Crayon Decorative Art

Adorable drawing from the middle of the 19th century representing an alms giving scene in a church. In the background of the drawing, there is a painting representing Saint Martin cutting off his coat to offer it to a beggar. This painting echoes the symbolism of the sketch. 7 characters appear on the drawing: a poorly dressed woman with a patched dress...

Framed pastel painting by American artist, Linda Jacobson, c.1980. The landscape artwork portrays trees, water and green rolling hills. The mood of Jacobson's work is often peaceful ...

Beautiful mixed media still life of Sunflowers and Radishes by listed South of France Artist Nicolas Hammel. This painting on paper is a mix of gouache, oil crayons and watercolors ...

Antique Victorian pastel on paper of a fine quality still life with game by American Artist, William Henry Chandler (1854-1928). Chandler was a ...

Drawing by American artist Wade Reynolds. Known mostly for his figure paintings and drawings, this piece falls right in line with his style. The portrait of a man on paper with penci...

Drawing by Manuel Viana, lithography in black and white, limited edition 135/300 signed Handcrafted wooden frame with white gilt decoration, non-reflecting glass Biography: The art...

A black and white abstract drawing entitled “Nightwind” by Syd Solomon, c.1964. The piece features expressive movements created by long and harsh strokes and curves of dark ink. A na...

One of a kind melted crayon Emmy award covered in resin with wood frame by Mauro Oliveira

Bernardo Nieves is a Venezuelan artist born on October 18th, 1961, in the quaint, small-town (at the time), city of Barquisimeto. A plastic self-taught artist who has sought instruction and knowledge with great effort, that began as a craft simple craft "hobby" which takes a big part in his life that today is grateful for. From his first steps in painting, passion for landscaping washes are printed on cardboard chimo-sepia, where he expressed his vision through cobbled streets, adobe houses, and mills. In this quest for artistic development, reconciles with oil, and monochrome images become hearty in colorful expressions by the nobility of the art. This new knowledge drives him to plot their future goals. At the end of this decade and early next, develops their technical experience in new materials and strengthens brushwork. In the 80s, a new inspiration emerges from the vegetation decorating fields, valleys, and forests. And these reasons are the ones he will project to a higher level by giving importance to his image as an artist. Towards the end of the century decade, he fully converts in "artist" by trade, then, what began as a pleasure is now his passion in one hundred percent of his time. Individual and group exhibits were already part of their commitments and his time was most devoted to art; during the last five years of the '90s was when his career took a new impulse and his image reached more interesting levels. It is here, while changes in his artistic life are in full swing, the artist pierced the thin line that divides the creative artist and the creator-artist and in the effort to show his graphics concepts, he developed mural projects which found acceptance among his colleagues and Barquisimeto people. So many events together were not enough to Bernardo, who while all these facts, internally was engendering a new graphic idea that definitely will take him to what he is now: the artist that succeeded. From the year 2000 an overturn of his motivations are mixed with trends and those landscapes: the Avila, forests, and valleys, suddenly a "coup" of artistic movement when the first Equus figure came out. These floating horses, first in earthy ochre, of long and slender limbs, have occupied the whole life of the artist. From stained canvases...