Plastic Dining Room Sets

Fabulous Mid Century Dining Set. The Mushroom Collection by Hollen, Inc circa 60s/70s has four white molded swivel chairs with a groovy green seat pad and matching table . All origin...

The tulip dining room set with Carrara marble includes a 96" Tulip Dining Table and eight matching Tulip Dining Chairs, all designed by Eero Saarinen for Knoll. The set features a mi...

Mid Century dinette set including four chairs and a dining table. This set was designed by Viko Baumritter circa 1950/1960’s. It is in good, original vintage condition showing some ...

A spectacular set including a large dining table and 4 chairs, Post-Modernist, Space-Age, Shabby-Chic, table structure in thick and heavy chrome-plated metal, ovoid fiued glass top, ...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

“543 Broadway” is a unique and unrepeatable chair, as the colors interact with resin and mix each time in an unexpected way, giving birth always to new compositions. At the base of P...

The Meltingpot table designed by Kooij plays a keystone role in the circular design practice at Kooij. Discarded recycled plastic prototypes, producti...

A Contemporary Coastal style all-weather wicker patio set by Weather Wicker of Florida. Natural wicker with an off-white color all-weather synthetic coating to protect the wicker, round in shape, swirled lattice design to the table pedestal & stools, and a banded scalloped round shaped fiberglass top to the table. Four stools have all-weather fabric reversible round button tufted cushions in a pink & white stripe...

Dining room set consisting of a Pierre Chapo dining table model T20A paired with a set of eight dining chairs by Yrjö Kukkapuro. Pierre Chapo, dining table, model T20A, elmwood, F...

1970’s Tulip form Table & 4 Chairs, Eero Saarinen for Knoll, circa 1970, A stylish and iconic design, this tulip dining table and four matching swivel dining chairs were designed by...

On offer on this occasion is one of the most stunning lucite table set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the be...

Crafted by Shlomi Haziza for H Studio, the Vintage Lucite Z Table and Z Chairs encapsulate timeless elegance with a modern twist. Inspired by clean line...

Beautiful vintage Herman Miller Eames dining set. Featuring 48 inch diameter round dining table with four matching fiberglass chairs. Table and chairs all signed and guaranteed authe...

1970s MCM RUSSELL WOODARD Style Spun Fiberglass Outdoor Dining Set Set includes 4 swivel rocker armchairs with cushions, dining table with glass top. Fab...

Mid Century Modern Set of Six Dining Chairs and Table in Lucite Chrome Glass Table 42"(D) x 60"(W) x 30"(H), chair 23"(D) x 21"(W) x 45"(H)

Dining room set consisting of Afra and Tobia Scarpa for B&B Italia set of six Dialogo chairs with an Artona dining table produced by Maxalto. Afr...

Original signed Herman Miller Eames dining set. Features multicolored shell chairs on black H bases. All nylon self leveling chair glides intact, for use on multiple types of surface...

Dining room or garden set including a table and eight chairs, fiberglass, Italy, 1980s Encountering such a distinctive ensemble, comprising a table and dining chairs marked by a scu...

This iconic tulip table designed by Eero Saarinen and produced by Knoll has a beautiful 36" Carrara marble top over a white base. The tulip table was designed in 1956 and has proven to be a classic that works in any environment and with almost any chair design. A hugely iconic and famous Eero Saarinen design, the Tulip dining table with its characteristic sculptural single stem with this piece features a beautiful veined Italian Calacatta marble tabletop. It is paired with four white molded plastic Eames Eiffel Tour base chairs. A perfect set for a small breakfast nook or apartment dining table...

Magnificent 1970s original Spaghetti chairs and matching square table with grid glass set in all white by Giandomenico Belotti. Manufacturer is Fly Line by CMP Padova. Made in Italy. Rare full set in white lacquered steel. Gorgeous Minimalist Italian design from the Pop Art era. Very good condition with barely any wear or use to table and chairs - they were only used inside since new. All four chairs and table are in the same condition. All rubber straps are whole and not torn or worn or faded. Square metal...

Five piece Arthur Umanoff for Shaver Howard dining set . Two armchairs two side chairs with round table 42" . Showing with out glass top . New glass tops are readily available reason...

Mid-Century Modern Eero Saarinen Style Tulip Round Dining Table and Chairs Offered is a 6 piece dining set, similar to the style of Eero ...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Vintage Hollywood Regency Clear Lucite Acrylic Mid Century Sculptural Dining Table & 4 Chairs - 5 Pc Set. Item features (4) high back sculptural dining...

This is a handsome ‘Cylindra’ walnut dining set, designed by Henry P. Glass and produced by the Richbilt Manufacturing Company in 1966. The set includes a clover-shaped dining table with four chairs, and has one matching leaf. Glass was one of the most innovative industrial designers of the 20th century, and is credited with having designed the “hairpin leg,"" among many other innovative forms. Each dining chair measures 18 inches long, 18 inches wide, and 31.25 inches high. The dining table, sans optional leaf, measures 42 inches long, 42 inches wide and 29.5 inches high. The leaf adds 20 inches to the length when in place. The steel slides under the table were made by Walter of Wabash...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Introducing the Flex 2000 dining set, a timeless masterpiece designed by Gerd Lange for Thonet in the 1980s. Experience the perfect blend of retr...

A fresh classic modernist take on the Windsor chair and a trestle base dining table. This set from Gallo Original Iron Works features two arm chairs and two side chairs with a trestl...

Incredible mid century modern spun fiberglass dining set by Russell Woodard. Set features 4 chairs on coasters with a glass top dining table. Chairs still have the original “W” logo ...

Set of Eero Saarinen for Knoll set of six 'Tulip' armchairs with Centro Progetti Tecno round dining table Eero Saarinen for Knoll, set of six 'Tulip' armchairs, fiberglass, aluminu...

Contemporary fiberglass dining table - Roly Poly small dining table by Faye Toogood. This is shown in the chestnut fiberglass finish. Design: Faye Toogood Material: Fiberglass. Av...

A stylish and iconic design, this tulip dining table and four matching swivel dining chairs were designed by Eero Saarinen for Knoll in the 1950’s. This example is from the 50th a...

- newly upholstered in velvet fabric - good/very good condition with minor signs of use - heigh of seat 43 cm.

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

This handsome dining set features six hand-sculpted clear lucite side chairs. The six chairs are rendered in thick Lucite and are inset with back and seat cushions in royal blue velv...

A Classic design, beautifully executed, in walnut. The finish is original. The chairs are upholstered in the original fabric.

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Wonderful 1960’s vintage Mid-Century Modern spun fiberglass forest green painted outdoor or patio dining table & four armchairs on casters. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. New paint but not done by us. Needs cushions. Please see photos and zoom in for details. We attempt to portray any imperfections, circa, Mid-20th Century. Who needs to go to a fancy restaurant for dinner when you can stay home and have fine dining like this? This is a fabulous spun fiberglass outdoor dining set comprised of a table with a cinched pedestal base and a round top with a glass insert and four armchairs on casters. So often pieces like this are Attributed to Russell Woodard, and throughout the design community there are debates and discussions as to what in fact defines a Russell Woodard piece, but in fact he never produced spun fiberglass furniture...

An iconic patio set designed by Arthur Umanoff. Produced by Sid Leach of Alabama in the 1950's. White painted round wrought iron table with glass top, and four white painted high-bac...

Mario Bellini design first edit two horse "scacchi" for C&B italy production years 1968 this is very rare set first edition from C&B Italy and not for the after b&b. auction ...

Set of Four Clean Lined Italian Dining Chairs, designed by Gianfranco Frattini for Lema S.P.A., Italian, circa 1960s. The chairs are currently being reupholstered and can be complete...

Spun fiberglass Russell Woodard indoor/outdoor dining set. Gorgeous table stands on 4 feet under the pedestal base. Additional information: Materials: Fiberglass Color: Cream S...

Fabulous 8pc indoor outdoor dining set of spun fiberglass by Russell Woodard. Set includes table with a glass top, not pictured, glass is per...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Space age vintage white plastic dining room set designed by Maurice Burke 1960s United Kingdom and produced by Arkana Great Britain. The dining room set consists of 1 white enameled ...

Contemporary fiberglass dining table - Roly Poly dining table by Faye Toogood. This is shown in the cream fiberglass finish. Design: Faye Toog...

Contemporary fiberglass dining table - Roly Poly Dining Table by Faye Toogood. This is shown in the charcoal fiberglass finish. Design: Faye T...

A unique mid-century Italian chinoiserie dining table and six dining chairs, designed by Umberto Mascagni for Harrods. Circa 1960s. Image numbers 6 and 7 show original photographs...

There are many details that make this Venetian style dining table very luxurious. From solid wood, soft ivory color, to cabriole legs with intricately handcrafted wood carvings on th...

Contemporary fiberglass dining table - Roly Poly dining table by Faye Toogood. This is shown in the raw fiberglass finish. Design: Faye Toogoo...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

Mid Century spun fiberglass patio set by Russell Woodard. Fun, atomic age set for that trendy patio.Use in or outdoors. Glass table top that sits recessed above its sculptural base. ...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

Iconic mid-century Moorish style café table with two small chairs, upholstered in aqua Sunbrella. Perfect set for a balcony or other tight space. The two petite chairs...

Rectangular table in Brazilian rosewood veneer with high gloss polyester finish. Fixed top with base in bronzed stain- less steel. Sunburst veneer to...

Gorgeous and bright set of Herman Miller Eames dining chairs and table. All authentic Herman Miller. Chairs are vintage but have been color coated in fun colors. New Eiffel bases fin...

Mid-Century Modern, 1960s spun fiberglass Russell Woodard table & 4 chairs. Table: 42 diameter 29 high.