Vienna Secession Nesting Tables and Stacking Tables

Set off four French Art Nouveau nesting tables,late 19th or early 20th century. Dimensions; 56 x 39 x 74 cm. 49 x 36 x 72 cm. 42 x 32 x 70 cm. 36 x 29 x 68 cm.

Elevate your living space with the exquisite charm of Michael Thonet’s 19th century side table No. 1, seamlessly blending Austrian craftsmanship with timeless elegance. Its intricate...

Late 20th century, Tommy Bahama style set of three nesting tables fit inside each other. Wrought iron bases, attached burnt bamboo tray tops.

Set of three elegant mahogany nesting tables designed by Barbara Barry for Baker, American, circa 2000s.

Trois tables gigognes par Mathieu Matégot en métal perforé.

An extraordinary modern furniture from the best period of his works. He made trendsetting Industrial designs for the bentwood-industrie. This dressing-table is from the "Fledermaus" ...

Rare round beech wood table from the Vienna Secession, designed by the famous Austrian architect and designer Josef Hoffmann for the "Fledermaus" café in Vienna. FOR SHIPPING, REQUE...

Josef Hoffmann designed this simple four-part nest of tables at the turn of the century. * Ash black stained.

Thonet table by Josef Hoffmann in very good original condition with signs of use.

Fledermaus coffee table no.406 by Josef Hoffmann. Professionally stained and repolished.

Table designed by Josef Hoffmann. Model 915/1p Art Nouveau table from Jacob & Josef Kohn manufactured, circa 1920. Measures: diameter 60, height 72 cm. In original conditi...

Josef Hoffmann Gueridon. Made with bentwood. Vienna Secession Circa 1910, Austria. Vintage condition. The Austrian architect Josef Hoffmann was a central figure in the evolution of modern design, and a leader in an aesthetic movement born in Europe in the late 19th century that rejected florid, extravagant ornamentation in favor of a new emphasis on simplicity of line. As a founder of the turn-of-the-century Wiener Werkstätte (in English: the Viennese Workshops), a design cooperative that produced superbly crafted furniture and housewares, Hoffmann was a pioneering practitioner of what would become a fundamental principle of modernism: that good design is a way of life. Hoffmann came of age amidst a shift in the culture of the applied arts, as a conservative order that looked only to the past for inspiration was pushed aside. But what, exactly, would replace that order was in question, and Hoffmann’s career embodies the developing patterns of design’s new spirit. His architectural work reflects his time as a student of the Vienna architect Otto Wagner, who disdained excessive decoration and employed new materials such as steel girders and reinforced concrete to create buildings with airy, open interiors full of light. As a designer of furniture and interiors, Hoffmann was consistently open-minded about the aesthetics he explored. He was an early adherent of the flowing, organic forms of the Art Nouveau design movement that began to flourish in the late 1880s, but by the opening of the Wiener Werkstätte in 1903, Hoffmann’s designs embraced the beauty of geometry in pieces that feature grids and angular forms. Hoffmann’s greatest works reflect his ability to combine seemingly conflicting design visions into coherent wholes. His architectural masterpiece, the Stoclet Palace in Brussels, has an exterior that groups together simple geometric forms and spacious interiors marked by subtly naturalistic design details that lend rooms an air of charm and geniality. Hoffmann’s signature furniture design is an adjustable lounge chair, the Sitzmaschine (1905), that marries a curving frame with square and rectangular back- and side rests. This piece, like so many others by Hoffmann, reflects a groundbreaking, forward-thinking appreciation for the union of different looks and sources that marks the best of interior design in our own day. Moreover, items offered on these pages, which range from enameled silver jewelry, to a silver flower vase basket, to lighting pendants and sconces...