Revival Drawings

It is not easy to find this kind of hand drawed and hand-made French wallpaper in good conditions. The shining turquoise and the scenes of the games of the characters and jugglers i...

Sketch of the futurist poster "Day of two crosses, 16th April 1939, XVII", mixed technique of pastel and water-color, for an Italian campaign against tuberculosis, to inform people a...

Vanity fair framed signedpPrint from Gaekwar Baroda circa 1901 We share what we love, and we love this pine framed original Vanity fair signed print from...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

Antique Gothic Revival harp by Erard French, circa 1840 Measures: Height 178cm, width 54cm, depth 91cm Of typical form by the famed instrum...

A gouache and ink "Abstract Expressionist" drawing. Important modern Japanese artist, exhibited in MOMA's 1966: "The New Japanese Painting and S...

A monumental antique Victorian Gothic Revival carved oak church altar / synagogue lectern / book stand podium. Hand-crafted in the 19th century, having a sloped book-rest to the top...

Beautifully and sensitively drawn by Paul Ulen, this single sheet includes two images of a half-nude male figure, seated and reclining, wearing loose worker pants and sporting a fashionable 1930s haircut. In each case, the figure's strong, muscular body is expressed in tones of light and shadow, confidently drawn in pencil. The gridded background suggests that the figures were studies for a larger wall mural, and indeed, a major mural-esque painting by Ulen, "Bricklayer at Rest," perhaps depicting the same model, is also available from Renaissance Man Antiques...

A 1960s souvenir building architectural model Ashtray. Some wear with a nice patina, but this is old-age. Made of metal. A beautiful nice desktop item or just a display item in your ...

A Gothic Revival style bronze and parcel-brass church candle chandelier / hanging sanctuary lamp, Spain, mid-18th century, probably from a famil...

ART NOUVEAU France 1899 Very rare gouache depicting flowers in the full Art Nouveau spirit. Very close and typical to Henry Van De Velde Works H.25"1/2 x w.23"1/2 with mat H.20...

A good antique American Gothic Revival oak lectern, book stand, circa 1890. This very handsome solid oak book stand/lectern has a generously wide sloped bookrest to the top and is ra...