Malachite Center Tables

Round center table in Neoclassical style with a stunning malachite veneer tabletop. The base is made in silvered and gilt bronze, with four caryatids on claw feet bases, supporting a...

Large Empire-style ormolu and malachite centre table French, 20th Century Height 85cm, width 165.5cm, depth 85.5cm This superb centre table pairs vibrant malachite with classical o...

19thc French bronze with Malachite Center Table - Gorgeous Table, Center, Malachite, Empire Style, Semi-Precious Stone Inlaid Bronze Dore, Empire style bronze dore center table, wi...

French Empire style ormolu mounted malachite centre table French, 20th Century Height 77cm, diameter 100cm Wonderfully crafted from a selection of high quality materials, this Fren...

A large and impressive empire style ormolu and malachite center table With a circular malachite-inset top with floral-cast bronze border rim, above a conforming frieze applied wit...

An Impressive 'Grand Tour' Specimen Marble Top Centre Table The base attributed to William Trotter of Edinburgh Constructed in a finely patinated mahogany, with a Florentine Pietra ...

A superb Specimen marble centre table The Top attributed to Alfonso Cavamelli of Rome Inspired by the Roman mosaics discovered at the ...

A large and impressive Empire style Gilt Bronze & Malachite center table. The table features a circular top, which has been beautifully inlaid with malachite and edged with gilt bron...

An impressive empire style malachite and ormolu center table after the imperial model by Francois Honore Georges Jacob-Desmalter, 1770-1841. "AUX CARIATIDES", Empire style round malachite and ormolu table inset within a profiled bronze border sitting on four distinctive caryatid supports on a round base with a central vase. Magnificent quality. A one of a kind, statement table perfect for any home. Measures: 34" high x 44" wide Good condition, ready to place. One of the most important and influential families of cabinet-makers who led fashion and standards from 1765 to 1847. Their work encompasses three generations of the family, from George Jacob (the founder, 1739-1814), to his two sons Georges II (1768-1803) and François-Honoré-Georges (1770-1841), and finally his grandson Georges-Alphonse (1799-1870). They ran one of the most successful and influential furniture workshops in Paris George Jacob (Senior) was one of the most prominent Parisian master menuisiers, producing carved, painted and gilded beds and seat furniture and upholstery work for the French royal châteaux, in the early Neoclassical style that is usually associated with Louis XVI. He retired in 1796, leaving his workshop in the hands of his sons, but when George II died, Jacob returned from retirement to oversee the constant supply of furnishings for Napoleon's residences. François-Honoré-Georges Jacob-Desmalter was the principal supplier of furniture to the Emperor and also received commissions from Pauline Borghese...

This remarkable rosewood centre table attributed to legendary firm Gillows showcases masterful craftsmanship and stunningly rare hardstone specimens. The table's base is ornately crafted, complete with lion's paw feet, emphasizing the quality of the wood. The most impressive element of this beautiful piece of furniture, however, is the exquisite inlaid table top. Featuring eighteen semi-precious and hardstone specimens artfully arranged in alternating geometric shapes, rare stones like gem quality Lapis Lazuli, Egyptian porphyry and Siberian amethyst dazzle the eye. Other stones and specimens inlaid in square, circle and hexagon shapes include pyrite lapis lazuli, malachite, green aventurine, agate of amethyst, greek spartan porphyry, labradorite, fossilized wood, occhio di pavone, brèche verte d'égypte, sicilian jaspers, blood stone, spanish brocatelle, siena brocatelle, convent siena and nero antico. The sheer variety and superb quality of these features is an overwhelming visual delight and a triumph of craftsmanship. Hardstone pieces such as this were popular among the British aristocracy...

A large French Empire style gilt-bronze and malachite centre table. French, 20th century. Height: 85cm, width: 160cm, depth: 79cm This superb table, a grand and highly impressiv...

A gilt-bronze and malachite Empire-style 'Aux Caryatides' centre table after Desmalter French, 20th Century Height: 82cm, diameter: 109cm This ma...

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

A French Ormolu bronze malachite and white marble Gueridon table, in the Empire style, circa 1870 The circular top supported on three bronze winged female...

Pepe Mendoza Square Table Solid Brass with Malachite Sun Sculpture Patinated Solid Brass Faux Bamboo. Wood Tabletop with Beveled edges. Tabletop and base are married pieces with top...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

!9th century Regency Pietra Dura specimen marble and figural bronze gueridon center table. Italian Pietra Dura center medallion on specimen marble top seated on a french patinated br...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

An Important and Rare Italian micromosaic table by Cesare Roccheggiani on a giltwood tripod base, Rome, last quarter 19th century. The central panel...

19th century gilt bronze and Malachite low Gueridon or small centre table. Circa 1885, the circular malachite veneered top on a reeded column int...