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Place of Origin: Portuguese
Francesco Bartolozzi (1727–1815) — Red Chalk Drawing, 18th Century
Francesco Bartolozzi (1727–1815) — Red Chalk Drawing, 18th Century

Francesco Bartolozzi (1727–1815) — Red Chalk Drawing, 18th Century

$4,553

Francesco Bartolozzi (1727–1815) — Red Chalk Drawing, 18th Century

Located in Lisboa, PT

Francesco Bartolozzi (1727–1815) — Red Chalk Drawing, 18th Century Medium: Red chalk on paper Artist: Francesco Bartolozzi (attr.) Origin: Italy, 18th Century Frame Dimensions: App...

Category

Late 18th Century Antique Portuguese Drawings

Materials

Paper

Charcoal Study, Washerwoman by River, Mello Junior, Portugal, 20th Century
Charcoal Study, Washerwoman by River, Mello Junior, Portugal, 20th Century

Charcoal Study, Washerwoman by River, Mello Junior, Portugal, 20th Century

$3,593Sale Price|35% Off

Charcoal Study, Washerwoman by River, Mello Junior, Portugal, 20th Century

Located in Lisbon, PT

This charcoal on paper is an original study for the painting Lavadeiras do Rio Corgo de Vila Real by Portuguese artist Agostinho Mello Junior. Signed “Mello Junior,” this work capt...

Category

20th Century Portuguese Drawings

Materials

Paper

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H 13 in W 9.84 in D 1 in

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$9,800

H 18.75 in W 23 in D 2.25 in

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A wonderful and most decorative French 18th century drawing of The Study of a Resting Soldier, after Jean-Antoine Watteau. This charming sanguine sketch or blood red chalk drawing is matted and set within a finely carved French Regence st. 19th century Giltwood frame. The red chalk drawing is of the same soldier laying down with his rifle where he is resting, stretching, and getting up from his rest. Favored for its lifelike warmth, sanguine colored chalk was used by artist such as Leonardo da Vinci and Raphael. Finely executed and extremely decorative. Jean-Antoine Watteau (1684–1721) was a French painter and draftsman whose work ushered in the Rococo era, transforming European art with a new sense of grace, intimacy, and lyrical charm. Born in Valenciennes, France, Watteau trained...

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