Native American Furniture

Unique item and hard to find large man's hand ring size 10 1/2; "Native American Indian Chief" warbonnet head design, made of sterling silver (marked) & turquoise, onyx, and corral...

Exceptional 19th-century Native American Kiowa-Apache beaded hide bag, a finely executed example of Plains Indian material culture dating to the late 1800s. Handcrafted from native-...

Exceptional museum-quality circa 1880 Native American Sioux beaded hide dress, representing one of the most significant and visually compelling forms of Pl...

Exceptional museum-quality black-on-black ceramic jar by Maria Martinez (1887–1980), San Ildefonso Pueblo, one of the most influential Native American potters of the 20th century. T...

This exquisite Pueblo ceramic jar (olla) by renowned Hopi-Tewa potter Priscilla Namingha Nampeyo is a masterful example of traditional Southwestern pottery. Handcrafted and signed by...

Exceptional antique circa 1890 Native American Navajo (Diné) serape rug, representing a highly significant Transitional Period weaving at the pivotal moment when traditional wearing ...

An antique Navajo rug from southwest America distinguished by an allover pattern of cruciform elements on a soft grey background. Rugs if this type have been collected for their auth...

Exceptional 19th-century Native American Salish (Flathead) Plateau moccasins, dating to circa 1880, representing a rare and highly collectible example of Indigenous footwear from the...

This rare early 20th-century Apache wooden fiddle—known as tsii’edo’a’tl, meaning “wood that sings”—is a remarkable example of Native American musical craftsmanship and cultural heri...

This is one of the more desirable of the McKenney and Hall plates because it involve two figures and depicts a female and her child. It is completely original, as are all of the McKe...

"AMISKQUEW" "A Menominie Warrior", as stated on the lithograph, is a hand-painted color engraving on paper depicting a Native American Indian whose portrait was painted by Charles Bi...

This rare and authentic pair of antique Sioux moccasins dates to the 1870s, during the late Classic Period of Native American artistry (circa 1650–1875). Handcrafted by a skilled Pla...

Fabulous looking full page McKenny and Hall folio sheet "WAA-TOP-E-NOT", a Chippewa tribe warrior, from the three volume series "Indian Tribes of North America". The Chippewa tribe,...

This exceptional 19th-century Crow (Plains Indian) beaded tepee bag, dating circa 1860-1875, is a rare and authentic example of Native American craftsmanship and cultural heritage. E...

Nicely colored original lithograph entitled "Turtle and Setting Mountains" depicting an Indian father and child, more than likely (judging by the loca...

Exceptional vintage Native American Navajo handwoven wool rug, dating to the 20th century and showcasing a classic geometric composition rooted in Southwestern weaving traditions. H...

"MA-KA-TAI-ME-SHE-KIA-KIAH" "Black Hawk A Saukie Brave" (printed under image) is one of the more attractive and striking McKenney & Hall folios, and consequently more rare and d...

Displayed on a custom made metal stand designed especially for this boat, this is a typical model dugout canoe carved by the Nootka or Makah Indian tribe of the Pacific Northwest...

"Chippeway Widow" hand-painted color lithograph on paper depicts a Native American Indian woman lamenting the death of her husband, presum...

Very rare and unusual piece, a sterling silver "note holder" fronted by an Indian Chief on the front in high relief. A bale on top provides for a necklace and hanging as a decorative piece of jewelry. Other decoration on the front includes a tomahawk and a peace pipe criss-crossed beneath the Indian. The back is plain with a decorative "repousse" floral border, and "sterling" clearly marked in the lower left (see image). It is 2 7/8" high  x 2" wide resembling and in the style of a match safe; probably manufactured by Unger Bros. of Newark, New Jersey, circa 1880, but difficult to observe all of the surfaces because of the frontal "notes" in permanent place. A note holder would have been used to write down reminders and/or notations by the user; the surfaces appear to be a celluloid type material. Condition is excellent with six notes intact; a very slight "crease" to the back side; hardly noticeable (see image). Appropriate Americana for the discerning collector with a Western Native American...

This early 20th-century Navajo double saddle blanket, woven circa 1920s, is a remarkable example of traditional Southwestern textile artistry. Ha...

This exceptional antique dough bowl from the Tesuque Pueblo, dating to circa 1875–1900, is a rare and highly collectible example of 19th-century Native American pottery from the Amer...

This vintage Navajo rug, handwoven during the Trading Post Era of the 1920s–1930s, is a striking example of Diné (Navajo) textile artistry from the pan-reservation period. Crafted by...

This large vintage Navajo area rug, handwoven in the 1930s by a skilled Diné (Navajo) weaver, originates from the historic Hubbell Trading Post in...

This exceptional 19th-century Plains Native American roach headdress, dating to circa 1880, is a rare and visually dynamic example of traditional cerem...

This rare and finely crafted mid-19th century Ojibwe powder horn, dating to around 1865, is an exceptional example of Eastern Woodlands Native American artistry. Originating from the...

This vintage hand-colored lithograph by artist Swankar Hanumann depicts a traditional Kachina (Katsina) doll, a central figure in Hopi and Pueblo ceremonial traditions. The doll is s...

This striking pair of hand-painted wooden corbels from New Mexico, crafted circa 1940, beautifully showcases the bold design and traditional craftsmanship of mid-20th century Southwe...

This vintage Navajo rug, handwoven circa 1930, originates from the Chinle region of Arizona, renowned for its distinctive Southwestern textile traditions. Crafted by a skilled Diné (...

This extraordinary Arapaho tobacco/pipe bag, dating from the late Classic period (circa 1870s), is a rare and historically significant Native American art...

Exceptional early 20th-century Native American Sioux parfleche box, dating to circa 1900, representing a classic form of Plains Indian painted rawhide work. Constructed from stretche...

Exceptional vintage Mexican Mayo (Yoreme) serape, handwoven in finely spun natural wool and distinguished by its rare, understated earth-tone palette. Created by a Yoreme (Mayo) wea...

Exceptional vintage Native American Navajo Germantown “Eyedazzler” rug, distinguished by a masterfully executed serrated diamond motif and a brilliantly saturated color palette. Hand...

Authentic mid-century Southwestern Trading Post era drum from the Cochiti Pueblo region, dating to circa 1950. This striking example of Native American folk art is constructed from s...

Exceptional 19th-century Native American Southern Cheyenne beaded moccasins, dating to circa 1880, representing a highly collectible example of Plains ...

This antique 19th-century Sioux beaded possible bag is a remarkable example of Plains Indian artistry and craftsmanship. Constructed from soft buck...

Completely original and full page folio from the McKenney and Hall iconic three volume series "Indian Tribes of North America"; which seeks to document and memorialize 120 Indians...

This exceptional vintage Navajo rug, woven in the 1930s, is a rare and striking example of Ganado pictorial weaving. Handwoven by a Diné (Navajo) art...

This 3x5 Navajo-inspired hand-knotted wool rug features a bold geometric design rendered in earthy rust, brown, ivory, and gray tones. The warm rust accents give the carpet a grounde...

This exceptional pair of antique Arapaho moccasins, dating to circa 1880, represents a rare and highly collectible example of 19th-century Plains Native American artistry. Handcrafte...

Fine quality hand painted porcelain humidor is in excellent all original condition with no chips, repairs, or overpaint; nice bright crisp paint and detail. No mark, but definitely American, circa 1900 era. Note the detail to the Indian's face and his elaborate headdress. Native American Indians were especially attracted to tobacco and related products and relished the opportunity to pose for pictures on that topic; note cigar store "Indians", match safes, and humidors. This is a very desirable and item of tobacciana with the Indian subject matter and the attractive multicolored hand painted Indian chief with headdress, probably of note but I have not been able to accurately identify him; quite possibly "Big Bow" an Indian warrior who has been identified on other similar objects. Grace Young...

This exceptional antique Crow (Apsáalooke) beaded knife sheath, dating to circa 1870, is a rare and highly collectible artifact from the Classic Period of...

This is an authentic hand colored lithograph by McKenny Hall and originally painted in the 1820's by Charles King" of YOUNG MAH--HAS--KAH" (born 1784--1834), also known as "Chief Whi...

This is a very rare and important original image of early Western Americana, or more specifically, "Californiana". Mid 19th century and researched to have been engraved in 1856, it captures, in incredible detail, a group of twelve Native American Indians with a baby in a papoose, gathered together in front of their hanging tools, baskets, implements and weaponry behind them on a "tent like" backdrop. There are men, women, young, and elderly. It is a signed wood cut engraving applied in ink by well known wood cut engraver of the mid 19th century, William J. Peirce (active 1851-1879). It is in excellent all original condition with no additions, no restoration of any kind and it is housed in it's original 1 1/2" double beveled wooden birds eye maple veneered frame with a gilt 1/2" filet interior border. "A Group Of California Indians" is engraved at the base along with a non-descript notation "For description see page 381" which appears in the margin, in addition to an illegible signature. Both these line items are also noted by the New York Public Library, where a digital example exists from the esteemed collection of "The Miriam and Ira D. Wallach Division Picture Collection", which was assembled in 1986 and recently digitalized. The Library of Congress also memorializes this image and theirs is similarly a digital image. My example came out of the Grant Smith Collection of "Californiana", as is noted on the back of the framed engraving. He was located at Main Street in Bolinas, California (see images on the rear for provenance). Research reveals that he was a direct descendant of the coastal Miwok people who built a settlement in the Bolinas lagoon area. The engraving is referenced in both the New York Library and The Library of Congress as "A Group of California Indians". It is one of the earlier images you will find, along with McKenny and Hall lithographed mages of Native American Indians; and because of it's subject matter and extreme rarity, "A Group Of California Indians" commands attention and interest from the Western art collectors' arena. California became a state on September 9, 1850 making this one of the earliest known images (Circa 1856) of "Californiana" and California Native American...

This exceptional vintage Navajo pictorial rug, woven circa 1930s–1940s, is a rare and visually captivating example of Southwestern textile artistry—where tradition meets modern influ...

Rare and difficult to find Native American beaded coin purse, with an image of an Indian chief in full regalia, with a headdress and frontal Indian d...

A particularly fine quality rare and difficult to find Native American silver plated beaded coin purse, with an image of an Indian chief. The beading...

This exceptional 19th-century Plateau parfleche envelope, dating to circa 1870, is a rare and visually striking example of Native American rawhide artistry from the North American We...

Exceptional late 19th to early 20th-century Native American Crow (Apsáalooke) beaded hide cuffs, also known as gauntlet cuffs, representing a finely executed example of Northern Plai...

Circa 1955, uniquely designed, well crafted vintage 14k gold ring, depicting an Indian Chief in full headdress regalia with colorful polychrome features. Attention to detail with fin...

This original watercolor painting by San Ildefonso Pueblo artist Jose Roybal (1922–1978) beautifully captures the ceremonial Pueblo Harvest Dance, a celebr...

Exceptional early 20th-century Native American Sioux parfleche box, dating to circa 1900, representing a classic and highly collectible form of Plains Indian painted rawhide work. C...

This rare antique Hopi HeHeya Clown Kachina doll, carved in the first quarter of the 20th century, is an exceptional example of traditional Hopi spiritual...

This striking original artwork by Randy Lee White, a contemporary Native American artist, is created in his distinctive style using acrylic on canvas. ...

Dated 1896, gouache on paper, and signed lower right; this painting by John Hauser (1859-1913) is so popular that it has been reproduced in several mediums...

Nicely colored original lithograph depicting an Indian child, more than likely (judging by the locale), a Blackfoot Indian tribe member. The lithograph is...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

This exquisite painted pottery canteen, crafted by renowned Hopi-Tewa artist Jean Sahme Nampeyo (b. 1949), is a stunning blend of traditional Hopi pott...

This rare and visually striking vintage Navajo rug, handwoven in the 1950s, stands out as a unique example of mid-century Southwestern textile artistry. Featuring an unusual pictoria...

This rare and well preserved pair of circa 1880 Potawatomi moccasins is an exceptional example of 19th-century Northeast Woodlands Native American craftsmanship. Hand-stitched from n...