Plexiglass Drawings

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Beautiful continuous line drawings by Jean Negulesco - Oscar award winning Hollywood director. Newly framed. 4 different variations available, priced individually: Black frame, sea foam green background, and black line drawing...

This series of framed vintage pen and ink drawings on paper depicts a curious relationship between two groups of parent-and-child figures who seem to mirror each other. Each frame pr...

A unique and original circa 1945 self-portrait by the legendary designer Van Day Truex painted in black ink, ink wash, and watercolor on celadon green wa...

Large scale mid century figural drawing by Ezio Martinelli (American, 1913-1980). Signed and dated 1966. It has been professionally framed in a clean lined black lacquer wood gallery...

This is an exceptional original drawing by renowned Italian Renaissance master Camillo Procaccini (signed lower right with initials), born in Parma in 1561 and active mainly in Mila...

Framed series of American modern pen and ink drawings, sixteen portraits of Boston "pols" and Italian American civic leaders, all of whom were the famous 'Friends of Joe Tecce's' of the eponymously named restaurant in Boston's North End. The frame is sixteen feet long by one foot tall...

Large scale mid century abstract figural painting on paper by Ezio Martinelli (American, 1913-1980). It has been professionally framed in a clean lined black lacquer wood gallery fra...

Contemporary artist Jennifer Printz "Quietus II" series of six prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. Jennifer Printz, an artist with a love for the poetic, carefully selects titles for her pieces and exhibitions to evoke multiple meanings. One such significant title in her work is "Quietus," symbolizing resolution and rest. She chose this title to reflect the artwork's creation during a sabbatical, a period of rejuvenation and tranquility. "Quietus" also represents her core artistic motivation – emphasizing the importance of stillness and calm in life. In the hustle and bustle of life, we often miss out on essential experiences unless we allow ourselves to be quiet and introspective. Jennifer believes that finding solace is crucial, and she invites viewers to appreciate its significance. Her work provides a meditative space, offering a brief moment of quiet reflection. In 2017, she was interviewed by Jenine Culligan, the director at the Eleanor D. Wilson Museum at Hollins University, where her solo exhibition sabbatical work was titled "An Almost Unnoticed Quietus." This title cleverly connects "quietus" with "almost unnoticed," highlighting the themes of meditation and mindfulness. Through these practices, Jennifer uncovers profound aspects of our world and emotions often overlooked in our hurried lives. Meditation has taught her to appreciate the moments when we are on the verge of giving up, as these are often when unexpected greatness can unfold. Shown in the first photo, from top left to right: Image 3: Unpaused Moment Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 4: Lead to Dust Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 5: Strata Rises Through Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 6: Dark Serenity Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 7: A Few Splinters of Time Paper Size: 15” H x 12.5” W / Framed Size: 20” H x 17.5” W Image 8: Sinking Through the Sands...

Walter Gutman midcentury abstract figurative drawing in pastel on paper Offered for sale is a Mid-Century Modern figurative abstract pastel drawing by W...

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...

Contemporary artist Jennifer Printz "Quietus I" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in woo...

Contemporary artist Jennifer Printz "Quietus" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wood,...

Contemporary artist Jennifer Printz "Quietus I and II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed...

Contemporary artist Jennifer Printz "Quietus I and II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed...

Contemporary artist Jennifer Printz "Quietus II" series of four prints blends photography, graphite, and Epson Ultrachrome inks on antique papers. The work is matted and framed in wo...

Contemporary artist Jennifer Printz "More than Memory" series is collection of nine postcard like prints using photography, graphite, and Epson Ultrachrome inks on BFK Rives paper. The work is matted and framed in wood, protected with anti-static, non-glare Plexiglass glazing. The idea for this body of work comes from Jennifer's fascination with the public nature of mourning during the Victorian period. Back then, people used dress...