1840s Center Tables

A fine Louis Philippe salon table with oval top and scalloped apron resting on four graceful carved cabriole legs. Top and legs are made of solid mahogany, with the apron made of burl walnut. France, circa 1840. Makes a handsome small dining table, or a striking center table in an entrance foyer...

Antique French Round Center Hall Table hand-made of Mahogany and Saint Anne Marble which comes from the Pyrennes mountain range in southwest France. The Center Hall Table dates from the mid-1800’s and is in the style referred to as the French Restauration Period although some may call it Empire. We are offering our French Center Hall Table...

constructed entirely of walnut and having an elongated quadrifolium shaped top raised on a turned standard atop a quadripartite base issuing four underscrolled legs

You are viewing a gorgeous period Victorian centre table in mahogany Good size at almost five feet - 148 CM - across Circa 1840 Purchased from a private residence in London's Pimlico...

An elegant Biedermeier center table crafted from cherrywood, circa 1840. The table features an oval tabletop with a smooth apron and rests on forked legs with fluted columns and ebon...

A very fine 19th century Satinwood centre table by Holland & Sons. The table is of finely figured Satinwood with a circular tilt-top above a baluster column with three S-scroll and l...

Very good 19th Century northern Italian circular tilt top center table with profuse marquetry inlay in geometric patterns, the center with bird on flowering branch, with walnut, oliv...

Large centre table by the famous Bavarian cabinetmaker Franz Xaver Fortner (1798-1877, Munich) from circa 1840. The tabletop shows a rich inlay work out of brass, copper, tin, mother...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...

Twelve sided dodecagon hinged top with elaborate sunburst central inlay with outer band sunburst with elm outer banding, conforming apron with carved details, on a inverted vase supp...

We are delighted to offer for sale this lovely Rare Antique Spanish Early 19th Century "Brasero" Firepit Table Removable Dish A good looking well made a...

An ebonized English walnut center table in the ‘Egyptian Style” of the late Empire period. Four elongated lion legs resting atop Ivory sph...

An early Victorian walnut marquetry centre table, attributed to Edward Holmes Baldock, of circular form with a superb quarter veneered burr waln...

Louis Philippe Center Table with original marble top.

This exceptional Classical center table's design is based on artifacts from the ancient Greco-Roman world. The base is the work of a highly skilled carver and the top of an excellent...

A hand-carved late Regency padouk wood accent table, the circular tilt top with foliate carved apron, standing on an elaborately carved turned stem, over a concave tripod base ending...

2nd quarter 19th c., Central European table, mixed wood inlay with colors on Indian rosewood, with circular cross-banded tilt-top centrally inlaid with a medallion enclosing a Chinoi...

English Regency (1825) mahogany rosewood center table with a 3 sided pedestal base carved with scroll designs resting on caster and supporting a grey St. Anne marble top.

the well-figured quarter-veneered oval top above a plain frieze apron raised on a graduated quadrangular pedestal adorned with giltwood anthemion decoration above a giltwood foliate ...

We are delighted to offer for sale this absolutely stunning, early Victorian circa 1840 hand carved English Pollard oak centre table A very good looking well made and decorative p...

The top of this English mahogany tripod gallery center table has a brass repeating arch gallery. The entire top rotates to reveal a hidden storage compartment. The heavy base has a l...

French Desk style: Biedermeier Year 1847 If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the ...

This gorgeous Louis Philippe table dates back to around 1840-50. It stands out for its beautiful walnut root veneer on the top. The base consists of three twisted ebonized columns which stand on a tripod base. The legs of the tripod base are beautifully decorated with volute motifs, This is a very unique and special piece, which would work as an eye-catching center table or as a dining table for 4...

A stylish early 19th century Italian centre table. The simulated marble top with shaped moulded edge and acanthus carved frieze, raised on a shapely giltwood triform base with exagge...

You are viewing a gorgeous Colonial - possibly Myanmar (Burmese) round dining table Hand carved from padauk wood with intricate carving particularly on the frieze around the edge of ...