Chenille Seating

Designer John Hutton was a San Francisco designer, Who virtually created a genre of modern furniture. He came into his own after he became the influential design director at Donghia,...

The 'Ingrid' Lounge Chairs, designed by Bruno Mathsson for DUX in 1969, are iconic mid-century modern pieces known for their sleek Scandinavian design and comfortable, curved wooden ...

"Mantilla" sofa by Kazuhide Takahama for Simon Gavina. Early edition with dark blue chenille removable cover and black padded base. Japanese design essentiality meets extreme seating...

A sleek Mid-Century Modern Curved Chrome Frame Rocking Chair Upholstered In the original chenille. Insanely comfortable and relaxing chair. Classic look. Will go with many different...

Camaleonda, divano B&B 2 posti e divano 3 posti in tessuto bouclè, 1970 DESCRIZIONE In questa nuova versione, Camaleonda, con tessuto bouclè, conserva gli elementi che...

A Space Age armchair created by Italian designer BEKA in the 1970s featuring an elegant, curved silhouette with inset rectangular details along the sides. This sculptural armchair wa...

Particular Chair Italian design very chic, cherrywood, dark green chenille fabric, special brass foot.

Set of six Design Institute of America brass and chenille upholstered dining chairs with Art Deco details. Four side chairs and two armchairs with a thin but sturdy brass flat bar fr...

A refined and versatile seating option that seamlessly combines the natural beauty of wood with the cozy texture of chenille. Crafted with a light Oak finish frame for a sleek and s...

Orange chenille sofas, two and three seater, set of 2, 1970s Wooden frame, plastic feet. The backrest of both sofas has some slight signs of wear due to time. MEASUREMENTS 3-seater...

Red chenille upholstered chaise lounge, unmarked. In good condition. Wear consistent with age and use. Dimensions: 29" H x 74" W x 40" D; ...

With voluptuous curves and perfect poise, the Mid-Century Modern inspired La Folie Lounge Armchair exalts passion and fantasy as if you were in a burlesque show at Moulin Rouge. Let ...

Scandinavian modern, lounge chair produced in Yugoslavia features a minimal beech frame with high back scoop seat newly upholstered in rust chenille.  

- 102" length x 36" depth x 29" height x 24" seat depth x 16" seat height x 20" arm height - Upholstered in our Parchment Chenille Get ready to Bundt-ify your home with the most coolest sofa you've ever laid eyes on! Our Bundt Sofa is like a time machine for your behind - it's got the funky cool vibes of the 70s, but with all the modern comforts you need to binge-watch your favorite shows in style. Imagine sinking into its plush Parchment Chenille fabric, surrounded by curves and contours that cradle your body like a warm hug. It's like being wrapped in a cozy blanket, but without the risk of overheating or awkwardly trying to get up to grab another snack. And don't even get us started on the retro-chic design - it's like a work of art, people! Your friends will be green with envy when they see this baby in your living room. So go ahead, treat yourself to a Bundt Sofa and get ready to become the ultimate couch potato. Your behind (and your sense of style) will thank you. Shine by S.H.O, a leader in luxury home furnishings, proudly announces the launch of its newest brand; SHO MODERN...

These nice Pecan dining chairs are made by Drexel Heritage. There are 2 armchairs and 4 side chairs. The backs are made of cane and the fabric is c...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A Palm Beach Tropical Ottoman...

An elegant set of six French Louis XVI-style dining chairs, sourced from Provence. Each chair features a hand-crafted maple wood frame with an oval medallion back. Two chairs are sli...

Antique French Art Nouveau Maurice Dufrene Footed Barrel Back Lounge Chair and Tufted Back Boudoir Sofa in a Deep Red Velvet Chenille This Antique French Art Nouveau lounge chair ...

Set of four bleached mahogany frame and bent plywood back dining chairs with new textured black chenille upholstery. Made in West Germany and sold through Harvey Probber, Fall River ...

Stunning set of four, mid-century, art decco, upholstered dining chairs designed by the esteemed American designer Russel Wright for Conant Ball, circa 1940 feature a curvilinear, st...

A lovely pair of 1940s Austrian slipper chairs with matching throw pillows professionally reupholstered in the early 1990s in purple dupioni silk with chenille piping. Clean and cla...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Pair of Tufted Rounded Back Armchairs Custom-Made by David Easton. Tufted, rounded back and arms, tight seat with long bullion fringe. Classic form. Chenille and bullion fringe in po...

Sleek, mid-century modern, walnut frame, slipper chair by Kroehler is newly upholstered in sumptuous taupe chenille. With it's tucked sides and tapered legs, it's the perfect midcent...

Beige chenille sectional sofa, 3 pieces, 1970s More information on the article Plywood frame, polyurethane seat and fabric Measurements mod.1 - H48 x W190 x D120 Measurements mod.2 -...

Our custom individually hand-built large ottoman. As versatile as it is chic and luxurious. Created from ultra-luxe textural shearling textile, shown in Cloud color-way. Fully cushioned / solid wood inner-frame / superb quality. All soft and safe edge's and corner's. Impeccably styled and made by Fragments Identity...

Antique Renaissance Revival Figural Carved Framed Parlor Chairs Reupholstered in a Patterned Belgian Chenille - Set of 2 A stunning late 19th century American Renaissance revival hi...

Chocolate brown chenille sectional form sofa. Longer section measures: 95" wide and shorter section measures: 83" wide.

A set of four Aldo Tura side chairs. These are upholstered in brown chenille and have goatskin backrests. These would make great breakfast room or gam...

Stylish and refined chenille armchair with brushed aluminum trim, perfectly capturing the iconic Piazzesi style of the 1970s. A valuable piece of furniture, perfect for enhancing any...

Souffle Pouf Gun metal chrome base ottoman. Oversized Soufflé' Pouf Bench Ottoman. Bench has been newly reupholstered in black chenille weave.

Sleek Italian lounge chair in chenille velvet and metal by Augusto Bozzi for Fratelli Saporiti (ca. 1950) characterized by its wide, organic-form shell with winged arm rests and aper...

Beautiful antique mid 19th century Swedish Karl Johan period daybed. It has been upholstered in a rich chenille fabric and has retained its original durable horse hair stuffing. The...

A fantastic chair that has been stripped and bleached and reupholstered in a soft boucle fabric. It is very comfortable and very unique. NOTE: we have a SET OF SIX chairs that we are...

Good design is often born from a desire to challenge the norm. In the late 1940s, friends and collaborators Florence Knoll and Eero Saarinen found themselves disillusioned by the rig...

Small bench with backrest and four long legs in solid shellac-varnished maple. Upholstery redone in greige chenille fabric. Italy, early 1950s.

1950s Italian domed sofa attributed to the famous Milanese architect Guglielmo Ulrich.

Fantastic set of large 4 lucite game table chairs by Leon Rosen for Pace Collection. Super comfortable. Sold as a set of 4, "as is" / to be reupholstered.

Mid-century sectional sofa In the manner of Steve Chase Brand New Upholstery Overstuffed down cushions & pillows In excellent condition Measures: Height: 31" (Back) 3...

Vintage Baker Furniture English Oak Barley Twist Dining Chairs with Nailhead Finished - Set of 6 Gorgeous set of 6 vintage Eng...

Armless armchair with a black metal frame and hand-upholstered in ecru chenille fabric.

Kazuide Takahama design years 1972 sofa Antelami from Gavina/Simon International Italy Sofa peninsula set of 7 pieces in "chenille" textile is in good ...

Living room set by Paolo Buffa for Pozzi and Verga, 1950s, set of 3 Entrance hall with pair of brass chairs from the 1950s. The chairs measure H 135 x D 42 x W 42, and the seat heigh...

Hello Friends, and welcome to another unmissable offering from Lord Browns Furniture, the UK’s premier resource for fine Sofas and Chairs. On offer on this occasion is quite possi...

An elegant set of eight French dining chairs made in the style of Louis XV, sourced from Provence, France. Beautifully hand-crafted from solid maple wood, the chairs showcase a natur...

Mid-Century Modern Swivel Lounge Chair Newly Upholstered in a High End Ivory Chenille Add another comfortable seat to your living room while making a statement with comfortable acc...

This is a superb, rare B&B Italia Maxalto “Febo 2807T” Chaise Longue dressed in a peerless, elegant woven-chenille “Enia 777” fabric in a pink-violet colo...

Hello Friends, and welcome to another unmissable offering from Lord Browns Furniture, the UK’s premier resource for fine Sofas and Chairs. On offer on this occasion is one of the mos...

A 1970’s Swedish chaise lounge that is equally comfortable and nice to look at. Original chenille upholstery in a neutral brown, in very good condition. Called the ‘Fenix’ lounge...

This is a beautifully restored vintage dining chair, originally crafted by the esteemed furniture factories in Radomsko, Poland. With a history likely dating back to the 1960s, this ...

Featuring a woven chenille fabric cover with an intricate pattern inspired by desert landscapes, this oversized pouf adds texture and warmth to any space. Its generously sized struct...

Set of six waterfall dining chairs by Charles Hollis Jones. The chairs are upholstered in a beautiful bamboo patterned chenille fabric, three chairs are in a mustard tone color and t...

Industrial, tubular steel frame, chaise longue with segemented chenille cushion with custom leather tie buttons resting on an upholstered chenille backing and mesh frame.

Pair of midcentury lounge chairs by Karpen of California. This chic pair of Karpen lounge chairs will look great floating in a room. Stunning from all angles!

Superb plush Pace 6 cushion loveseat having super chic chrome surround and newly upholstered in neutral cream chenille. Very comfortable but compact. Arm height 28

Available today, this Brazilian Modern Armchairs in Hardwood designed by Giuseppe Scapinelli in the 1950s are nothing less that gorgeous! These armchairs exemplify the distinctive S...

Available now, this pair of chairs in Rosewood and chenille designed by Carlo Hauner is nothing less than spectacular! The chair structure has four long legs and five wood stripes ...

Sculptural chaise longue 1980 Paolo Passerini Minimal design, frame in black lacquered iron rod, cushion lined with chenille gray velvet.