Carved Furniture

A beautifully crafted Oromo stool from Ethiopia, dating to the mid-20th century. Hand-carved from solid wood, this stool displays the clean, sculptural lines characteristic of Oromo ...

Circular extending jupe dining table with burr detailing circa 1990. We are pleased to offer this stunning regency inspired extending dining table k...

Be inspired by this angelite puzzle: decorate, relax and play with intention. The burr puzzle is of mysterious origin, first seen engraved on the cover of Chambers's Cyclopaedia. A ...

Classical Marble Sink Basin Serpentine fronted character piece with deep gadroon style carving 24" wide Limited Stock

Beautiful handcarved giltwood gothic style ornament that once adorned a chapel or a church. Italy, circa 1850. Weathered and small losses. Measurement includes the wooden base. H:31,...

Aquarium Lucite Panels From our Accessories collection, we are delighted to offer this Dunhill Half-Giant Aquarium Table Lighter. The Aquarium Lighter...

This beautiful New Kingdom limestone fragment, preserving three columns of deeply carved hieroglyphs, would have once accompanied elaborate pictorial depictions on the walls of a tem...

Great pair of carved wooden candleholders with their beautiful silver leaf gilding. Italy, circa 1750-1800. Weathered and small losses and old repairs. More photo's available on requ...

George Trollope and Sons. Exhibited at the Paris Universal Exhibition in 1878 winning a Gold Medal for Excellence. The set forms the four sides of a complete panelled room that was exhibited as a boudoir room or petit salon at the Paris Exhibition 1878 . The main feature and centrepiece of this boudoir room is the Rosso Antico marble fireplace surmounted by an open display niche carved in cedar wood. Each side of the room is composed of various panels and are as follows: One side with a grand Rosso Antico marble fireplace flanked by two doorways. One side with French doors originally opening onto a balcony, flanked by two large bookshelves. One side with a window flanked by two mirrors. The opposite side with three large mirrors. The complete room measures: 21 ft / 6.4 m wide, 17 ft / 5.18 m deep, and 12 ft / 3.65 m high. It could also be used in a number of different combinations to suit various room layouts. The mirrors could be replaced with windows or further bookcases. Each side is decorated with various sizes of finely carved panels and holds ornate Corinthian style columns surmounted with cherubim's on the capitals. Three cherubs are formed at the top of each corner with three columns, at the column bases there are circular carved pedestals to display statues. Published & illustrated in the ‘Illustrated Catalogue of the Paris International Exhibition’. The main part of this room, the Rosso Antico marble fireplace is surmounted by a large open display niche carved in cedar wood are illustrated with a line drawing in the Paris Universal Exhibition catalogue on page 209. The whereabouts of the seminaked caryatids and the marble bust of Alexander Pope are unknown. The bust of Alexander Pope was copied from the original one in Westminster Abbey, London. The Corinthian columns now flanking the niche above the fireplace are also in cedar wood having the identical carved fluting to the rest of the room and were made to replace the caryatid figures. Those Corinthian columns are period to the room and can only have been made shortly after it arrived back to London and before it was reassembled and fitted into the house built by George Trollope and Sons in the 1880's, and where we removed it all from. George Trollope made clever use of Alexander Pope's early 18th-century poetical successes in Great Britain and France by using ‘The Rape of Lock’, a mock-heroic narrative poem Pope wrote in 1712 about Petre who cut off a lock of Arabella’s hair without her permission, as the theme of the boudoir room or petit salon at the 1878 Paris Exhibition. In the original exhibition display of the room set, tapestries depicting the Rape of Lock were hung where the mirrors are now positioned. Alexander Pope's The Rape of the Lock is a humorous indictment of the vanities and idleness of 18th-century high society. Basing his poem on an actual incident among two families of his acquaintance, Pope intended his verses to quench hot tempers and to encourage his friends to laugh at their own foolishness. The poem is an outstanding example in the English language of the genre of mock-epic. The 'epic' was considered one of the most serious of literary forms; it had been applied, in the classical period, to the trivialities of love and war. Pope’s mock-epic is not to mock the form itself, but to mock his society in its very failure to rise to epic standards, exposing its pettiness by casting it against the grandeur of the traditional epic subjects and the bravery and fortitude of epic heroes: Pope’s mock-heroic treatment in The Rape of the Lock underlines the ridiculousness of a society in which values have lost all proportion, and the trivial is handled with the gravity and solemnity that ought to be accorded to truly important issues. The 18th-century society in this poem fails to distinguish between things that are important and things that are not. The poem mocks the men it portrays by representing them as unworthy of a heroic culture. Therefore the mock-epic follows the epic in that its main concerns are serious and moral. The point that the theme must now be satirical rather than earnest is symptomatic of how far the culture has fallen. Retaining the original exhibition label The back of the panelling still retains two original labels printed with the 'Union Jack' and printed adjacent to it, 'The Secretary Royal British Commission for the Universal Exhibition 1878 Champ de Mars Paris'. Adjacent to that and below, printed and written in ink vertically: Exhibitor: (and signed in ink) George Trollope & Sons. Address: (written in ink) Halkin Street West. London. Allotment in Block: (written in ink) a2. In the printed floor plan 'a2 square' is in the very first line to the right of the floor plan and handwritten in ink with a 'diamond shape' also written with '101' within it. This pin points where George Trollope's stand was located. With thousands of items being displayed at the Exhibition, this label would have been the floor plan for the craftsmen, so they knew the correct place to install the boudoir room or petit salon. The firm continued expanding house building and interior decoration side of the business and by 1849 was also trading as an estate agency, letting and controlling property for the Grosvenor Estates. A separate branch of cabinet-makers, bearing the family name, was opened at West Halkin Street, London. becoming known as 'The Museum of Decorative Arts' (looked after by George Robinson). Here Trollope and Sons also sold high-class antique furniture made by other makers. In 1851, the firm became formally known as George Trollope and Sons. West Halkin Street, London. The address was recorded in the listing for the firm in The Furniture Gazette Directory, 1876 & 1877. Period Press Coverage & Art Critic Review. everal newspapers also thoroughly describe George Trollope and Son's stand including the different tapestries that were hung where the mirrors are now, illustrating the poem 'The Rape of Lock', by Alexander Pope. Marius Vachon, a French Art Critic and journalist, who wrote for the journal ‘La France’ published an extensive review of the Trollope and Sons stand in a book called Les Merveilles de l'Exposition de 1878 (The Wonders of the 1878 Exhibition). Note: In the World Fairs translation it states door frame, Marius Vachon had originally written ‘chambranle’ in French, 'chambranle' loosely translates to a frame around something, and should read in its correct context: ‘fireplace in rosso antico’. We have taken the extract below written by Marius Vachon in its translated form from: Les Merveilles de l'Exposition de 1878, (The Wonders of the 1878 Exhibition). This puts into perspective the importance of this fine quality room interior when he viewed it at the exhibition in 1878: Marius Vachon: English furniture is very curious to observe; irreproachable from the point of view of execution, the furniture of our neighbours always reaches the last degree of respectability and comfort. One thing to be noticed is that for large pieces of furniture, the English upholsterer is transformed into a sort of architect; everything he makes takes on a monumental aspect. The first object that catches the eye when one enters the furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. The boudoir (or petit salon), of carved cedar wood, is an attempt to reproduce the style which prevailed in England during the first decade of Queen Anne's reign, and all the details have been studied, but not copied, from examples of decorative work of the time. The fireplace is in "rosso antico" movement, and the ceiling is in portable plaster. The panels painted on canvas represent scenes from the heroic-comic poem "The Abduction of the Hairpin," (The Rape of Lock) written by Alexander Pope in 1712, the eighth year of Queen Anne's reign, in which the customs and mores of the time are satirized in a pleasing manner. The apotheosis of the Loop and its sidereal transformations will form the decoration of the ceiling. In these illustrations of Pope's charming poem, the costumes and accessories have been taken from models of the time; and the bust of the poet, copied from his tomb in Westminster Abbey, occupies the niche in the centre of the mantelpiece. M. Marius Vachon, the period writer of the above continues with: Now we shall mention at random the magnificent dining table of Messrs. Johnston and Co., their oak mantelpiece, their boudoir table; Mr. Watt's drawing-room mantelpiece stepped in the old style and imitating the Japanese; Mr. James Shoolbred's great The Decorative Arts Society on Trollope and Sons The boudoir or petit salon is mentioned again in the Decorative Arts Society: Trollope did not exhibit such highly rated objects at the 1878 Paris Exhibition as at previous exhibitions; items included a large mirror frame carved in limewood in Renaissance style and a satinwood cabinet in Adam revival style, with a similar armchair (illus. Meyer (2006), p. 242) and probably two rooms; one was a boudoir in cedar wood in Queen Anne style and the other was a boudoir decorated by the firm in the theme of Pope’s The Rape of Lock. In the above extract, it is quite clear that the two rooms mentioned are in fact the very same room, because the fireplace and niche are illustrated in The Paris Universal Exhibition catalogue on page 209 and Marius Vachon describes the rest of the room set in the above… Trollope and Sons exhibition pieces listed and described by Meyer in an article he wrote for: The Decorative Arts Society 1850 to present, Journal 25 in 2001., where he points out the importance of George Trollope and Sons and mentions a table by Trollope exhibited at the 1867 exhibition that sold for £40,000 in 1996. He also mentions a cabinet exhibited by Trollope at the International Exhibition of 1862 that sold at Sotheby's in 1997 for £150,000. Interest was not as strong in the 1990's as it is today for rare exhibition pieces, high quality items were abundant back then, it was a golden era when the most beautiful works of art just kept coming onto the market. But there are exceptions as in this instance, when a unique, gold medal-winning exhibition work of art comes onto the market for the very first time. Meyer continued researching and writing about the great exhibitions and released his book in 2006, 'The Great Exhibitions, London, New York, Paris and Philadelphia 1851- 1900, where he mentions only in passing, The Boudoir Room or Petite Salon exhibited by Trollope, he even states that an image was not reproduced and that Trollope's exhibits in 1878 were not up to the quality and class of the items Trollope exhibited in London in 1862 and Paris in 1868. This is probably because Meyer didn't know of the line drawing illustrating the Roso Antico Fireplace, Niche and Panelling reproduced in The Illustrated Catalogue of the Paris International Exhibition 1878 shown in the above which Geering recently uncovered. John Meyer continues in the DAS journal: Undoubtedly they (Trollope) are a firm worthy of further research as they were right at the forefront of the furniture business in London from 1860 to 1880. Our research shows that the Petite Boudoir was awarded the gold medal for excellence in 1878 (see Journal La Liberté 23-10-1878 with the list of all medals attributed), something George Trollope and Sons did not achieve at the London 1862 and the Paris 1867 exhibitions. Jonathan Meyer joined Bonham's in 1977. He was Director at Sotheby's in charge of 19th Century Furniture from 1994 to June 2007. He was also chairman of the Fine Arts Faculty for The Royal Institute of Chartered Surveyors. In the original description from the article in Les Merveilles de l’exposition de 1878, M. Marius Vachon states: The first object that catches the eye when one enters the (English) furniture class is the beautiful boudoir-salon exhibited by Mr. Trollope. Suggesting, it was in his opinion the very best on display in the English section, and being awarded the gold medal for excellence can only add weight to this. Adjacent to the original label that was printed by The Secretary - Royal British Commission for the Universal Exhibition 1878 in stencil ‘TO BE KEPT’, i.e. ‘to be returned’. This confirms why it came back to London. We removed the Boudoir Room or Petite Salon from a Trollope house, part of a grand high-class housing estate in London which around the time of the exhibition Trollope and Sons were in the process of building, and where the room set was installed directly after it returned from the exhibition in 1878 until now. Worthy of note is the machines that did the carving for the Boudoir Room or Petite Salon and also did all of the decorative carving (most of which was linenfold carving) for the Houses of Parliament, London. This machine, the engraving and description of which we copy from Engineering, was specially designed by its inventor, Mr. Jordan, for assisting in the production of the vast amount of carved decorations required for the walls and ceilings of the Houses of Parliament, London, and it was so employed during the entire progress of the work. The late Sir Charles Barry was so well satisfied with it, that he frequently declared it would have been impossible to have accomplished the work without it. The Department of Woods and Forests employed five of the machines at the Government Works, Thames Bank, for several years; and the machines have now passed into the hands of Messrs. George Trollope and Son, and are still used in the same building. They also exhibited the new technique of xylatechnography and sgraffito, methods of impressing coloured design into soft wood and engraving veneer to reveal the base wood. The newspaper, La Liberte October, 23rd 1878 listing the medal winners of the Paris 1878 exhibition. Third column, ''GROUPE III MOBILIER ET ACCESSOIRES'', (GROUP III FURNITURE AND ACCESSORIES). Medailles d'or. (Gold Medals) where G Trollope et fils (G Trollope and Sons...

Vintage Louis XVI Revival double bed from mid-century France. All original, in great vintage condition, with nice patina. This bed does require recovering, which will be undertaken ...

Enhance your dining experience with this elegant set of 6 antique English silver plated napkin rings, beautifully presented in their original velvet-lined fitted case. Each ring is finely engraved with an ornate border pattern, reflecting the artistry and craftsmanship of classic English silverware. Perfect for adding a touch of heritage sophistication to your table setting, these vintage napkin rings make an impressive gift for weddings, anniversaries, or collectors of fine silver. Their well-preserved condition and complete original case make this set especially desirable for both display and practical use. Authentic antique English silver plated napkin rings Complete set of 6 rings in original fitted presentation case Ornate engraved border design with timeless appeal Rich purple velvet and silk-lined interior for elegant storage Ideal for formal dining, display, or collectible silverware collections 📏 Dimensions (approx.): 5 x 5 cm This is more than a dining accessory it’s a piece of English history, offering both charm and functionality. A wonderful way to elevate your table décor while owning a set of collectible vintage silver treasures. Antique English silver napkin rings, silver plated napkin rings set, vintage silverware dining accessories, collectible silver napkin rings, engraved silver tableware, antique silver...

Highly carved sculptural Meiji dragon armchair.: dragon motif carried throughout arms and chair with fantastic detailed hand carvings.

Sculptural alabaster Art Deco period urn table lamp with neoclassical design, Italy, 1940s. This elegant carved alabaster neoclassical 'uplighter' urn lamp will be a nice addition pl...

An exceptional and important circa 1825, English regency, George IV period, parcel-gilt rosewood center table by the legendary firm Gillows of Lancaster, the large circular tilting t...

A very large and superior quality Louis XV style Rococo surround in rare Breche Violette marble. The deeply carved jambs and frieze in typical Rococo manner with stiff acanthus and s...

McMurdo Pat 590598 Lighter From our Accessories collection, we are delighted to offer this McMurdo Aquarium Table Lighter. The lighter of typical half-...

A petite farmhouse-style oak table from 19th century France that appears to be a substantial console to easily double as a serving table on occasion, center table, or possibly a desk...

TRAVERTINE CONSOLE TABLE Type of Marble: Travertine Dimensions: 48" x 16" x 29,5" Leg Model: Travertine Customizable: Available! Production Time: 3-4 Weeks Shipping Cost: Free! Pack...

Art Deco style Biloba Sideboard, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Biloba marble sideboard celebrates Portuguese architectural heritage ...

This pair of nineteenth century Louis XVI style walnut chairs features an escutcheon shaped seat back flanked by spiral fluted columns detailed with acanthus leaves. The columns have...

Magnificent Russian Empire style gilt bronze mounted marquetry and malachite inlaid solid and flame mahogany bureau-jardinière after an important model by the Heinrich Gambs...

Stylish and mint condition, antique desk or table piece. This rare and beautifully crafted Victorian luxury letter box is a true testament to 19th-century craftsmanship and ingenuity. Made from rich, solid wood with a deep, warm patina, it blends functional design with timeless elegance. More than just a storage piece, this is a refined system for organizing correspondence, complete with a built-in perpetual calendar and integrated writing panel. Behind the sleek double doors—one of which locks with its key—you’ll find a cleverly designed interior fitted with multiple compartments for letters, documents, and notes. At the top is a charming perpetual calendar with original sliders displaying the day, date, and month—an eye-catching and practical feature. What truly sets this piece apart are the two fold-out panels inside each door. One features a removable writing surface, ideal for jotting down notes with a pencil or crayon. The opposite panel includes straps for securing cards or memos. In addition, there are hidden drawers and compartments for pens, stamps, or other stationery, making this a uniquely functional piece for both historical display and modern-day use. The box features two front doors—one with its original Bramah lock, marked “Bramah Improved”, a renowned name in high-security locks since the 18th century.—perhaps a postmaster, a ship's purser, or a gentleman's estate office. So, if you would rather sit down and write someone a real letter or postcard then, in our view, you will be the right custodian for this stylish and beautifully made antique. Mind you, our fair price for this great value for money antique even includes perfect packing and also worldwide delivery from our store to your door in just 4 days. Maximum width x height x depth when closed: 16.2 x 14.4 x 10.1 inches. Ideal for: *Collectors of antique desk accessories or postal items. *Interior decorators looking for a unique office or library statement piece. *A refined and functional letter organizer. *An exceptional gift for lovers of history and craftsmanship. . We are driven by a passion for uniqueness, timeless, quality, stylish design, and the enduring craftsmanship of the past. Every purchase is carefully and thoughtfully packed — and we look forward to serving you (again). To explore all our 1000+ listings, simply click the button labeled 'View All From Seller'. Tags, Victorian letter box, antique desk organizer...

The 4-door Italian sideboard with Murano glass, solid wood and brass is a true highlight for any sophisticated interior. Handcrafted with meticulous attention to detail, this sidebo...

A sleek, black-polished, sculptural piece conjuring the presence of a grand piano. Piano Desk evokes an intricate fusion of the grace in artistic expression and the discipline of w...

A refined pair of French Art Deco side chairs, sourced in Provence, France. Crafted in mahogany, each chair features a rectangular backrest with a gentle curve and clean, linear prop...

This remarkable hand-carved Malachite pyramid highlights the stone’s natural artistry in a refined geometric form. Fashioned from genuine Malachite, the sculpture displays the minera...

This extraordinary Utrecht “Poortkast” (portal cabinet) stands as one of the finest expressions of Dutch Renaissance furniture. Crafted in ...

A magnificent large rare and most impressive Italian baldachin tabernacle altar niche / altarpiece. circa 1800 Exquisitely hand-crafted in Italy in the early 19th century, this extraordinary one of kind masterpiece originally a prominent altarpiece fixture in a Catholic church, typically displaying a Santo or Jesus altar figure statue inside. Exceptionally executed throughout, parcel gilt polychrome painted, gessoed and carved wood two-piece architectural baldachin form, with dome top vaulted ceiling, raised on eight fluted Corinthian columns, over a shaped platform base with elaborate molded frieze, further raised on integral bracket risers in marbleized faux marble paint decorated finish. Breathtaking visually striking aesthetic, very fine quality craftsmanship, lavishly decorated with extraordinary detail throughout, even the unseen interior of the dome profusely decorated with the most intricate painstaking hand applied 24k gold leaf ornamentation, the exterior in brillant gilded finish, enhanced by beautifully aged warm rich dark patina! Dimensions: (approx) 45" Tall, 26.5" Wide, 26.5" Deep *Additional photos available upon request* Condition Report: A superb museum quality example, in overall very good antique condition, especially considering its 200 years old. Attractive appearance, with nicely aged distressed patina, authentic antique character and charm throughout, including scattered nicks, chips, losses, exposed gesso, fading, acrecetions, possible old touchups and restorations, all expected wear commensurate with age, use, handling and exposure. Overall strong, sturdy, stable, structurally sound. The floral dome painting likely later. Central hole and discoloration where altar figure was once placed. Overall a truly remarkable work of art! -- We here at Lynx Hollow Antiques absolutely love decorating with religious antiques and have a special place in our heart for them. We have an extensive collection from around the world, spanning all regions and religions, including old world European Baroque period altarpiece, Spanish Colonial altar table, Roman Empire reliquary monstrance, architectural salvaged building elements, church architecture model, apprentice prototype, baptismal font, sacristy liturgical items, sanctuary vessel, vestment chest, monastery refectory table, Gothic court cupboard...

Antique Country French ladder-back dining chairs in maple with handwoven rush seats, set of eight. Sourced in Provence, France, these early 20th century chairs embody the charm and c...

Baule “Blolo Bian” Statue – Côte d’Ivoire, Early 20th Century Height: 39 cm Material: Wood with dark, aged patina Provenance: Piasa, Paris, June 20, 2008 This elegant male figure,...

HANDSOME Antique Dark Walnut French Renaissance Revival Bench or Settee with Lift Top Seat~~PAW FEET~~c. late 19th C These benches are always in high demand! Versatile size easy t...

TRAVERTINE MARBLE DINING TABLE Type of Marble: Travertine Dimensions: 72" x 36" Leg Model: Travertine Customizable: Available! Production Time: 3-4 Weeks Shipping Cost: Free! Packa...

A fantastic oratory or tabletop altar from 18th century Portugal, made of carved, painted, and gilded wood taking the form of a small cabinet (where religious statuary would be displ...

Beautiful Baroque angel. Unique period piece made out of wood . Hand-carved Italy, circa 1750 Weathered. Measurement here below includes the wooden base. H:25,5cm W:23cm D:7,5cm

Amazing baroque panel depicting a crowned reliquary . Beautiful weathered with traces of its original silver, gilding and colour. Italy circa 1750 Weathered, small losses . Measureme...

A beautiful Set Six Hickory Chair Queen Anne Style Mahogany Dining Chairs. Two armchairs and four side chairs. Measures 23" in width, 24" in depth and 40.5" in height. Seat height is...

ROSSO LEVANTO CONSOLE TABLE Type of Marble: Rosso Levanto Dimensions: 48" x 10" x 29,5" Leg Model: Rosso Levanto Customizable: Available! Production Time: 3-4 Weeks Shipping Cost: F...

Large Rectangular Spanish Revival Wooden Mirror with Gilt Iron Rosettes, Spain, 1950-1960. Beautiful rectangular frame with carving details on the corners. It has an inset frame with...

19th century swedish hand painted dome top coffer circa 1824. Fine example of swedish traditional hand painted furniture made from oak. Dome shaped lid with original hinges.  Hand ...

This is an antique wooden netsuke made in Japan around Showa period 1980s. The signature is written on the back side 'Ishikawa'. Netsuke is a miniature sculpture, originating in 17t...

Large Rectangular Spanish Revival Wooden Mirror with Gilt Iron Rosettes, Spain, 1950-1960. Beautiful rectangular frame with carving details on the corners. It has an inset frame with...

19th century Spanish antique walnut console sofa table with the four drawers and original iron hardware. You can use like a commode or chest of drawers This elegant console was craft...

A fine lacquered cabriolet armchair, medallion shaped backrest, Louis XVI period circa 1780. The seats bears the stamp of prestigious Parisian seat maker Claude Séné II underneath. I...

A Petite 19th century Swedish Gustavian Bench Approximate size: 29.5”H x 64.5”W x 14”D This exceptional 19th-century Swedish sofa bench, dating around 1800, perfectly embodies the ...

These luxury bedside tables in pink Murano glass and brass exemplify exquisite Italian craftsmanship and Mid-Century Modern style. Handcrafted in Italy exclusively for Milan Fashio...

Chinese Late Qing Dynasty Ebonized and Partial Gilt Decorated Packing Trunk / Storage chest with handles. Sides and top decorated. Measures 27" in width, 16" in depth and 18" in hei...

Striking and exclusive 1920s bronze and alabaster light fixture for the perfect atmosphere. If you are looking for a remarkable light fixture to grace your living space then this an...

Set of Six Queen Anne Style Walnut Dining Chairs. Measures 23" in width, 24" in depth and 40.5" in height. Seat height is 19".

Incredible hand-carved fireside chair with studded seating. This ornate piece displays Spanish artisan craftsmanship at its finest. Low and wide...

This exquisite ivory-colored chest of drawers is a masterpiece of Italian craftsmanship, fusing solid wood, Murano glass and polished brass for a truly elegant look. Handcrafted, i...

Wonderful period piece. Beautiful weathered Neoclassical hand carved oak caryatid angel figure. Weathered. france circa 1780 H:34,5cm W:10cm D:5,5cm

We are delighted to offer for sale this highly collectable hand carved coat of arms featuring a knightly crest. This is an exceptionally well made and decorative piece. It is a very...

Alabaster urn lamp with neoclassical design. Spain, 1930s-1940s This turned alabaster urn lamp with classical design has carved details on the bottom part. It has a nice color and pa...

Petite Antique French Octagon Side TABLE Renaissance Carved Oak c1900. Direct from France, a fabulous PETITE antique French octagon table, ornately adorned, just like the full-size ...

Charming vintage blue painted mirror from France. This mirror certainly suitable as a stand alone piece or featured as part of a gallery wall in a ...

Glaciar collection is meticulously handcrafted by our local artisans with these rectangular onyx pieces set around alpaca silver flower vases, boxes and trays. Our pieces are made b...

Impressive Danish carved and painted tape loom, Denmark. Tape looms were historically used to weave narrow bands of fabric, such as belts, ribbons, and strap...

Dimensions - H: 33 3/4 in W: 57 1/4 in D: 21 in An extraordinary French Louis XVI style bronze-mounted commode by the renowned Parisian maker Maison Forest, one of the most respect...

This French 19th century workbench is a fascinating relic of technology from before the assembly line, a hybrid of artisanal rusticity and industrial innovations. The top planks are ...

Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping