Vegetable Dyed Furniture

The Wanderlust contemporary barstool belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned metal ...

The “Repose” contemporary stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such as t...

HUG arm counter stool aged brass steel and vegetable tanned black saddler leather The HUG arm counter stool is designed and conceived with a light aesthetic, the slight oscillation ...

The Wanderlust contemporary ottoman and footstool belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The “Repose” contemporary counter height stool belongs to a collection that revisit the director chair collection, serene pieces whe...

The Hug contemporary barstool with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of t...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The “Repose” contemporary barstool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

The Hug contemporary barstool with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of t...

This is an antique collectible Early 20th century Kilim Woven Cradle Part from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up ...

Turkish Oushak Rug Soft Aqua and Beige Handwoven Wool Rug 2'7" x 9'10" This 2'7" x 9'10" Turkish Oushak rug features a refined minimalist design with geometric medallions in soft aq...

The Hug contemporary barstool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double 3.5 ...

The “Repose” contemporary armchair belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

Antique Tribal Dayak Plaited Rattan Longhouse Mat (Tikar), Kalimantan The tightly woven longhouse sleeping mats of Kalimantan are almost exclusively constructed by women, who begin ...

The Hug contemporary counter stool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double...

The Wanderlust contemporary chaise lounge belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in smal...

The “Repose” contemporary armchair belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

The Wanderlust contemporary chaise lounge belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned m...

The "Repose" contemporary stool belongs to an exclusive collection that revisits the classic director’s chair, resulting in serene pieces where exclusivity and precision are revealed...

The “Repose” contemporary counter height stool belongs to a collection that revisit the director chair collection, serene pieces whe...

The "Repose" contemporary stool represents a sophisticated evolution of the classic director’s chair, reimagined as a serene and sculptural piece where exclusivity is whispered throu...

The Wanderlust contemporary armchair belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned metal ...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The “Repose” contemporary stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such as t...

The “Repose” contemporary barstool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The “Repose” contemporary barstool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993, nr.166. This is similar to...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive exa...

This unique large botanical cushion cover is a vintage handwoven Tirkish Kilim cushion cover. The design features traditional geometric designs woven in blue, red, cream and green. T...

The source of the carpet comes from the book How to Read – Islamic carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.46-47 and Oriental Rugs, Volume 4 Turkish, Kurt Zipper and Claudia Fritzsche, Antique Collectors’ Club, 1989 nr.82. This 16th century deeply serrated eight-lobbed starlike medallion rug is from central Anatolia. Similar designs are exhibited at various museums. The town of Ushak, north of Denizli, is probably one of the most important and renowned carpet centers. Carpets have survived since the 16th century and can be seen in several museums. In the 17th century, great quantities of Ushak carpets were made for the royal houses of Europe, often incorporating crests; many Christian churches, not only in Transylvania, were often decorated with very large pieces. According to their structure and patterning, there are several types of Ushak carpets: the star Ushak, the medallion Ushak, the ‘bird’ carpet (with a white background, the name relates to the shapes of the field motifs), and ‘Chintamani’ carpets (often with a white background and three-ball pattern, mostly in connection with cloud bands). Many great painters have ensured the survival of Ushak carpet designs by including them in their works. Two representatives of the Ushak group take their name from such renowned artists: pieces with plaited band medallions in several variations are named ‘Holbein’ carpets after Hans Holbein, the younger; ‘Lotto’ carpets...

The Repose contemporary ottoman and footstool belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turn...

The “Repose” contemporary armchair belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details such a...

The source of carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th-century carpet is fr...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.45 and Oriental R...

This modern Turkish Oushak rug is a stunning piece of art that has been handwoven using traditional techniques by skilled artisans. The rug features intricate patterns and a soft col...

The Hug contemporary table stool with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility o...

Vintage Moldavian Striped Floral Kilim Runner Rug, Handwoven Wool Flatweave, 1950s This vintage Moldavian Kilim runner rug from the 1950s is a striking handwoven wool flatweave carpe...

The source of the rug comes from the book oriental rugs volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.250-251. This is a...

The source of the rug comes from the book Antique rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, call...

The Hug contemporary barstool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double 3.5 ...

The “Repose” contemporary counter stool belongs to a collection that revisit the director chair collection, serene pieces where exclusivity and precision are shown in small details s...

The Hug contemporary table stool with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility o...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.250-251. This is a...

This fine wool rug is a vintage kilim that was woven by hand in the mid-20th century, circa 1960. Woven with a bold red, rust and brown colour palette with a simple stripe design. Bo...

The source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.46. This is a dou...

This is a dual medallion as the main element of the design of 18th-century carpet from the Konya region, Central Anatolia area of Turkey. Rugs of this type, using two medallions, appear frequently in 15th-century paintings of both the Venetian and the Flemish schools. This pattern tradition survived into the 18th and even into the 19th century in Anatolian village rugs of which this is an exceptionally powerful example. The two octagons that fill almost all of the field enclose a small octagon in the center from which radiate rectangular panels in a star-like fashion, filled with “latch-hook” patterns. Typical two medallions central octagon carpets...

The source of the rug comes from the book Renaissance of Islam, Art of the Mamluks, Esin Atil, Smithsonian Institution Press, Washington D.C., 1981 nr.125. This a rug with a cup motif design late 15th-century rug from Mamluk Sultane of Cairo, Egypt. It is exhibited at the Washington D.C. The Textile Museum, R.16.1.2 . The layout of this rug is characteristic of the smaller, almost square Mamluk carpet. A wide border encloses the field, divided into horizontal units consisting of a central square flanked above and below by rectangular panels. The height of the rectangular panels is approximately one-third that of the square and is equal to the width of the border. The corners of the central square are cut into triangles, creating an octagon with green ground. The octagon contains a blue polylobed medallion, which encloses an eight-pointed star with a multipetaled rosette in the core. The area between the star and the lobed medallion has floral motifs springing outward from the arms of the star. The angles of the octagon bear eight isolated and irregular polygons with a red ground; each of these units is adorned with a multipetaled rosette enclosed by a square with papyrus motifs springing from its sides and corners. The field of the octagon is filled with similar papyrus sprays, some of which appear to grow from the eight stemmed cups placed between the polygons. The triangles in the corner bear a checkerboard pattern with a stylized lotus blossom (or fleur-de-lis) in each segment. The compositional layout of the rug is reminiscent of the illuminated frontispieces, which reveal similar proportions and internal divisions. Radiating designs of geometric components filled with floral motifs are a characteristic feature of Mamluk art...

LARGE FLAT WEAVE KILIM RUG A bohemian rug from a country house on the English/Welsh border. A wealth of geometric shapes that would have all had their specific meaning, hand wov...

Carpets called Siebenburgen or Transylvanian are those which have been found in the Protestant churches of Siebenburgen. Some of them carry a label on the back stating where, when and by whom the piece has been donated to the church. Siebenbürgen/Transylvania is an area between the South and the East Carpathian and West Siebenbürgen mountains in Romania. In 1541 the area came under the rule of the Ottoman Empire and became a Turkish protectorate of the principality of Transylvania. Legend has it that Suleiman ‘the magnificent’ sent his vizier with the gift of a beautiful carpet to the Black Church...

The source of the rug comes from the Textile Museum, Washington D.C., inv. R 16.2.4. This rug with the central star was designed in the early 16th century rug by the Mamluk Sultan of...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons probably created in Istanbul and sent to Cairo at that time. The source of carpet comes from the book Seven Hundred of Oriental Carpets, Hanna Erdmann, University of California Press, 1971 fig.165. The model of this rug comes from Berlin Museum, Inv. Nr. I 10. Ottoman Carpet, Cairo about 1540-5. Acquired in 1905 as a gift from von Dirksen. Carpets of this sort, of course, are preserved in great numbers, but the Berlin piece was the most beautiful. Mamluk details of design which have persisted in the central medallion prove that it belonged to the earliest examples of this group, which about 1540 replaced the Mamluk carpets made in Cairo up to that time. The design of the rug is interpreted by our designers with four corners floral medallions, and soft colors are used for this rug. Color summary: 5 colors in total, most used 4 colors are; Natural Wool Color 320 (Specially Washed) Moss Green 27 (Spurge – Indigo) Midnight Blue 347 (Spurge – Madder Root – Indigo) Lucario Blue 342 (Spurge – Madder Root – Indigo) Group: Islamic Rugs...

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.87. This is a domestic carpet, village, and nomadic weaving in the late 19th century in the Shirvan region, Caucasus. There are three principal designs for rugs attributed to Konagkend ( Konakkent or Konakhend ). The first has a large cruciform medallion, the second, called by Kerimov and Schürmann ‘Ordutch-Konagkend’, has a series of large octagons, and the third, and probably best known, has a stiff, angular lattice based on hexagonal forms. Each type has a quite different aesthetic appeal and in each case, the design is reminiscent of other rugs. The cruciform medallion type usually has a bright, light palette and in both color and design is reminiscent of Kurdish weavings and certain Turkish village rugs. The ‘Ordutch-Konagkend’ pieces have strong affinities with Baku and other north Shirvan rugs, and the lattice type is the closest to the concept of design most normally associated with Kuba as well as having links with earlier groups of, principally Turkish, carpets. This is an example of nomadic and village weaving often attaining a level of great artistry, exhibiting an almost breathtaking command of technique along with a marvelous sense of color, proportion, and artistic balance...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th-century carpet is from probably the Konya region, central Anatolia, circa 1200-1300 (C 1290-1420). It is exhibited at the Museum of Turkish and Islamic Arts...

This is a complete hooked field with double medallions rug from the late 19th century, Kazak region, Caucasus area. A striking field design features two medallions each with concentr...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.23. This 13th-century carpet is from probably the Konya region, central Anatolia, circa 1200-1300 (C 1290-1420). It is exhibited at the Museum of Turkish and Islamic Arts...

The Wanderlust contemporary armchair belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned metal ...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, call...