Glass End Tables

Vintage 20th century Hollywood Regency / Italian Florentine style side / end / accent table featuring a round glass top on a three leg gilt toleware base wrapped in vines of ivy leaves.

Excellent vintage condition with normal wear from age and use. Chipping or worn paint throughout. Minor scratches on glass from use. See all photos. Description: Pretty Hollywood Reg...

Wonderful Hollywood Regency coffee table or cocktail table with two glass shelves. This amazing item to Charles Hollis Jones and was produced in Italy during the 1970s. This piece...

Chic, architectural sidebar end, table designed by Lou Hodges for Mersman, circa 1970's. The table features a sculptural solid oak frame with a bevelled tinted glass top. This exampl...

Chic pair of cube form bamboo stands with plate glass tops. Each table has cross hatch woven sides and open ends, both are in good condition, clean, sturdy, and ready to use. One gla...

This listing is for the coffee table alone. Other items are NOT included Brazilian Modern Percival Lafer rosewood coffee table with smoked glass top. Vintage 1970s. Stamped “Made in Brazil.” Sculpted solid Brazilian rosewood base with deep rich, red patina. The smoked glass looks great and only has a few faint scratches (see pics). The frames are tastefully complimented by the chrome metal hardware. The lower height perfectly compliments vintage Mid-Century Modern era sofas. We also have matching side tables and Percival Lafer Earth...

Pair of Burl Wood End Tables, Italy 1950s Crafted from thuja burl wood with mahogany accents and brass hardware. Glass tops feature a decorated faux marble surface. Wonderful pair!

Undulating 'Méandre' verdigris iron and glass side table by Design Frères. Chic and understated.

Teak geometric side tables with glass tops by Henning Norgaard for Komfort.  

Pond - Side table Design: Friends & Founders Material: glass * Clear * Bronze * Grey smoke Contemporary design studio Friends & Founders was founded in 2003 by Ida Linea ...

Wonderful and rare sculptural walnut side table to flank your new sofa. Some light scratches to glass surfaces but no chips to glass.

Mid-Century Modern smoked glass coffee table in chrome-plated tubular in the style of Paul Mayen. A great example of 1970s design, ...

Pair of Méandre™ blackened steel and glass side tables by DESIGN FRÈRES. Chic and understated. Shown for size on the last picture.

A pair of Italian two-tier iron side tables with clear glass tops. Signed Claudio Rayes. In the style of Giacometti.

Superb Pair of Maison Baguès 3-tier side table in patinated brass with original mirrored cloudy glass. Neoclassical French Design from the late 1950. Very good vintage condition.  

Pair of round Gilt iron with Amber Glass Discs in a hoop form. Rare distinct tables in excellent vintage condition with minimal wear. Glass is perfect. These can be parcel posted.

A Postmodern bent glass side or end table in the style of Italian design house Fiam, circa late-20th century. A substantial all glass, bent glass, side or end table, with lower shelf...

A pair of 1970's wood drum tables with original almond lacquer and adjustable risers. Generous proportions of 26' round x 22" h; includes custom glass tops.

Chic and stylish pair of mechanical disk form three tier side, or end tables, constructed of solid oak frames with tinted glass insert tops. The tables feature three circular stable...

This exquisite piece features a hand-forged iron base in an aged brass finish, lending a touch of vintage elegance while maintaining a sleek contemporary aesthetic. The casted glass ...

An exquisite vintage wine rack metal table in antiqued finish. The table has a beveled top glass and can store up to 8 bottles. The table also has a ...

Circa 1970s French cocktail table made of solid brass with a glass top. Unknown maker. Very good vintage condition with some patina and surface wear.

Pair of Hollywood Regency Faux Bamboo Maison Bagues Style Cocktail End Tables. Good overall condition. Few scratches to glass from age and use

Exceptional pair of night stands created out of burl wood with ebonized tops and bases. Case is dovetailed construction with a top drawer over two doors and an open space. Lots of va...

Stunning vintage chinoiserie hand painted and carved gilt wood end table with glass insert by Heritage Furniture. Beautiful condition, keeping in ...

Curved leg brass side table with square glass top in the style of Maison Jansen. The table has four legs and mirroring frame with attached glass top. Dimensions 20” width x 20” dept...

This pair of side tables is made of brushed steel with glass shelves. The quality is very good and the design very nice, in the style of famous French designer Guy Lefèvre, circa 1970.

Mid-Century Modern chrome and glass end or accent table featuring a sculptural tubular frame with a removable glass top.

Undulating 'Méandre' verdigris iron and glass side or end tables by DESIGN FRÈRES. Chic and understated.

The 'Méandre' verdigris steel and glass side table by Design Frères. Hand- applied painted verdigris finish. Chic and understated.

Large midcentury chromed steel structure coffee table with internal brass frame. The top is in smoked glass. This iconic mid-century coffee table was designed in the style of Romeo Rega, one of the best Italian designers of the 70s, known for combining modernism and glamour in his furniture creations. Like most of the Rega production, this clean-lined modernist piece is characterized by a rectangular geometric shape and made charming and elegant by chrome, brass and smoked glass, which adds to the allure that Rega is known for. A charming piece, perfect for the Hollywood Regency project and ideal for lovers of minimal 70s...

Gorgeous midcentury rectangular cocktail table in enameled metal and brass with smoked glasses. This wonderful object was designed by Tommaso Barbi in Italy in the 1970s. This stu...

Mid-Century Modern French inspired design, that we hand-make in several dimensions. The table base is constructed from solid bronze, although brass is available for an additional cha...

Contemporary low Murano pink glass side table, in stock by Tokujin Yoshioka Pink Murano textured glass, inset top glass. Can be used wired (lit ...

Beautifully designed acrylic with a 1/2" thick inset glass top occasional table by Les Prismatiques.

Sculptural Glass End Tables, designed for the Modernage Company of New York City, circa 1940's. The wooden bases have been refinished in an ultra-deep brown color lacquer. They retai...

Chic pair of metal and glass end, or side tables having textured cast metal frames which have twig like surfaces. The faux wood ( iron ) frames are in later gilt brass paint finish. ...

Classic coil base side, or end table by Pace, circa 1970's. The bright chrome base supports the original plate glass inter top, this example is in very good, original, clean and read...

Maitland Smith Tweet accent table having a magical mix of sculptural bronze twig form legs, small square table top with aged mirror and an inlaid bird resting there. Makes a wonderf...

An original mid-century modern side table, in the manner of legendary Italian modernist architect and designer Ico Parisi (1916-1996) Italy, circa 1950s, having a rectangular inset ...

Mid-Century Modern French Maison Jansen Style Bend Steel Side, End or Drink Table with round Glass Top insert. Brass Finial Decor at the Center where the sculptural Base and Top fram...

Simple pair of side tables with brass plated heavy framed with a top trim chrome frame that surrounds the glass top, a stylish and practical piece of furniture that would look great ...

Black laminate, gilt and patinated brass side table. Glass top has some minor scratches. In overall good vintage condition. some of the patina has been voluntarily left as is. Th...

Just in, this pair of 1970’s Mid Century Modern, three tier end tables, in the style of Maison Jansen Paris. Condition is period, the metal has a gilt finish that looks very Hollywoo...

Maison Bagues rectangular side table 2 tiers, 1st tiers height: 8 in Bronze ans brass, gold cloudy mirror.

Unique pair of side tables designed by John Keal for Brown Saltman circa 1950s Square walnut pedestal bases with decorative reverse painted glass surfaces in mottled gold tones Both...

Small round midcentury Lucite side table with black glass top and with reflective chrome accents around the tabletop.   

Large 'Méandre' verdigris and glass end table by Design Frères. Chic and understated.

Pair of Swivel brass and glass end tables. Retro three tier side tables that can expand to be wider. Price is for the pair of 2 total. White glove is recommended for these table. Pa...

A vintage set of three, round cylindrical nesting tables, with chrome and glass tops, attributed to Milo Baughman, circa 1960s. These highly functional end or side tables can be se...

A mid century Mersman Tiered Mahogany Oval Side Table With inlays and Protective Glass Top with Gallery. Measures 23" in width, 16" in depth and stands 26.75" tall. Lower tier clear...

A modern classic designed by Leon Rosen for Pace Collection. It consists of chrome plated steel with thick clear glass top.

Glamorous matching pair of gilt curtain side or end tables feature a Trompe l'oeil swag curtain design hand-carved from wood with hand-applied gilt and hand-burnishing for a dramatic...

Pair of brass & mahogany Campaign style coffee tables or end tables. Unmarked, Attributed to the Baker Furniture company Rare to find a pair, often used together as coffee tables,...

1970's Mid-Century Modern burlwood waterfall end tables with glass shelf and brass detail, fully restored with minor wear and patina due to age and ...

Pair of vintage 1970s Percival Lafer, Brazilian Modern side tables. The deep red hue rosewood bases support a rich smoked glass table top. Both of the tables bear the “Lafer” label. ...

This unusual pair of side tables is made of black lacquered wood, chrome, and glass. This is a French work. Circa 1970.

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Pair of end tables, by Niccolini, each having a rectangular glass top, raised on four cabriole legs fashioned as rope, joined by matching, shaped stretcher, ending in tassel feet. ...

Jacques Adnet French oak side table with beautiful 1.25” thick St Gobain glass showing a subtle gilded verre eglomise. The glass is inset into the table top. The oak has subtle sophi...