Maison Regain Bench in Elm

William Emmerson "Ab Ovo' bench with solid bent walnut wood legs, woven leather cording and antiqued bronze stretcher. Elegant undulating shape and exquisite craftsmanship Handmade ...

Massive French primitive bench with wonderful patina and character. Solid and impressive in size

William Emmerson "Ab Ovo' bench with solid bent walnut wood legs, woven leather cording and antiqued bronze stretcher. Elegant undulating shape and exquisite...

Oak bench in the style of Charlotte Perriand - France, 1950s Large thick slatted wood top with three leg base Can be used as bench or coffee table Extremely heavy and well made ...

Rare and beautiful solid elm bench by Regain Dimension: 120 W x 55 D x 35 H circa 1970. Regain collaborated with Pierre Chapo Very nice workmanship Stam...

Atelier C. Demoyen, bench, solid elm, France, 1970s Atelier C. Demoyen (Claude de Moyen) gained prominence as a workshop recognized for crafting, among others, Pierre Chapo's design...

Bench made completely of solid wood in glued lists and legs in a continuous line with the seat. Available in the below dimensions: W.160 x D.42 x H.45cm W.180 x D.42 x H.45cm W.200 ...

Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...