George III Furniture

This exceptional George III Mahogany Breakfront Bureau Bookcase with Glazed Doors, has wonderful flame & crotch grain Mahogany. Comprised of a large central cabinet, flanked by 2 sma...

Ex Christie’s. George III Mahogany Architect's Table. Table features a tilting, adjustable writing surface inset with its original-style tooled leather. Flanking the top are swing-ou...

Early 19th century serpentine form sideboard, English, George III Period. Lion mask backplate ring pulls. Deep drawers (one retaining cellarette dividers), flank the shaped central d...

Outstanding quality 16 seater antique George III figured mahogany two pilar dining table having a superior quality figured mahogany top with one large extra leaf supported by turned ...

A George III period, Irish mahogany drop-leaf table, with gate swing legs, each leg with a shell motif and pad feet. Measures: 92cm wide x 105cm deep 38cm deep (closed) x 74cm high

Antique George III quality mahogany bow fronted hanging corner cabinet having a bow fronted cornice and frieze above a pair of quality bow fronted figured mahogany doors with pretty ...

Late 18th century George III leather hand painted fire bucket circa 1780. Good quality leather fire bucket.  Armorial decorated, inscribed honi soit-oui mal y pense, which means sha...

Fine set of 8 antique George III mahogany dining chairs consisting of a pair of elbow chairs and 6 single chairs having superb quality mahogany carved backs with a turned mahogany su...

Mid-18th century chest on chest, George III, English. Mahogany with oak secondary. The top section comprised of 3 short drawers over 3 long...

Upholstered in rich, top-grain British Green leather, its elegantly curved barrel back is adorned with deep button tufting, exuding timeless sophistication. Set on turned, tapered, ...

John Thomas Serres 1759-1825 was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy,...

A fine quality English architect’s drawing or draughting/drafting table of mahogany from the George III period, featuring a double rising adjustable top over a pull-out writing slide...

This Early 19th Century George III satinwood desk exemplifies the elegance and craftsmanship of the period with its neoclassical design. The piece features intricate inlay work, curv...

This handsome 18th century Irish flip top game table on cabriole legs features a swooping acanthus carving on the knees of the front legs which end in foliate carved pad feet. The ba...

An exquisite circa 1790 equestrian oil on canvas of a red-coated and bewigged gentleman fox hunter with outstretched arm and hand holding cap, 'riding to hounds' on a galloping bay h...

Stunning pair of mid-century leather wingback chairs or wing chairs featuring a dramatic ruby red leather upholstery. Made in the grand English Georgian taste with a mahogany hardwoo...

A fine circa 1795 English late George III period mahogany double-sided library or writing table of rectangular form, the replaced gilt-tooled 'coral' leather inset top with square re...

An elegant pair of George III mahogany knife boxes from the late 18th Century showcases exceptional Georgian craftsmanship, featuring a beautifully sloped lid and a classic serpentin...

An exceptionally fine circa 1780 English George III period kettle stand or occasional table of deep rectangular 'faux' double-sided form and solid mahogany and veneered construction,...

This is a beautiful antique George III satin wood hand-painted and parcel gilt wood breakfront console table, circa 1780 in date. The console is of Sheraton design, the crossbanded ...

An exceptional, fine and impressive antique Georgian English sterling silver christening mug; an addition to our christening gifts collection. This exceptional, fine and impressive ...

Georgian Gentleman’s Mahogany wash or basin stand 1795-1810. This is a very well constructed piece with all case and drawer pieces nicely dovetailed together including the mirror frame and the hinged lids. The retractable mirror...

George III style chinoiserie decorated occasional table, made from antique and later elements. The top with figures, pagoda, crane and boat, the 5 drawer front with a side lock and r...

A bespoke sofa based on a George III original from our antique collection. Hand made and traditionally upholstered in England. The high-back and swept arms above a rectangular seat ...

A fine monumental antique 18th Georgian Neoclassical water/tea urn, by Samuel Godbehere and Edward Wigan, London, 1789. A rare and important piece of investment quality silver, origi...

One of a kind George III style grandfather clock or mantel clock, made of wood and gilt brass, England, first quarter of the 20th century. Of classic design, following the aesthetic...

18th C oak 3 drawer dresser base, good narrow proportions and very good colour. 1780 Base height- 77cm

This is a superb antique George III inlaid flame mahogany serpentine sideboard, circa 1790 in date. With wood banding and marquetry spandrels, the central frieze drawer flanked by deep drawers, the right side drawer with divisions for bottles. The drawers fitted with the original and beautiful ormolu lion's head ring handles. It is raised on elegant square tapering legs on spade feet and is complete with working locks and key. Add an elegant touch to a special place in your home with this superb antique serpentine shaped sideboard. The botanical name for the mahogany this item is made of is Swietenia macrophylla and this type of mahogany is not subject to CITES regulation. Provenance: Major Edward Croft-Murray, Perivale, Ryde, Isle of Wight. From the collection of Edward Croft-Murray CBE (1907-1980). THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 93 x Width 183 x Depth 74 Dimensions in inches: Height 3 feet, 1 inch x Width 6 foot x Depth 2 foot, 5 inches Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

Meticulously handcrafted from rich mahogany veneer, with delicate stringing inlay that highlights its graceful curves to the top and flared tapered legs. A central frieze drawer prov...

This is a Classic George III mahogany slant top desk. The slant front drops to reveal a series of small drawers and document compartments over ...

Antique George III superior quality mahogany inlaid eight day longcase clock having a magnificent quality mahogany case with a pergola shaped top, pretty satinwood inlaid shells, sat...

Antique George III quality mahogany fold over tea/side table having a quality mahogany fold over top opening to reveal a polished interior, mahogany shaped frieze, standing on four e...

George III mahogany inlaid breakfront sideboard with original brass handles standing on tapered boxwood and ebony strung legs. The top is crossbanded in satinwood and ebony inlay. ...

Rectangular shelf over an egg and dart moulding. The mantles central decoration featuring a central urn flanked by fluting and paterae. The bottom and sides with guilloche decoration.

This is a solid, cast, English sterling silver wine label, marked GIN made by Harry Bladon ( born Henry), of Bladon & Co. Birmingham, in 1965. ...

Late 18th Century George III Pear form Fruitwood Tea Caddy With wooden stem, and an iron keyhole, escutcheon plate, its interior with remnants of the original silver leaf. The pi...

Antique George III quality figured mahogany side/console table having a quality figured mahogany rectangular shaped top with a moulded edge above two oak lined drawers with brass han...

A fine George III slant top desk or bureau secretary chest of patinated mahogany, c.1770 - an inlaid slant front drops to reveal a series of small drawers and document compartments, ...

An exceptional early 19th century English George III grandfather clock. Features a beautiful flame mahogany case featuring an open pedime...

This is a stunning antique suite of candleabra comprising a large pair of  English Old Sheffield plate silver on copper table candelabra and the matching pair of Old Sheffield plate ...

In the Sheridan style with rectangular back and pierced back. Caned seat. Square tapered legs . Decorated overall with floral and neoclassical motifs.

George III Mahogany Bookcase with 3 adjustable shelves. Secretaire writing surface fitted with leather top & interior drawers above 3 drawers, Below a 10 inch deep bookcase

George III Style Chippendale Carved Wood Pagoda Mirror. Mirror has intricate hand-carved pine surface and features acanthus leaves, pagoda top, and bells. This eye-catching, opulent ...

Early 19th Century Welsh oak cricket table. Circular oak plank top over a triangular tier base on three square tapering legs. Rich colour and overall patina. Solid construction wit...

George III Mahogany Sideboard, circa 1800. With original brass curtain rails, a mahogany top with box wood stringing on the front and side edges, a mahogany drawer below and two flam...

The elegant serpentine front creates a fluid silhouette, complemented by three spacious, crossbanded drawers that showcase masterful woodwork and balance. Crafted with figured wood ...

This is a superb and decorative vintage Georgian revival flame mahogany side cabinet purchased at great expense from Harrods, London, in the late 20th century.   The cabinet features...

Pocket globe London, between 1775 and 1798 Re-edition of the globe of Hermann Moll (1678-1732) dated 1719 The globe is contained in its original case, which itself is covered in shark skin. There are slight gaps in the original paint on the sphere. The case no longer closes. The sphere measures 2.7 in (7 cm) in diameter whereas the case measures 2.9 in (7.4 cm) in diameter. lb 0.22 (kg 0.1) The globe is made up of twelve printed paper gores aligned and glued to the sphere. In the North Pacific Ocean there is a cartouche with the inscription: A Correct Globe with the new Discoveries. The celestial globe is depicted on the inside of the box and is divided into two hemispheres with the cartouche: A correct globe with ye new cons relations of Dr. Halley & c. It shows the ecliptic divided into the days of the zodiacal calendar and the constellations represented as animals and mythological figures. On the globe are delineated the equinoctial line, divided by degrees and hours, the ecliptic and the meridian (passing west of Greenwich). The continents are shaded and outlined in pink, green and yellow. It shows: the Cook routes; a wind rose in the Southern Indian Ocean; Antarctica without land; Africa with Negroland (Hermann Moll is considered the first geographer to name the West African region in his 1727 map. (Encyclopaedia Britannica, ed. 1902, under "States of Central Africa"); Tartary in Central Asia; the Mogul kingdom in northern India; in North America only New England, Virginia, Carolina, Florida, Mississippi are identified; California is already a peninsula; the northwest coast of America is "unknown parts" (Alaska is not described and it is only partially delineated, it was to become part of the United States in 1867); Mexico is named "Spain"; Central South America "Amazone America". Australia (which was to be so named after 1829) is called New Holland. The route of Admiral Anson is traced (1740) and the trade winds are indicated by arrows. (See Van der Krogt, P., Old Globes in the Netherlands, Utrecht 1984, p. 146 and Van der Krogt, P. - Dekker, E., Globes from the Western World, London 1993, pp. 115.) Elly Dekker, comparing Moll’s 1719 globe and his re-edition (of which the one described above is a sample), identifies the differences between them: the two editions are quite similar to each other, but in the "anonymous" globe, compared to the previous globe of 1719, California looks like a proper peninsula - the reports of the Spanish explorers of the region had given rise to uncertainty over whether it was connected to the mainland or not. The geographical nature of California was confirmed after the explorations of Juan Bautista de Anza (1774-1776). The routes of Dampier's journey were partially erased and the route of Captain James Cook's first voyage was superimposed on them, and the geography of Australasia was adapted accordingly, including the denomination of the Cook Strait. See Dekker, Elly, Globes at Greenwich, 1999. An important ante quem element is represented by Tasmania: it is not separated from Australia by the Bass Strait...

A George III crossbanded mahogany kneehole desk with a baized slide, over an arrangement of seven drawers, with gilt handles and escutcheons, with a cupboard in the well, enclosing a...

George III Era Longcase Clock – 18th Century his elegant 18th-century George III longcase clock is a true masterpiece of period craftsmanship, dating to the first half of the 1700s....

Circa 1780 George III Brandy Board or Small Sideboard, English. Mahogany & mahogany veneers with superb shell scrolled inlaid spandrels on all drawers & the central arch. Lin...

English 18th C painted oak tripod table with tilted top. 1780

Description: An exceptional George III style mahogany architect’s bureau, dating to the 19th century, in the manner of Gillows, featuring a highly desirable adjustable double ratchet...

An attractive late Georgian over mantel mirror dating circa 1790. The hand painted frieze still vibrant and intact and very much in the manner of Angelika Kaufman. Four bold columns,...

FREE WORLDWIDE SHIPPING Green tortoiseshell tea caddy dating to the Georgian period, circa 1790 during the reign of George III. The exterior is finished in vibrant green tortoiseshell and mounted with silver stringing, a vacant silver initial plaque and matching silver escutcheon. The interior is faced in boxwood and fitted with two tortoiseshell lids, each mounted with turned bone handles. When removed, the lids reveal twin tea storage compartments retaining visible traces of their original lining. The tea caddy remains complete with a working lock and tasselled key and is a rare example of late eighteenth century tortoiseshell tea caddies.

Mid Century Craftique Mahogany Secretery Chest of Drawers with Locks and Keys. All drawers flawlessly opening and closing. All four drawers with operating locks. Two keys present. Pu...

George III Mahogany Drop Leaf Demi Lune Table

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

George III inlaid mahogany demilune sideboard. Front center drawer above the serpentine shaped apron, two deep drawers, and 2 side cabinets. Rests on four tapered legs. Minor old r...

Fine George III Mahogany Breakfront Bookcase. Last quarter 18th c., in six parts, with dentil molded and blind-fretted pediment, over four glazed mullion doors opening to shelves, a...