Glass End Tables

Modernist steel round black glass table, France, 1930s Purchased with Jacques Adnet Chairs and attributed to him, but not documented. Beautiful st...

Effetto Vetro exquisite custom contemporary pair of round side tables with green glass mirrored tops inset on satin brass tripod bases with floating green glass orbs suspended on brass stems. This exquisite pair of modernist sculptural side tables are handmade and the colored mirrored glass is hand silvered. The glass tops and matching orbs come in a variety of vintage glass colors from the 1950s. The green color of this glass is an extraordinary soft vintage green shade of Murano glass no longer seen these days among more recently produced green glass which is complimented beautifully by the brushed gold brass table frames. Signed "Effetto Vetro" on metal plaque attached to brass structure on underside. Bestoke / Customizable Custom made-to-order either single or pair within 5-6 week lead time. Glass color options include yellow, amber, rose, cobalt blue, azure, aquamarine, and black. Custom sizes for side tables available in all colors. Prices will be subject to change for 2025 production of this side table. $18,000/pair, $9,000/each. After years of training in several Italian artisan glass workshops, Maurizio Foddis (born 1975) and Andrea Baisi (born 1976) founded Effetto Vetro in 2014, an artisan glass atelier specializing in handcrafted furniture, lighting, and mirrors using cut glass and crystal. Through their continuous research, Foddis and Baisi...

Pair of Mid-Century Modern walnut chrome and glass tops round end side tables MINT!

This is a Walnut Cubed Side or End Table, first debuted by Lane Furniture in ca. 1969. This example dates to the 1970s. The piece is appropriately stamped underneath, indicating that...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

PACE Collection Carra Marble Chrome and Glass Side/End Table, 1970’s. Excellent original condition. Measures 17.25” tall 20” diameter

Unique vintage modern side table. The table is comprised of three elegant tiers of glass and brass hoops. The top two tiers can swivel out to expand the table for a variety of uses. ...

Side end table composed of two shelves, the upper one in glass and the lower in wood, and a structured in ebonized wood. Attributed to Ico Parisi, Italy, circa 1950.

An early 19th Century, antique German Biedermeier demi-lune sewing table made of hand crafted shellac polished, partly veneered Cherrywood, in good condition. The small corner dressi...

Designed by Arturo Pani and crafted by metal artisan circa 1950s, Model no 3026, these pair of bronze side table showcases the signature exuberance of the designer. Glamorous in its ...

This refined and graphic modernist side/end table was realized in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. It fe...

Gorgeous midcentury rectangular cocktail table in enameled metal and brass with smoked glasses. This wonderful object was designed by Tommaso Barbi in Italy in the 1970s. This stu...

Undulating 'Méandre' verdigris iron and glass side table by Design Frères. Chic and understated.

Curved leg brass side table with square glass top in the style of Maison Jansen. The table has four legs and mirroring frame with attached glass top. Dimensions 20” width x 20” dept...

Pair of Hollywood Regency Faux Bamboo Maison Bagues Style Cocktail End Tables. Good overall condition. Few scratches to glass from age and use

1970's Mid-Century Modern burlwood waterfall end tables with glass shelf and brass detail, fully restored with minor wear and patina due to age and ...

Pair of Mod Style tubular brass based tables with thick (.50 inch) plate glass tops. Architectural constructivist design bases in shiny brass finish, chic, stylish, clean and ready t...

Set of wide rectangle shape chrome & smoked glass nesting end side tables. Studio made set of Mid-Century Modern occasional tables...

A pair of fine French Modern low square end or coffee tables in a Maison Jansen style - each featuring an inset smoked glass panel top. over a frame with finials and reeded legs of ...

A very cool architectural design from the 1980s. It features heavy solid glass block construction with thick clear glass top.

Pair of Round Mid-Century Modern Nickel in acid texture and Mirror Top arrow feet and connector buttons, made in France circa 1960. Insert new mirror glass tops which measure 13.75...

Chic, architectural two tier side table having a plate glass top, over a second level marble shelf, all supported by brass vertical elements. The top glass shelf is 23.5 H, lower ma...

Simple pair of side tables with brass plated heavy framed with a top trim chrome frame that surrounds the glass top, a stylish and practical piece of furniture that would look great ...

Pair of brass & mahogany Campaign style coffee tables or end tables. Unmarked, Attributed to the Baker Furniture company Rare to find a pair, often used together as coffee tables,...

Handsome modern design somewhat Hollywood Regency style brass and glass side table or end table similar to pieces by Pace or Karl Springer. It is in wonderful vintage condition. Ther...

Corrado Corradi dell'Acqua pair of T12 also called Montecarlo bedside tables. Azucena, Italy 1960s.

Mid-Century solid brass and chromed coffee table with smoked glass top and amethyst Lucite blocks. This fantastic object was desi...

Unique pair of side tables designed by John Keal for Brown Saltman circa 1950s Square walnut pedestal bases with decorative reverse painted glass surfaces in mottled gold tones Both...

A table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed oak, Pr...

Stylish and chic wicker base, glass top occasional table, wicker retains original made in Philippines label. Very fine condition, clean and ready t...

Set of Faux Bamboo Brass nesting Tables. Three total with clear glass. Perfect for small spaces. Use together or use apart. Some pitting to the brass plated finish. This item can par...

Joe D'Urso designed Polished Stainless Steel End Table for Knoll circa 1980s. Cataloged as Model 6027T. Clean and modern designed functional two tiered table that features a safety ...

Splendid Italian two tier serving bar cart entirely made in gilt brass. This charming and unique piece was designed by Cesare Lacca and produced in Italy during the 1950s. Fully or...

Iron frame and glass top table reminiscent of Milo Baughman for Pacific Iron Works. Featuring two glass tops with a nice flared leg frame. A nice ac...

Streamlined Art Deco Style Cognac Leather Wrapped Metal Tables, in the style of Jacques Adnet, probably American, circa 20th Century. They have a clean lined design and retain their ...

Art Nouveau and Arthur Court inspired cast aluminum side table, with an aged gilt finish. Base is comprised of three flowering lilies with int...

The Pair of Faux Bamboo John Widdicomb End Tables is a stylish and versatile addition to any living space, embodying a timeless design that enhances both classic and contemporary dec...

Pair of mid 20th century Italian square side table with thick glass top and base joined by four segmented legs with ball feet and ball finials. A very clean and modern look. The perf...

Midcentury brass bar cart, circa 1970s. It is versatile in size and can be used as a bar or serving cart or as an additional storage space in an office. It has four bottle holders at...

Fabulous, solid travertine base, topped with sculpted travertine spheres and thick glass. The beveled glass top has soft rounded corners. This mid-century modern design is chic and t...

A Jacques Adnet mirrored table in the artist's classic vernacular, a simple yet strong shape clad in mirror.

We offer a pair of Vintage handmade bamboo, reed & cane side or end tables with glass tops. Great for your Florida sun room. Bohemian Style made in America in the late 1970. Very ...

This pair of very nice design side tables is made of chrome with thick glass shelves. This is a French work, circa 1970.

Faux hand painted malachite and gilt metal two-tiered side table. Top shelf has glass over cane & bottom shelf is glass alone. A pair is available.

Marvellous serving bar cart designed by the Italian design master Ico Parisi together with his wife Luisa. The cart was produced by De Baggis in the 1950s in Italy and is signed with...

Oak dovetailed construction with a smoked glass top. Architectural joinery with open areas.

A pair of large late 20th century coastal style weaved rattan side tables. circa late 1980s Features a beautiful hand woven top detail, rounded corners, finished in a natural rattan...

French smaller scale round three-tier brass side or end table with glass shelf insets. Nice detailing including reeded legs and pierced gallery railing on each shelf.

Elegant brass, chrome and smoked glass square coffee table. Romeo Rega designed this elegant coffee table during the 1970s in Italy. The unique combination of straight and pure lines with superb materials, makes this item a go-to for Italian midcentury lovers. This piece smoked glass top will add seductive elegance to a midcentury living room or a studio. Measures (cms): width - 70 depth - 70 height - 40 Romeo Rega is born in Rome on 10 October 1925, third of six children, born and raised in the Trastevere district, in the heart of Rome. In 1943 , at the age of 18, he joins the army as a driver, a position that he holds for the next two years. In 1945, the year of Liberation, he comes into contact with whom he himself calles “the Master”, an excellent blacksmith and forger, from whom he learnes the art of iron. This way he starts his path after his father Piero, also a craftsman. Nine years later he gets married and opens a small shop in Via della Pelliccia, in the Trastevere district. Here he starts to work wrought iron, discovering himself capable of inventing, designing and realizing gates, railings and iron furniture. He is 27 years old when, in 1957, he enrolls in the Albo provinciale delle imprese artigiane (Provincial Register of Craft Enterprises) and opens his first workshop in Vicolo della Frusta 6, where he collaborates with talented masters of wrought iron and forging. At this point arrives the first important order: the design and manufacturing for Cinecittà of the chariots for the American colossal film Ben-Hur, which will be published in 1959. He stays in Vicolo della Frusta until the end of the 1960s, a period in which he dedicated himself to his favorite activity: the design of his own pieces and the relations with people. Among his clients there are personalities from the world of cinema and entertainment, such as Marcello Mastroianni, Renato Rascel and his wife Giuditta Saltarini, Massimo Ranieri. In 1970 he met the filmmaker Massimo Saraceni who encouraged him to broaden his entrepreneurial horizons. The 1970s represent a real revolution for the Italian culture, here start the “golden years” of design. In this roaring context, Romeo manages to apply with creativity the traditional methods usually used to process forging and wrought iron to new industrial materials such as brass, steel and perspex. This is how the famous “Romeo Rega” brand is born, and the serial production of his furniture starts in Vicolo Pian due Torri, in the Magliana district of Rome. The “four-rod” tables, the “Z-shaped” consoles...

Elegant coffee table in brass, smoked glass adds to the seductive elegance of this midcentury piece. Measurements: 56 x 36 H 41.

Stylish midcentury coffee or cocktail table. Chrome base, with a sizable piece of beveled glass serving as the tabletop. Please confirm item location with dealer (NJ or NY).

Black laminate, gilt and patinated brass side table. Glass top has some minor scratches. In overall good vintage condition. some of the patina has been voluntarily left as is. Th...

Unusual two tier garden, patio table by Meadowcraft. The metal frame is executed in faux verdigris finish, the lower shelf is 7.25 inch beneath the top.  

Mid-Century Modern Lucite aluminum and glass lamp side occasional end table. Pace collection Milo Baughman style.

Nice pair of small rectangular tables with brass and cream metal frames, and smoked glass tops (one glass shelf has a minor flaw pictured). Gr...

A contemporary modernist glass cube table. This is a very simple yet chic, modern accent table. It features a large cube design, made completely of glass and thin metal reinforcement...

This vintage Cypress wood side table not signed but looks to be the same designs as Steven Chase, features a round glass tabletop with a white wash cypress wood base, complemented by...

This stunning pair of Hollywood Regency inspired nightstands were custom-made by our exclusive atelier in New York. They embody the superlative craftsmanship, old world glamour, and ...

Paul McCobb Irwin Collection C8732 White Glass & Brass Square Table. Coffee Table. Side Table. End Table. Featuring a square tubular patinated Brass framework with cross brace de...

A beautiful set of Mid-Century Modern nesting tables with Black glass top. Brass has been polished & sealed. Tables retain the Original glass, glass has minor scratches consistent...