Carved Furniture

The Theodore Alexander Bromley Accent Chair marries soft fabric with rich, dark wood and silver-toned hardware, creating an fresh reimagining of the traditional silhouette. Bromley f...

Elegant George III style serving / console table, made in Italy in the early to mid-20th century and finely crafted in solid mahogany with a removable veined marble top. The table re...

Discover the timeless charm of our Pair of early 20th century brutalist pine chairs. Hand-carved from one piece of wood, these unique pieces showcase extraordinary craftsmanship and ...

Experience the unique aroma of scented cedar with this bench, sculpted from a single piece of wood. Its graceful arched base below the seat magnifies the exquisite wood grains and na...

multi dimensional hand carved and hand painted wall hanging Depicting a Chinese Dynasty Emperor and Empress. Vivid detailed stone carving of the two looking forward in grace Except...

An Art Deco sculpture carved in solid wood by Danish artist Jens Jacob Bregnø, dating from the 1900s. The piece bears the carved monogram "JB" signed on the back of the hat. Document...

This elegant pair of Louis XVI medallion armchairs perfectly captures the refinement of 19th-century French neoclassical design. Crafted i...

Like an iconic “Bouillotte” type table, this vintage (circa 1930) French Louis XVI inspired rectangular coffee or “low table” has all the signature elements of earlier design periods...

A handsome pair of French painted bergère chairs dating to circa 1900, featuring gracefully carved frames with serpentine crests, scrolling arms, and elegant cabriole legs. Executed ...

Cult stool / side table; a hand sculpted stone from an incredibly particular stone; Mexican White Onyx, remits to primal sculptural-architectural language while displaying materials ...

This fine 19thc hand carved foot stool was found in Maine and looks like sailors art or carving.The condition is very good.

A rare and most impressive 1960s Japanese Ainu bear sculpture. Artist signed and dated. Indigenous Ainu Peoples, probably Ashikawa, Hokkaido, Japan's northe...

Spectacular and very decorative piece. Large carved wooden reliquary bust of a Madonna. Beautiful traces of color. Small losses and without the relics. Silver/silvered central piece ...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

A rare an opulent pair of matched and signed French Louis XVI style commodes, dressers, or chests of drawers by French cabinet maker Rene Trotel born in Brittany, France 20th Century...

This elegant pair of French Louis XVI-style bergères exemplifies the timeless grace of neoclassical design. Dating from the late 19th century (circa 1880–1900), these generously prop...

Japan, a handsome and large natural organic shaped stone water basin planter -tsukubai- created from a natural granite mountain boulder and sourced from...

Top quality, hand carved and truly impressive antique clock with 8 music melodies. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest clock with musical box of this size and with such amazing natural details and patina AND with the original clock and music box inside. And if that was not enough, this finest of Black Forest clocks is top quality carved from top to bottom in the form of a detailed Swiss chalet. Mind you, this very rare antique clock is entirely hand carved out of nutwood only, which is another sign of the quality of the workmanship and the richness of materials. We have added a large variety of photos so that you can see the many incredibly detailed parts of this Swiss chalet, such as the roof and chimney, the many doors, the stacked lumber outside, the doghouse, the outhouse on the side, the striking balconies, the goose sticking its head out through the balcony, the picked fence, the ladder going up to the barn loft, the clock inside the facade of the house, the music box cilinder in the base etc etc. This antique clock from the 1800s really comes with the most realistically carved chalet house you will ever see. To us, that too is a sign that this Black Forest music box...

A good early antique American Clark’s O.N.T. mercantile store advertising spool cabinet, circa 1885. A distinctive piece of late 19th-century American "country store" advertising fu...

Part of the Sedona Series, inspired by the rich red stones and layered strata of the Sedona desert, the ST-AR-019 is a handcrafted, small-batch concrete stool that balances raw mater...

French Louis XVI Style Bergère Armchair. French Bergere armchair with dark wood frame, rounded back and reeded legs is made circa 1920s. Carved features include scrolled arms and fl...

Extra large and truly timeless Art Deco 3 light pendant that will never fail to impress. With early 20th century lighting as one of our specialities, finding a top quality antique a...

A lovely gilt mantel mirror from 19th century France, the narrow proportions of the frame are decorated with iconic–if not romantic–themes from the court of Louis XVI and Marie Antoi...

Designed by the esteemed J. Capo Esmaltes and crafted in Spain circa 1960, this exquisite Mid-Century Modern lidded box is a true fusion of artistry and craftsmanship. Its refined re...

Late 19th Century Victorian Rococo Style Carved and stained Walnut Side Table. Measures 26" in width, 19.75" in depth and 29" in height.

This is a very good Chinese cameo or overlay glass snuff bottle, which we date to circa 1920s. These overlay glass cameo snuff bottles are very decora...

Introducing our exquisite Onyx NARROW Bowl, a fusion of elegance and functionality. Crafted from luxurious onyx stone, this stunning bowl is a testament to timeless beauty and sophis...

A unique drapery table from Burgundy, France, dating to the late 1800s. The tall and large surface area is ideal for any creative pursuit, artistic to culinary, which makes this exam...

Classical Marble Sink Basin Serpentine fronted character piece with deep gadroon style carving 24" wide 15-3/4" deep Limited Stock

Large and impressive, hand carved and demountable bench with five bear sculptures. This superbly hand carved bench is entirely made of solid wood and therefor too this stunning and highly decorative antique is as strong and stable as the day it was it was made. We cannot single out one detail that is more special than others, because the standing bear sculptures...

A French carved, solid walnut armoire built in the Louis XV period. A Chapeau de Gendarme cornice tops the body of the armoire. Two solid walnut d...

This elegant Spanish gentleman’s valet stand dates from the early 20th century and is crafted in solid walnut. The piece features a sculptural upper hanger designed to hold jackets a...

Introducing our exquisite Rosso Levanto Marble NARROW Bowl, a fusion of elegance and functionality. Crafted from luxurious Levanto marble stone, this stunning bowl is a testament to ...

Elegant French Art Deco commode from the 1930s, sourced in Paris, crafted in richly figured rosewood veneer over a solid mahogany frame. The façade and top feature striking book-matc...

HORSE HAIR BENCH NO. 2 J.M. Szymanski d. 2018 Contemporary furniture at its finest. Horsehair textile and blackened iron are combined to create an exciting juxtaposition of elemen...

Foot Stool Designed by Project 213A in 2020 The Foot stool is part of the "Foot collection" which is all hand carved by skilled artisans in Northern Portugal. The design was inspire...

Amazing Louis Philippe period mirror with a finely ribbed carving frame and gold leaf finish. France circa 1860. Elegant, strong and soung, this mirror has a gorgeous original aged ...

BENCH NO. 3 J.M. Szymanski d. 2024 Hand upholstered in your fabric of choice and combined with craved iron details. Available in COM. Custom sizes available. Made in the Bronx, New...

Material: Authentic Nero Picasso Marble (High-grade selection) Dimensions: 40 Inches Diameter (100 cm) x 30 Inches Height (75 cm) — Custom sizes available Base Design: Fluted Nero ...

A 19th century German Doll house miniature furniture A sewing table, a table and 2 chairs. The sewing table has a flap and the table has 5 compartmen...

Antique French provincial oak table, dating to the late 19th century and sourced in Provence, featuring a restrained rectangular form with a single frieze drawer and distinctive turn...

Spanish Renaissance Revival side table crafted in solid oak, Early-20th century. The table features a richly carved drawer front with decorative motifs, flanked by textured panels a...

Bowl sculpted by hand from a solid block of Imperial Green marble. Polished finishing. Dimensions: Small L 35 x W 17 x H 8 cm. Also available:...

This is a very old Japanese wooden Buddhist sculpture. It is believed to date back to the Muromachi period (14th–16th century) and has quietly existed alongside people’s prayers for ...

19th century Spanish Colonial shrine for a Santos or statue of the Virgin Mary in the form of a church likely from New Mexico. Topped with three crosses with traces of gilding, two c...

A very rare chest that was completely made of solid oak from the Netherlands middle ages. It is a joined chest with hand carved geometric gothic front panels. The ornaments used are typical Gothic ornaments such as trefoil, mouchette, and trace. This diminutive chest was probably made in the 15th century Netherlands. It has the typical construction of very early European furniture as is also seen on the German Stollentruhe. The chest has only a small lid with forged hinges...

Italian Venetian Murano Art Glass Handkerchief Vase, from the 1940s, Italy. A beautiful Fazzoletto original Murano glass in Lattimo Filigrana and gold foil spreaded. This beautiful p...

This fantastic trumeau is a lovely combination of a piece that is equally artistic as it is functional. The oil-on-canvas painting in the top is set within the low relief carved fram...

A uniquely designed accent table by celebrated designer Jacques Garcia for Baker Furniture, aptly titled **"Le Lion."** Inspired by the grandeur and theatricality of the Napoleon III...

A good find comes this large 26 inch diameter, 5 inch thick round hand-carved mill stone from the 19th century or earlier period. This was likely a grinding base stone for a large oi...

Large sculptural Greenlandic Tupilak executed in hand-carved musk ox horn. 3 segments of 3 dream entities/creatures at the base, the middle and at the point. Measurements: H: 24 cm...

Amarante Mirror Oval Designed by Project 213A in 2024 The Amarante Mirror is unevenly oval shaped and framed in solid wood. Crafted by Skilled artisa...

Signed Santa Clara Pueblo Carved Blackware Pottery Vase, Juanita Pueblo, Mid-20th Century This sculptural blackware pottery vase is a refined example of the Santa Clara Pueblo schoo...

A fine French Louis XVI style mantel mirror hand-crafted in France in the 19th century. The ornately carved giltwood frame is in excellent condition and is richly patinated. The fram...

Two wood and painted iron religious parade lampposts transformed and electrified in the early 1900s in floor lamps. Original conditions, signs of use and age, two missing glasses, th...

We are delighted to offer for sale this highly collectable hand carved coat of arms featuring a knightly crest. This is an exceptionally well made and decorative piece. It is a very...

A Set of 10 Vintage Maitland Smith Dining Chairs consisting of 2 arm chairs and 8 side chairs. The arm chairs are large and comfortable and feature beautifully sculpted arms and this...

Striking Spanish console table from the late 19th century, crafted in solid walnut and inspired by traditional Baroque forms. The piece stands on beautifully turned twisted legs, jo...

Buds of warm natural alabaster – glowing harbingers of Spring after a long Winter - nestle in textured, Brutalist – inspired cast bronze frames. Custom Sizes Available.  Models in t...

Rare large and extremely sculptural wall table with marble inlay and beveled mirror. If you are appreciative of rare and sculptural antiques then this large mirror / side table could be exactly what you are looking for. The quality and the patina of the large, fighting phoenix bird and dragon frame is second to none and for it to be in such good condition is truly amazing. It takes a special craftsman and artist to create such a piece, the type that you simply don't find anymore in this day and age. Because of the subject matter and the great quality, the first name that comes to mind would be that of master sculptor Gabriel Viardot. However, Viardot virtually made all of his dragon sculptures in the Chinoiserie style and this piece is clearly more European. In terms of the quality of the carvings, whomever created this unique piece of furniture certainly was no less artistic or skilled as Viardot, because this piece really is among the best you will ever see. The way in which this hand carved wooden phoenix is holding the shield-like beveled mirror in its claws and the way the dragon seems to try to fend off the enormous and fierce phoenix is both dramatic and impressive at the same time and it will never seize to amaze you or anyone visiting. Especially when you see the detailed carvings and the true size of this work of beauty in real life, you will be stunned. By the way, we learned that in imperial China, the dragon and the phoenix were respectively associated with the Emperor and the Empress...