1860s Gueridon

Marble side or occasional table features a round marble top and a hand-carved wooden base painted gold.  

A handsome French round table or gueridon in the Empire style, featuring a circular top of figured black marble (25.5" diameter), set upon a tripod column support of mahogany with or...

An elegant and architecturally refined Cannes Gueridon occasional table by Ralph Lauren Furniture, featuring a polished nickel–finished steel base and dramatic black marble top (ofte...

Louis Philippe period mahogany center table with original shaped conforming marble top, with beaded frieze, raised on turned, beaded and gadrooned urn-form pedestal, on acanthus car...

A French Louis XVI Style Gilt Wood Carved Guéridon Side Table with Marble Top. The circular gilt wood carved apron with an acanthus tied leaf wreath, raised on four fluted carved leg...

FRENCH LOUIS XVI STYLE GILT-BRONZE, POLISHED BRASS AND MAHOGANY GUERIDON Modeled after the design by Adam Weisweiler 20th century Item # 407UNK10P This gorgeous 20th century interp...

A French Bronze Gueridon, 19th Century The bronze cross frame base to black stone inset top. A fine traditional Campaign form having Bronze Strap frames with the legs terminating in...

Circular marble top raised on a incurving triangular base ending in paw feet

This is a very smart 19th century French empire Gueridon table. The columned base with ormolu decoration is in extremely good condition as is the black marble with only a few light s...

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...

19th Century French Charles X marble-topped gueridon with its original marble top. This lovely gueridon is in its totally original condition and has very few signs of wear. Featur...

Large 19th century French marble topped gueridon with a good carved walnut base. 1820. The marble is 1-inch thick. Code: 8849 Dimensions: H: 28.5" (72.4 cm) Di: 45" (114.3 cm)