Leather Dining Room Sets

Late 20th century McGuire dining set - table & 4 side chairs, San Francisco. This set includes 4 of the ever popular "Target" back design side chairs - rattan frames with leather...

This great dining set was most probably designed by Hans Olsen in 1952 for Frem Røjle or designed in his style around 1950s, could have been also produced by some other manufacture. ...

Vintage Mexican Folk Art Populaire / Artisan Made Leather Table & Chair set. Attributed to Wim Rietveld. Made in Mexico, 1970's period. Crafts...

A rare and highly collectible Cassina Taliesin dining table accompanied by four original Barrel chairs, designed by the legendary architect Frank Lloyd Wright. This officially licens...

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

SET OF FIVE LEATHER-BOUND CERUSED RATTAN DINING CHAIRS WITH LEATHER-BOUND BAMBOO DINING TABLE Designed by McGuire of San Francisco chairs with brass plaques retained to the undersi...

A pair of limed oak caned and leather upholstered armchairs, originally designed by Jean Michel Frank, circa 1930s. These examples are from a 1990s production by the company Mattalia...

Very rare Verner Panton Pantonova dining table and chairs, made by Fritz Hansen, Denmark, 1971. Cognac color leather seat pads. Set includes table, m...

An exquisite set of eight dining chairs and extendable table from the 1930s by notable french designer André Sornay, meticulously restored to their original splendor. Made out of r...

1930thies dinning room set from PEL by Serge Chermayeff table and 6 chairs

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

Transport yourself back to the sleek and sophisticated 1990s with this rattan ice dining set. The ultra rare set exudes an air of luxury and refinement. Outstanding design is exhibit...

Pierre Chapo, dining room set with eight 'S24' dining chairs and 'T14D' dining table, elm, leather, cord, France, 1960s/1970s This dining room set by Pierre Chapo, comprising a ‘T14...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Architect: Oldřich Liška Desk dimensions: Hight: 78 cm (30.7 in) Width folded: 110 cm (43.3 in) Width unfolded: 158 cm (62.2 in) Depth: 84,5 cm (33.3 in) Space for legs: Height: 84...

1950's Mid-Century Modern wrought iron dining set by John Salterini, newly painted with new glass top and new leather upholstery seats.

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Transform your dining experience with this exquisite Complete Dining Room Set, featuring 8 CH29 Sawbuck Chairs designed by Hans J. Wegner for Carl Hansen & Søn, and a vintage AT 3...

Calling all cowboys and cowgirls! We kindly welcome you to this wondrous western style pub table with matching saddle seat stools. Take a gander at this beautifully hand-crafted set,...

Elevate your dining experience with our exquisite seven-piece dining set, a vintage masterpiece designed by the renowned Paul McCobb for The Calvin Group, dating back to the illustri...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

SALE ONE WEEK ONLY Rare Mid-Century Modern dining table and eight dining chairs with black leather seats by Erik Worts for Henrik Worts Mobelsnedkeri, Denmark. A beautiful hand-c...

Italian mid-century Giorgetti set of 4 pcs. dining chairs. The chairs are created in black painted wood with walnut details and authentic excellent quality Pale Carmine color natural...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

This 1970s vintage signed Lion In Frost Lucite sculptural base dining table and original tufted leather Lion Frost dining chairs make for a great ensemble. The glass can be a much larger one to put on at your end. The base is solid. It is now at 46" round diameter. This was a replacement glass top. The leather of cream colored is the original leather fabric from the time. These are very comfortable to sit in. The tubular lucite chairs...

A Klismos dining set by Kaj Gottlob. Four chairs of ash with cane seat and loose cushion upholstered in brown leather. Round ash table with four cur...

Bauhaus tubular-steel conference or dining set by GMD Berlin, Germany.

The listing includes an exceptionally rare complete dining set consisting of a black square table and four matching black leather armchairs designed in 1969 for Knoll International. ...

Desalto CLAY INDOOR table 110cm diameter MALTA CACAO Chairs: Norr11 Hippo chairs upholstered in Ultra leather. Dark smoked frame. Design by Kristian Sofus Hansen & Tommy Hyl...

Exquisite set of 4 Charles Rennie Mackintosh “309 Ingram” dining chairs for Cassina in stained cherry and black leather. The 309 Ingram dining chairs, designed by Charles Rennie Ma...

Introducing the Armonia Chair. This set of 8 Italian walnut chairs is an unique and timeless dining chair set. The chairs are made from...

Original Art Deco Dining Table with 10 Chairs in lacquered Macassar Ebony and Brass, from Paris circa 1930. The expandable table is made of...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Amazing dining set designed by Jørgen Høj for Niels Vitsøe in 1962. Featuring a round ‘Model 54’ table with brushed aluminum cross-legs. Extendable from ø 115cm to a whopping ø 175cm...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Set of Antique Rajasthan Courtyard Door Dining Table with 6 Spanish Oak and Leather Chairs This is a large antique Indian dining table from the 19th...

Danish Modern mahogany dining chairs by Frits Henningsen, Denmark, circa 1930s. They have probably been refinished and reupholstered at some point. Beautiful caramel color leather se...

Cotswold School oak dining room suite Six seater oak table has 4 faceted 12 sided legs joined by a chamfered ‘H’ stretcher with through wedge te...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

A steel and leather chair with a comfortable seat, easily stackable to save space when needed. This tonal version has a blackened steel frame with a black leather upholstered seat. S...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Set of eight sculptural dining chairs, designed by Wendell Castle, American, circa 2010s. Signed with Wendell Castle's branded monogram on the leg. Wendell Castle licensed several of his designs for the Wendell Castle Collection...

Mid-Century Modern round glass top dining table six chairs bamboo dining se by McGuire. Outstanding craftsmanship all bamboo parts are bonded with two differ...

Leather basket weave wicker style square dining room table 4 chairs glass top set. All new beige wool upholstery. Table measures 42 x 42 x ...

Midcentury Living Room Table w/Black Glass Top and six chairs Product details Table Dimensions : 160 w x 80 h x 87 d cm. Chair dimensions: 39 w...

Modus dining set designed in 1961 by Kristian Vedel for Søren Willadsen, Denmark. Hardwood with stunning wood grain and original black leather upholstery. The set consists of a recta...

A steel and leather chair with a comfortable seat, easily stackable to save space when needed. This version has a blackened steel frame, am antique brass backrest, and a granite leat...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

A rare and incredibly well made vintage Italian dining table and chairs by Silvio Coppola. They were made in Italy by Fratelli Montina, and date from the 1970’s. The quality is outs...

Stylish and elegant mid century modern Mahogany Helge Sibast Jatoba wood dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Helge Sibast for ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Here we offer a set of three Dan Wenger designs dining chairs and glass top table. The leather can be chosen in black, cognac, red and dark brown. Frame is lacquered in black. Chairs...

A rare and great iconic Danish mid century dining set consisting of four light brown / tanned leather "PK9" chairs and a round "PK54" dining table with a light grey cipollini marble ...

- made of solid EWalnut and leather - made by William Pagden furniture maker in Netherland - quality craftsmanship - Dining table signed by author - Chairs: H:102 W:47 D:60 /...

Conference or dining room set consisting of Fabiaan Van Severen dining chairs with Bruno Mathsson and Piet Hein for Fritz Hansen Super-Ellipse table Fabiaan Van Severen, dining ch...

Afra e Tobia Scarpa for B & B Italia. Bauhaus dining set from the seventies Rare leather upholstered Dialogo Dessau chairs with cantilevered base combined with a sculptural rectangu...

Fantastic post-modern dining table and 4 lacquer and leather dining chairs made in Italy. 2 tapered geometric V shaped base legs. Thick beveled glass top. Chairs have gentle sloping ...

This collection presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his clients a young family of five purchased and moved in in 1963. Haines made appropriate changes to the structure and being at the top of his game, both the architectural changes and the custom furnishings clearly illustrate this. He discreetly added a projection room to the front of the house so that the cleverly concealed projectors made for a movie going experience in the living room. Other Haines touches abound in this, a wonderful and thoughtful interior perfectly capturing a moment in time when life was glamorous. This set still in tact consists of the "good times" table surrounded by a set of 4 chairs, a variation on the "Brentwood" chair with an all upholstered back with channel quilting and biscuit tufted seating. Because Haines had a keen eye for detail the chairs also have a wonderful "cut" in the front legs accented with black enamel. The biscuit tufting on the seats is classic while the channeling on the backs make these unique. The table top is wrapped in tooled Ocher leather and rests on a hand carved base featuring 3 dolphin...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...