Birdseye Maple Center Tables

Combining Modern and Art Deco influences, the Vance table is a bold and practical table that plays with angles and negative space. Its durable finish and quality hand fabrication mak...

A French Art Deco mahogany and cerejeira dining table, the circular crossbanded and molded edge top above a sphere and collar column with a turned and dished base. Inspired by a 1930...

Italian oval table, in solid walnut, with turned leg, from 20th Century, very comfortable. Original patina paint, wax finish. Comes from an old coun...

This Minimalist table is made from white marble, featuring a hexagon shaped foot and a circular travertine tabletop that balances perfectly and sec...

Kanyon is an authentic coffee table which combines functionality and sculptural posture with simplicity, beautiful materials and exquisite craftsmanship. Inspired by the topographic beauty of canyon structures, the design translates the basic topological features of canyons to a minimal and unique design language. Functionality is integral to its sculptural posture, where the U profiled gap between different table surfaces serves as a convenient and aesthetic space to store books, newspapers and magazines and the 2 level table top allows the user to arrange objects based on use, ease of access or aesthetic appeal. Produced by skilled craftsmen, Kanyon coffee table...

The Amicalola base captures the room set against a round or oval table top. This pedestal base is hand cast by the artisans at Sloss Furnaces historic foundry in Birmingham to look b...

Art Deco Walnut 3 Tier Table circa 1930s Circular top with walnut quarter veneer, 58cm diameter both undertiers with walnut veneer, supported by 4 shap...

This stunning Art Deco Gueridon Table was realized in France, circa 1935. It features two round book-matched walnut tops connected by curving black lacquer supports. Scroll form feet...

Very nice big oval Biedermeier centre table. The table is made of cherrywood (Frame is veneered, plate and feet are solid). The table is in a very good restored condition.

A Good Quality, 19th Century, Late Regency Period Rosewood Occasional Lamp Table Of Diminutive Proportions, Having Well Figured Rectangular Top Raised On Elegant Turned End Supports,...

This original Biedermeier table dates back to around 1820-30 and comes from Southern Germany. The table has a central column which stands on a trefoil base. All parts have a very pretty cherry veneer. The top is decorated with a piecrust cherry veneer. It comes refinished with a shellack finish, but still has signs of its 200 year old age. This perfect center table for an entrance or it would work well as a dining table for 4...

We are delighted to offer for sale this exceptionally rare and important original circa 1900 Carlo Bugatti occasional table This table is special, designed by Carlo Bugatti, Italy around 1900, it’s a rectangular walnut occasional or centre table, partly ebonized, with floral inlays made of pewter, the legs partially covered with copper sheet, the tabletop covered with goatskin, this table was exhibited at the Musee d'Orsay, Paris, 2001 Carlo Bugatti (2 February 1856-April 1940) was an Italian decorator, designer and manufacturer of Art Nouveau furniture, models of jewelry, and musical instruments. Bugatti was born 2 February 1856 in Milan, in what would remain until 1859 the kingdom of Lombardy: he died in Molsheim, France. Biography: Son of Giovanni Luigi Bugatti, a specialist in interior decoration, Carlo studied firstly at the Brera Academy in Milan, and subsequently, from 1875, at the Académie des Beaux Arts in Paris. In 1880 he started to manufacture furniture in Milan, later transferring to France. From 1888 he began to be successful beyond Italy. Nevertheless, till 1904 he maintained a Milan workshop in the city's Via Castelfiardo 6. He was also, like his father, trained as an architect, but there is no evidence that any of his architectural designs were ever executed. He triumphed at the exhibition of decorative art in Turin in 1902 and returned to Paris in 1904. Father of sculptor Rembrandt Bugatti and automobile manufacturer Ettore Bugatti, he moved in 1910 to Pierrefonds where he established an atelier. From 1914-1918 he was nominated mayor of the village, and the outspoken anti-German industrialist Adolphe Clément-Bayard, who lived at the Domaine du Bois d'Aucourt, entrusted its upkeep to him. From then on, he devoted himself entirely to painting. After the suicide of his son Rembrandt in 1916, Bugatti, then 60, produced less, but he remained influential. In 1935, at the age of 79, he retired near his son Ettore's family in Alsace. He settled in a flat north of Château Saint-Jean, Dorlisheim, with his wife Teresa (who died shortly afterwards), at the domain of promotion of Bugatti property of his son Ettore. He spent his last months at his apartment at the Bugatti factory in Molsheim, where he frequented the workmen and the house of 'the Hardtmühle', living with Ettore and his family. In April 1940, he died at the hospital in Molsheim. He is buried in the Bugatti family cemetery at Dorlisheim. The Bugatti section of Molsheim's municipal Musée de la Chartreuse displays...