub chair features a mahogany frame with spindle center that stands elegantly on slim square tapered legs with out swept b...

Transport yourself back to the sleek and sophisticated 1980s with this exquisite sculptural large chairs. The ultra rare barrel tub style chairs exudes an air of luxury and refinemen...

Antique set of six French dining chairs made in the style of Louis XIII style, sourced from Provence, France. Beautifully hand-crafted from solid oak wood featuring an elegant chapea...

An original 1950s mid-century modern tufted bench, meticulously restored to its former glory by Stamford Modern. Crafted from solid new ebonized mahogany, this timeless beauty boasts...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Solidly constructed of walnut, this armchair joins American craftsmanship with rounded mid-century lines. The seat and backrest have been upholstered in a soft chenille and the feet ...

A traditional set of six 1920s Fench Art Deco dining chairs sourced from Provence, France. Hand-crafted with precision from solid maple wood, each chair showcases a gracefully aged p...

Camaleonda, designed by Mario Bellini in 1970, is the sofa that defined the interior design aesthetic of an entire era, becoming an icon of Italian design. Camaleonda achieved wide...

A classic set of six 1930s French Art Deco dining chairs, sourced from Provence, France. Expertly handcrafted from solid oak, each chair features a beautifully aged patina in a rich,...

This rare pair of armchairs was designed by André Sornay and produced by his workshop in Lyon in the early 1950s. High, angled backrest in sapele mahogany with upholstered cushions. ...

Mid-Century Modern Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in cream Holly Hunt fabric. Destined t...

Late 19th-century set of six French dining chairs made in the style of Napoleon III, sourced from Provence, France. Beautifully hand-crafted from solid walnut wood featuring elegant ...

Stunning pair of upholstered Lee Industries swivel chairs. Neutral tan/gold upholstery with goose down wrapped seat cushions and 100% duc...

Early edition Le Bambole lounge chair, Mario Bellini, C&B Italia, 1970s. Reupholstered in a fabric of stunning contrasting jute and soft chenille yarns. It’s a modern take on a trad...

Pair of custom high end brown swivel club chairs. Beautiful condition velvet chenille fabric. Fudge Chocolate color. solid heavy well made chairs. No labe...

Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in beige Dedar chenille. Destined to beautify in any of i...

An exceptional set of 8 Regency dining chairs with caned seats & Klismos styling by Baker Furniture, upholstered in windowpane chenille ...

Ennio Chiggio “Environ” modular sofa for Nikol International, 1969 The Ennio Chiggio "Environ" sofa for Nikol International, designed in the 1960s, is a ...

An exquisite set of six antique French dining chairs in the Louis XVI style, sourced directly from Provence, France. Each chair features a hand-carved, oval-shaped medallion backrest...

Halden armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Halden armchair is inspired by the Norwegian border town of the same name at the mouth of the ...

A vintage set of four federal style dining side chairs from Drexel's New Travis Court collection circa 1946. These klismos style chairs feature an x-form and scrolled back, saber leg...

Warren Platner for Knoll, easy chair and ottoman, model '1705', steel, fabric, United States, design ca. 1962, production later. This iconic lounge chair by Warren Platner is create...

Pouf Ottoman, Contemporary Collection, Handcrafted in Portugal - Europe A comfy ottoman with a luxurious touch. Upholstered in light beige Dedar chenille and beige Dedar Wool fabric...

Stools from the turn of the 1960s. Beautiful yellow pattern high quality spanish gull lamadrid velvet upholstery. The stools consists of an upholstered part, a seat and wooden legs n...

An exquisite set of six antique French dining chairs made in the style of Louis XVI, sourced from Provence, France. Each chair features a hand-molded frame adorned with an oval-shape...

Set of 8 Mid-Century American lacquered mahogany dining chairs (2 armchairs, 6 side chairs) with high sloping backs and spindle finials, double padded seats and armrests upholstered ...

Eugenio Gerli for Tecno, pair of 'Sir' easy chairs, model 'P73', wood, reupholstered in 'Marabou' chenille by Dedar Milano, Italy, design/production 1966 Eugenio Gerli's design, mod...

An absolutely gorgeous Danish modern solid teak "Minerva" daybed / sofa by Peter Hvidt for John Stuart, circa 1960s. The piece is in very good original vintage condition with a brigh...

This important pair of armchairs was designed by Osvaldo Borsani and produced by Tecno in Como, Italy in 1954. The very rare P71 was one of the first designs produced by Tecno after ...