Masonite Cabinets

For your consideration is this Charles and Ray Eames designed ESU 400-C for Herman Miller. This is the rarest 1st series ESU (Eames Storage Unit) A versatile case piece that makes a ...

Eames storage unit for Herman Miller made in 1994. Great colors and designs on plywood. Plenty of storage space with wooden panels on the top and bottom. Shelves and 3 drawers in the...

Early 20th century English haberdashery style cabinet of shelves or bookcase having 42 pigeon hole bin style cubbies. Each cubbie opening measures 20 inches wide, 20 inches deep, and...

This is a Steelframe No. 4000 Series Cabinet, initially designed by George Nelson for Herman Miller in 1950. Its model number is 4033. It features a frame of white powder-coated bent...

The relationship between the partitions ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. It is a one-of...

This is an original 1953 ESU 240-N Shelving Unit designed by Ray and Charles Eames for Herman Miller in 1949. This unit dates to 1953 and will be accompanied by its original receipt ...

Oak Cabinet with Blue Masonite Sliding Doors and Adjustable Upper Shelves. Upper pieces can be used or stored, turned on their side or use vertical. Great storage! Sliding Doors o...

Unit furniture of Philippine mahogany with white Masonite panels consisting of a module with sliding Masonite doors and a double wide module with an open front. Designed by Harvard-educated, Boston-area architect, designer, and urban planner Carl Koch as a corollary to his prefabricated Techbuilt houses and produced in 1955. Koch was a pioneering champion of prefabrication in housing in mid-century America, first with his much-publicized but ill-fated all-steel Lustron houses in the late 1930’s, then with his more successful wooden Tech-Built houses, introduced in 1953. In At Home with Tomorrow, his 1958 paean to prefabrication, he lays out his opposition to the traditional hammer-and-handsaw construction methods that remained dominant even with conceptually modernist structures. His designs generally hewed to a regional brand of modernism rather than orthodox international style, taking into account local topography and climate—his iconic form is an A-frame with a pitched roof, more sensible in New England winters than a flat roof (though there are such Techbuilt designs). The basic Techbuilt formula suggested that modular, industrial production methods of the components combined with knock-down shipping and on-site assembly equalled lower cost and less waste. Variety and individuality could be achieved in how the elements were combined. This underlying philosophy involving modularity, flexibility, and industrial production methods applied to Spacemaking furniture as well, although interestingly enough, the furniture design preceded the architectural application, as Koch (et al) had submitted a version to the 1947 MoMA Low-Cost Furniture Competition (and so these units also preceded the famous 1951 Eames Storage Unit, a conceptually similar idea executed with metal framing). The furniture line began with requests for freestanding wardrobe...

A solid maple desk or counter top organizer for The Hudson Valley Company and Troy Paper Corporations. Circa 1930-40. The metal horizontal tag has nice raised lettering advertising, ...

French Neoclassical Louis XVI Style Cream & Gold Painted Bar Cabinet by Decca (B). Item features a heavy two part construction with crackle distres...

Modular "Studio Group" cabinet composed of walnut with a white micarta top, lacquered masonite doors and panels, and angle-steel pulls and frame. The “Curtainwall” principle applied to furniture, allowing easy extension in either a vertical or horizontal direction. An elegant riff on the Eames ESU, designed by Norman Cherner (along with Matthew Cooper) and manufactured by the Multiflex Corp circa 1954. The Studio Group was featured in George Nelson’s Storage book and was a MoMA Good Design selection in 1954. The present unit has two sliding door cabinets flanking a bank of three drawers. Behind each pair of sliding doors is a black masonite bottom and white masonite back. The frame, which disassembles to a large degree, is held together with brass buttons that are optionally visible on the outside (MoMA preferred visibility as expressive and suitable to the piece). Cherner famously designed the narrow-waisted Plycraft armchair along with an award-winning furniture line for Konwiser and was the author of the 1953 book Make Your Own Modern Furniture. Along with a nine drawer chest of drawers and a double-tall unit...

Stacked and fastened "Studio Group" modular units composed of walnut, angled steel, and lacquered masonite. with sliding doors at top and an open compartment at bottom. The “Curtainw...