Maple Decorative Art

Beautiful tile mural with the "BIRDS" motif finely painted. Quantity: 80 tiles Tile mural size: 47.2"W X 59"H (120cm X 150cm) Tile size: 5.9"W X 5.9"H (15cm X 15cm) Origin: Portuga...

In the present work small handcut tiles of pure white Carrara marble are the background of this interesting contemporary mosaic which represents one of the most celebrated landmark in Florence. The facade of the church of Santo Spirito (Holy Spirit), designed and built by Brunelleschi, is created with precious beige-colored Botticino marble tiles and surrounded by a frame of small black glass glazed paste tiles. Carrara and Botticino are among the most famous Tuscan marbles that’s why the local mosaic artist and craftswoman- who creates this superb work of art- decided that the mosaic featuring the most important symbol of Florence should be made of these materials. To make the composition more interesting, two different types of Carrara marble were used: the statuary white marble is matte and the white Carrara marble called "zuccherino" (sugary) is more sparkling. The random alternation of these two marbles give a pleasant vivid and three-dimensional effect to the entire mosaic tile. Each small rectangular and squared tesserae are hand cutted and each one of these mosaic is one of a kind. The mosaic plaque has a wood panel as support and the tile is housed in hand painted giltwood frame. The tile on sale and immediately available now is 15x15 cm and reproduces the church of Santo Spirito (Holy Spirit)- as you can see in the main image- but many other mosaic with the most important symbols and monuments of Florence are available as the Old Bridge, Santa Maria Novella, Florence's Cathedral with the Brunelleschi's dome or the Lily symbol of the city and so on, as showed in the photos. These white and black marble mosaic tiles...

Pair of picture frames in beveled mirror. French, circa 1930. Some signs of wear on on the the frame and very small sharps in the left bottom ...

Knute Stiles-painter, art critic and poet was born in Minnesota in 1923 and died in Tuscon, Arizona in 2009. He attended the St. Paul Art School and later...

French barber mirror made circa 1930. This kind of mirror has used by the barbers. It was easily foldable, so it could be moved around the custom...

- This product is priced per square meter. Please contact us for assistance with square footage calculations. - The lead time depends on the quantity of the order. The desire to evo...

This stunning architectural Art Deco picture frame was crafted in France circa 1930. The geometric shape features a flat, rectangular, chromed metal base and two vertical support hol...

The largest and best wall mosaic I have ever seen from Marshall Studios. Master work of Jane Martz wife and partner of Gordon Martz. Done in varying sizes of their classic round cera...

This recent artwork from the w o o d p o p studio is an example of the type of modern marquetry that w o o d p o p is becoming synonymous with. Since its inception 10 years ago - the studio has specialised in marquetry and inlay work; meticulous art-forms where pieces of wood veneer are inlaid to create decorative designs or pictures. Emma Wood, who founded the studio 10...

Like a hidden narrative moment frozen in glazed tile, this mid-century modern panel by David Holleman invites reflection and discovery. At its core are two elegantly rendered sgraffito scenes: one portrays what appears to be a surgical tableau, while below, a psychological evaluation unfolds—both scenes etched with expressive clarity into dark tile surfaces. Above them arches a geometric motif, inscribed in delicate lines that add visual cadence and poetic restraint to the composition. Surrounding these central illustrations is a mosaic of rich, subtly varied tiles—metallic golds, vibrant glassy blues, deep reds, marbled slate, and warm terra-cotta tones coalesce into a chromatic frame of textured energy. The panel’s tactile luminosity and tonal depth transform it into not just art, but an object both visual and tactile in its presence. Framed in teak trim and bordered by a sleek black wood surround, the piece conceals its complexity within elegant mid-century lines. Signed discreetly in the lower right, and equipped with a wire on the back, the panel is ready to hang and captivate. At approximately 15.5 inches wide, 29⅜ inches high, and under two inches deep, its scale feels intimate yet commanding—compact enough for thoughtful placement yet substantial enough to anchor a vignette. It is rendered in original vintage condition, appearing beautifully preserved with no notable wear, conveying both authenticity and refined stewardship. This piece embodies a rare merger of Holleman’s technical mastery, figurative ambition, and ceramic innovation—reminiscent of his larger commissions in public and institutional spaces, though here distilled into a meticulously intimate format. Holleman’s storied career includes over 50 mosaic tile murals...

Glorious set of 12 prints of English family coats of arms or armorials Chromo-lithographs Published C.1900 Unframed. The measurement given is the paper size of one print. Free s...

Super stylish 1930's Art Deco Modernist picture frame in what appears to be a bronze coloured type metal with glass inserts. The two pieces of glass slot into the side stands which a...