Early Victorian Side Chairs

Quality antique Victorian pair of walnut dining chairs having a quality balloon back with a pretty carved top rail and a shaped carved spl...

Late 19th century very unique English side chair in solid oak with carved back in floral motif. Two long vertical open slats (one to each side of the back) add to the unique design o...

A pair of 19th century William IV period fine quality solid mahogany bar back side chairs with newly upholstered seats, in excellent condition. These strong chairs are designed with ...

Set of six side chairs in patinated leather on a solid beech frame. Made in Denmark in the 1940s.

A fine pair of antique hall chairs with carved relief decoration on the backs of a heraldic lion on top of a castle turret, likely English....

Pair of antique George III quality mahogany hall chairs having a quality carved mahogany scroll shaped back, solid mahogany seats standing on turned tapering legs to the front out sw...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Hello, This fine Biedermeier side chair was made in Vienna circa 1825. Viennese Biedermeier pieces are distinguished by their sophisticated proportions, rare and refined design, exc...

Pair of 19th Century Regency Klismos chairs. These elegant chairs feature ebonized hardwood frames, classical gilded detail, carved pied-de-biche and newly upholstered cream silk sat...

We are delighted to offer for sale this stunning pair of original Victorian Poker work hall chairs depicting Regency Armorial Crested Lions A very good looking well made and decor...

Antique Italian Renaissance Revival Oak "Savonarola" or "Dante" Chair~~early 20th Century These chairs, often called scissor or "X" chairs, are typically supported by two crossed or curved supports at the sides or back and front~~these chairs were given the name Savonarola in the 19th century after Girolamo Savonarola, an Italian priest in Florence from 1494-1498~~the design comes from an ancient Roman "X" shaped chair that was popular in medieval Italy...

An antique Victorian style side chair, unbranded. Solid walnut with decoratively carved open crest rail, curved back rest, floral fabric upholstered seat, decorative beading to apron...