Etched Drawings

Auguste Renoir etching, Le Chapeau Epingle "Pinning the Hat", third version from the original 1894 etching. This is an etching of the artist Man...

Antique Art Deco Louis Icart print titled "Manon" depicts a woman walking from a carriage. Embossed lower left L.I Paris 6 of 492, pencil signed lower right, framed in a beautiful go...

Designed & engraved for Lamberts History of London by E.Shirt sc. Published by M.Jones No 1 Paternoster Row. Dated April 30th 1805. In a modern frame, probably a book plate. Nice ...

Art Deco etching depecting a Camel and its rider by french Artist Paul Jouve entitled Touareg. Signature: P. Jouve

Art Deco Original Etching by Paul Jouve, depicting a Crouching Tiger. Made in France. Circa: 1930. Signature: Jouve.  

Lovely etching on paper in back ink by Giovanni Antonio Canal (Canaletto). Measurements: 22" x 15" Hand-numbered in pencil at the bottom right with the number 6. Part of a co...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Limited edition original etching by American artist Don Swann (1889-1954). Titled a "A Spring Shower", piece was etched onto copper plates prior to printing....

This etching is signed and numbered by the artist. A female nude sits with her back to us, in varying shades of sepia orange. The etching is rather small, only measuring 3.5" by 4.5"...

Framed etching by Don Swann Jr of Baltimore Skyline. Etched onto Cooper plates before printing. Swann Jr followed in the footsteps of his father who...

Tower Bridge etching late 19th century. Small smudge bottom right near mount in margin. Otherwise, good condition. Modern frame, probably a book plate.

The piece was etched onto copper plates prior to printing a series of 300; this print is 53/300. It has its original black and gold frame; the frame has a minor loss on gold on left...

Offered for sale is this fabulous Louis Icart (1888-1950) Etching of two women overlooking Paris. It has been signed. In very good condition. It has been re-framed. A larger than no...

Landscape Drawing, Black Marker Boat and Harbor Scene, France 1966. This vintage black felt-tip pen drawing from 1966 captures a scene of the Cape Antibes, located on the French Riv...

Pierre Bonnard, Le Parc Monceau, original etching, 1937/500 impressions for Paris plus proofs with large margins, of which this is one. Bouvet helpfully tells us that Bonnard's etchi...

Figurative etching on paper by Aaron Brooks, 1997. Framed original monoprint (1/1) by American artist in the Neo-Expressionist style in black and white. Signed and dated. Profession...

Amazing drawing of three horses galloping. This painting is signed "Chub 59' ". This drawing has a custom-made black painted frame.

Beautiful etching of a Vatican sculpture by Italian artist Piranesi. Great addition to your architectural and classic inspired interiors.

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

An antique framed print of "Cathedral from the Place-Haute-Vieille-Tour, Rouen" etching by Mr. Kenneth Conant depicts a street scene, en verso label reads "Reproduced from a pencil sketch by Mr. Kenneth Conant, Collection of Harold W. Bell, Esq. Published by Foster Bros., 4 Park Square, Boston...

A Collection of Engravings Illustrating 18th Century Furniture and Objects that the artist felt represented certain locations around the world...

Etching by V Franz Xaver Lorenz Rektorzik-Brunn 1793-1851 Etching 7 x 10.

James Joseph Kearns (b. 1924) etching, signed at dated "1957." Depicts a man with hollow eyes and a despondent expression with a hand outstretched. Similar to many of his works, ther...

A pair of signed etchings dated 1926 by Italian artist Ettore Fagiuoli. Beautifully matted in off-white and set in a gilded frame. Each etching captures the artist's unique perspec...

American dry point engraved landscape etching Italian House on Hill Side, Alfred H. Hutty, Early 20th century

Andre Derain was born in Chatou France in 1880. He met Matisse early in his life but was conscripted into the French army in 1901. After his service and when released Matisse convinced his parents to allow him to stop training as an engineering student to develop his artistic talents. He devoted himself full time to painting and attended the Academie Julian. He developed his early important style with close friends Maurice de Vlaminck and Henri Matisse. This became known as Fauvism and helped to usher in the other modern movements in art throughout the 20th century. The notable art dealer Ambroise Vollard sent Derain to London to work on a series of city-themed paintings that cemented his career as an important world-class artist. In 1907 his entire studios...

View of the city of London. Dry point etching, Graham Clilverd. 1883-1959. Studied London Central Arts School during WW 1. He served as a camouflage artist 1916-1918. This is one o...

Arthur Wellesley Duke of Wellington. Etching engraved by H.T Ryall, from the original by Sir Thomas Lawrence, president of the royal academy. In it’s original frame by Paul & Domini...