George III Furniture

A fine serpentine faded rosewood two door commode in the manner of Thomas Chippendale, the top banded and inlaid with satinwood starbursts at the two front corners, supported by clus...

Beautifully decorated with overall Chinoiserie decoration. The pair of doors opening to fitted drawers with brass ring handles. Raised on square tapered legs. From dealer Antique Por...

Antique George III quality mahogany fold over tea/side table having a quality mahogany fold over top opening to reveal a polished interior, mahogany shaped frieze, standing on four e...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

First Period Worcester Porcelain Vase, Queen Charlotte Pattern Dr. Wall period, circa 1770–1775 This First Period Worcester porcelain vase of shouldered ovoid form is decorated in t...

This is an elegant twin-pedestal dining table crafted in richly figured mahogany with a beautifully book-matched top showcasing warm honey, amber, and reddish-brown tones. The top ...

Fine George III mahogany oval breakfast table, the remarkable single plank top with vivid graining and lustrous finish, having reeded edge and original tilt top hardware, over vasifo...

Beautiful Hester Bateman George III period baby spoon with very fine scroll decoration and wonderful period engraved initials S. M. on the back. Rare, early highly collectible piece...

Antique George III mahogany blind door bookcase on chest. The top section with a dentil cornice and a crossbanded frieze, two fantastic mahogany pa...

Circa 1800 George III period set of 12 dining chairs, English. Mahogany. A long set of 2 arms & 10 sides made for a fine English Country House. Simply molded & carved shield backs wi...

This handsome 18th century Irish flip top game table on cabriole legs features a swooping acanthus carving on the knees of the front legs which end in foliate carved pad feet. The ba...

George III amazing cabinet desk or secretary in mahogany wood, brass and leather with a drawers attributed to Gillows of Lancaster, circa 1780. The secretary in the photo was exhib...

A superb pair of George III polychrome decorated open armchairs, attributed to Gillows, Circa 1785 in date. Each is superbly decorated with hand painted garlands, ribbon tied foliate trails, patera, bellflower pendants and demi-lune fan medallion. The chairs have shield shaped back with vertical medallion splats raised on square tapering front legs and splayed rear legs. They are beautifully upholstered in a cream floral patterned and buttoned fabric. Footnotes: A virtually identical mahogany open armchair, albeit one with carved rather than polychrome detailing to its frames, is illustrated in S. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. I, 2008, Woodbridge, pl. 124, p. 165. A closely comparable design appears alongside, with the description: 'The five-splat chair...

Four shaped panels comprise the back of this antique settle dating to the era of George III. The upholstered cushion is now foam filled, but would have ...

Antique George III mahogany inlaid eight day grandfather clock with a swan neck pediment original brass finial, beautiful decorative and colourful arched painted dial with date and s...

Early 19th Century Welsh oak cricket table. Circular oak plank top over a triangular tier base on three square tapering legs. Rich colour and overall patina. Solid construction wit...

George III mahogany chest on chest. Top chest features two over three graduated drawers, fluted chamfer corners and Greek key cornice. Bottom chest has three graduated drawers stan...

An extraordinary 18th century cabinet with triple breakfront glazed windows above a lower range of stepped doors, surmounted by an ogee molded architrave with three triangle pediment...

This is an elegant pair of antique English George III Old Sheffield Plate candlesticks, in the Adam taste,  circa 1775 in date. The candlesticks are of Corinthian design and have de...

This is a Classic George III mahogany slant top desk. The slant front drops to reveal a series of small drawers and document compartments over ...

An outstanding antique Georgian period console table, made in England and dating from around the 1790-1810 period. The quality is superb, this has a lovely shape and is of useful pr...

The elegant serpentine front creates a fluid silhouette, complemented by six spacious, crossbanded drawers that showcase masterful woodwork and balance. Crafted with figured wood in...

English 18th C painted oak tripod table with tilted top. 1780

Pair 19th Century Revere Silversmiths Weighted Sterling Silver and Hurricane Crystal Shade Candle Holders. Measure 4.5" in diameter and stand 15.5" tall. Sterling base is 5.75" tall.

This is beautifully crafted antique George III flame mahogany serpentine fronted chest of drawers, circa 1780 in date. The curvaceous serpentine chest is made from the finest quality flame mahogany. The top features a moulded edge, it has four long graduated drawers above a shaped apron and it is raised on splayed bracket feet. Fitted with decorative brass handles and with working locks and key. This piece is truly unique and is guaranteed to bring beauty and charm to your home for many years to come. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 98 x width 117 x depth 62 Dimensions in inches: Height 38.6 x width 46.1 x depth 24.4 Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Serpentine-front sideboard with crossbanded mahogany top above a central section fitted with a single drawer (appearing as two) over an arched apron, the arch inlaid with a satinwood...

An exceptional early 19th century English George III grandfather clock. Features a beautiful flame mahogany case featuring an open pedime...

This is a stunning antique suite of candleabra comprising a large pair of  English Old Sheffield plate silver on copper table candelabra and the matching pair of Old Sheffield plate ...

Large quality antique George III copper pan having a quality large antique George III copper pan with shaped handles to both sides.

George III Mahogany Banjo Barometer By Edie & Son. Edinburgh Alexander James Adie FRSE MWS (7 November 1775, Edinburgh – 4 December 1858, Edinburgh) was a Scottish maker of medical ...

This exceptional George III Mahogany Breakfront Bureau Bookcase with Glazed Doors, has wonderful flame & crotch grain Mahogany. Comprised of a large central cabinet, flanked by 2 sma...

Antique English George III Cuban mahogany extending d end dining table C.1780 An extending dining table, with two D shaped ends, a central section and two extra leaves. Presented i...

Hinged circular top with piecrust edge on a turned urn form support and ending on three cabriole legs with leaf carved knees.

Pocket globe London, between 1775 and 1798 Re-edition of the globe of Hermann Moll (1678-1732) dated 1719 The globe is contained in its original case, which itself is covered in shark skin. There are slight gaps in the original paint on the sphere. The case no longer closes. The sphere measures 2.7 in (7 cm) in diameter whereas the case measures 2.9 in (7.4 cm) in diameter. lb 0.22 (kg 0.1) The globe is made up of twelve printed paper gores aligned and glued to the sphere. In the North Pacific Ocean there is a cartouche with the inscription: A Correct Globe with the new Discoveries. The celestial globe is depicted on the inside of the box and is divided into two hemispheres with the cartouche: A correct globe with ye new cons relations of Dr. Halley & c. It shows the ecliptic divided into the days of the zodiacal calendar and the constellations represented as animals and mythological figures. On the globe are delineated the equinoctial line, divided by degrees and hours, the ecliptic and the meridian (passing west of Greenwich). The continents are shaded and outlined in pink, green and yellow. It shows: the Cook routes; a wind rose in the Southern Indian Ocean; Antarctica without land; Africa with Negroland (Hermann Moll is considered the first geographer to name the West African region in his 1727 map. (Encyclopaedia Britannica, ed. 1902, under "States of Central Africa"); Tartary in Central Asia; the Mogul kingdom in northern India; in North America only New England, Virginia, Carolina, Florida, Mississippi are identified; California is already a peninsula; the northwest coast of America is "unknown parts" (Alaska is not described and it is only partially delineated, it was to become part of the United States in 1867); Mexico is named "Spain"; Central South America "Amazone America". Australia (which was to be so named after 1829) is called New Holland. The route of Admiral Anson is traced (1740) and the trade winds are indicated by arrows. (See Van der Krogt, P., Old Globes in the Netherlands, Utrecht 1984, p. 146 and Van der Krogt, P. - Dekker, E., Globes from the Western World, London 1993, pp. 115.) Elly Dekker, comparing Moll’s 1719 globe and his re-edition (of which the one described above is a sample), identifies the differences between them: the two editions are quite similar to each other, but in the "anonymous" globe, compared to the previous globe of 1719, California looks like a proper peninsula - the reports of the Spanish explorers of the region had given rise to uncertainty over whether it was connected to the mainland or not. The geographical nature of California was confirmed after the explorations of Juan Bautista de Anza (1774-1776). The routes of Dampier's journey were partially erased and the route of Captain James Cook's first voyage was superimposed on them, and the geography of Australasia was adapted accordingly, including the denomination of the Cook Strait. See Dekker, Elly, Globes at Greenwich, 1999. An important ante quem element is represented by Tasmania: it is not separated from Australia by the Bass Strait...

Free Worldwide Shipping George III Circa 1780 From our Tea Caddy collection, we are delighted to offer this Antique Paper Scroll Tea Caddy. Th...

George III Era Longcase Clock – 18th Century his elegant 18th-century George III longcase clock is a true masterpiece of period craftsmanship, dating to the first half of the 1700s....

English Plain Creamware Pounce Shaker or Sugar Castor, Circa 1775 This circular pounce shaker is a prime example of plain, undecorated creamware from the late 18th century. The piec...

1790 George III sterling silver basting spoon, London, by Jacob Levi. Armorial Crest - motto: Hinc Mihi Salus (Hence Comes My Salvation). Spalding Family crest & motto, Fairbairn...

An exquisite circa 1790 equestrian oil on canvas of a red-coated and bewigged gentleman fox hunter with outstretched arm and hand holding cap, 'riding to hounds' on a galloping bay h...

A highly decorative late 18th-century Dutch or Northern European School flower still life, painted in oil on a chamfered oak panel. The composition follows the Dutch still-life trad...

Description: An exceptional George III style mahogany architect’s bureau, dating to the 19th century, in the manner of Gillows, featuring a highly desirable adjustable double ratchet...

Upholstered in rich, top-grain British Green leather, its elegantly curved barrel back is adorned with deep button tufting, exuding timeless sophistication. Set on turned, tapered, ...

Large antique George III outstanding quality figured mahogany three pilar dining table boasting a magnificent quality figured mahogany top in three sections supported by three fabulo...

FREE WORLDWIDE SHIPPING Green tortoiseshell tea caddy dating to the Georgian period, circa 1790 during the reign of George III. The exterior is finished in vibrant green tortoiseshell and mounted with silver stringing, a vacant silver initial plaque and matching silver escutcheon. The interior is faced in boxwood and fitted with two tortoiseshell lids, each mounted with turned bone handles. When removed, the lids reveal twin tea storage compartments retaining visible traces of their original lining. The tea caddy remains complete with a working lock and tasselled key and is a rare example of late eighteenth century tortoiseshell tea caddies.

A superb quality set of eight George III Sheraton dining chairs comprising six singles and two carvers, crafted in fine mahogany. Each chair displays elegant reeded curved backs with...

This antique mahogany dressing table has acquired a rich patina over the years as the mahogany has warmed to a rich honey brown. The to...

Fine 18th Century George III period engraved repousse sterling silver goblet by Francis Crump, London, 1770. The use of sterling silver drinking vessels is associated with good health as silver is prized for removing impurities from libations. Lovely historic object...

With serpentine top with four conforming drawers. The top drawer with a sliding panel writing surface with a fitted interior over three other conforming drawers. Bracket feet. Drawer...

A carved mahogany, flame mahogany veneered and parcel gilt four poster King bed, the arched headboard with a carved cornice and finely carved acan...

A large George III style mahogany bombe form chest of drawers, the rectangular molded edge top above a brushing slide with four shaped serp...

Antique George III quality figured mahogany circular dining table having a quality figured mahogany satinwood crossbanded circular top supported by a turned pedestal column standing ...

The elegant serpentine front creates a fluid silhouette, complemented by three spacious, crossbanded drawers that showcase masterful woodwork and balance. Crafted with figured wood ...

Fine George III Mahogany Breakfront Bookcase. Last quarter 18th c., in six parts, with dentil molded and blind-fretted pediment, over four glazed mullion doors opening to shelves, a...

Simply stunning, ornate, black lacquer cabinet from The Stately Homes Collection by Baker Furniture. It features a stunning case that was elaborately decorated (painted) in a raised...

Vintage 20th c., George III style carved giltwood mirror with scrolled vine open work frame, unmarked. Dimensions: Approx. 47"h x 27"w x 3"d Condition: Fair, losses, chips, cracks, repairs, gilding loss and wear. Though this mirror's condition is evident of age and use, it remains a lovely piece. Provenance: The Estate of Lilo De La Passardiere, 40 Central Park South, NYC Lilo, stage name of Liselotte Johanna Lewin (2 March 1921 – 26 September 2022), was a German-born French actress and singer.[1] Biography Lilo was born in Dortmund in 1921 as Liselotte Johanna Lewin. In 1953, she played the lead role in the musical Can-Can at the Shubert Theatre, where she notably sang the songs "C'est Magnifique" and "I Love Paris...

This is elegant antique George III period flame mahogany secretaire breakfront bookcase, circa 1820 in date.  It is of wonderful quality, has a rich and striking grain, and has been...

Outstanding quality antique George III mahogany bureau having a figured mahogany fall with a moulded edge opening to reveal a fitted...

English Chippendale mahogany breakfront with carved molded cornice, four upper case glass doors with arched oval mullions, adjustable interior shelving, lower case concealing a slidi...

English Pearlware Pottery Blue-Ground Teapot Probably Staffordshire or Yorkshire, circa 1790 A cylindrical-bodied teapot of restrained neoclassical form, The barrel-form body is co...

A distinguished 18th-century George III mahogany astragal glazed bureau bookcase, also referred to as a secretary desk or writing cabinet, is crafted from rich plum pudding mahogany....