Gio Ponti Dezza Sofa

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.

Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.

In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.

Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)

Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.

If an Italian soldier named Renzo Frau had never traveled to Great Britain and set eyes on a Chesterfield armchair, it is unlikely that legendary handcrafted furniture maker Poltrona Frau and its classic sofas, armchairs and vanities would exist today.

Upon completing his service in the Italian army during the early 1900s, the Sardinian-born Frau worked for faux leather manufacturing company Dermoide Patent in Turin. While at the firm, he was sent to England, where he became enamored with leather Chesterfield armchairs. Intrigued and inspired by their rolled arms and tall, imposing profile, Frau returned to Turin, where he started his own leather-upholstered furniture company, Poltrona Frau, in 1912. He began to import the sumptuous Edwardian seating for the high-end domestic market. 

Frau made slight modifications to the English seat that he’d so admired, and among Poltrona Frau’s first successful designs was an iconic armchair in 1919 appropriately called the Chester. Believed to have been custom-made for Filiberto Ludovico of Savoy, Duke of Pistoia, the Chester reflected the era’s emerging Art Deco style. Frau’s chair was comfortable and functional, and he implemented the traditional upholstery technique capitonné, which refers to stuffing that is buttoned. The Chester featured a pouf and an arm that was possibly included to hold the Duke’s ashtray. The seat’s high-quality craftsmanship and integration of exquisite full-grain leather made it covetable among Italy’s elite.

When Renzo Frau died in 1926, Poltrona Frau was appointed furniture supplier to Italy’s royal family. The company furnished grand hotels, designed the interiors for Expo Turin 1928 and outfitted an Italian transatlantic ocean liner. 

For more than a century, Poltrona Frau has collaborated with hundreds of leading architects and designers from around the world. It issued such iconic mid-century modern pieces as Gio Ponti’s Dezza armchair, the 1960s-era Dilly Dally vanity by Italian designer Luigi Massoni, stackable tubular steel Movie armchairs by Italian architect Mario Marenco and French architect Jean-Marie Massaud’s sleek, angular Kennedee office sofa.

Poltrona Frau has established showrooms all over the world and creates interiors for Italian automotive brands Maserati and Ferrari. The company is owned by Haworth and continues to introduce innovative, handmade home furnishings while occasionally gazing back into time — its Chester line, a modular seating system by Poltrona Frau CEO Nicola Coropulis and Roberto Lazzeroni, is a contemporary interpretation of the founder’s original Chesterfield-style seating.

Find vintage Poltrona Frau club chairs, coffee tables, desks and other furniture on 1stDibs.