Ivorian Paintings

A very finely woven wool veil used as a head cover in the wedding ceremony among the Ait Abdellah Berber people of the Moroccan Anti Atlas region. The pattern is obtained with the re...

Handsome set of four Ndebele Mapoto beaded aprons from South Africa. They are canvas backed and in awesome condition. We have not detected any loose beads...

Rare Antique Woman's Silk Ceremonial Headscarf (Kiet), Cambodia This traditional head cloth or veil was made by the Cham people of Cambodia, a Muslim group with historic ties to Mal...

Signed Batik'ed textile painting of elephants. Un-identified African artist. Framed in brass behind glass.

Early 20th century prestige cloth, Dida people, Ivory Coast Raffia, natural dyes An engaging example of resist-dyed prestige cloths, this raffia fragment is professionally mounted o...

Rare vintage African Kuba Textile, suitable for a modern wall panel, on a long table ; perfect as headboard. Handwoven and hand dyed raffia fabric. An IDEA: use this item as backrest...

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...

Antique Ceremonial Raffia Fiber Dance Kerchief, Ivory Coast These unusual Dida textiles are made from hand-plaited raffia fiber that is tie and stitch-resist dyed with natural pigme...

A framed original African midcentury oil on board painting, Democratic Republic of Congo, signed bottom right Atamb(?), (19)60, depicting abstract dancing figures, in a fiolated pati...

Antique Rare Ceremonial Shoulder Cloth (Kain Nyulam), South Sumatra This fully embellished and intricately embroidered shoulder cloth (kain nyulam) is a rare and unique example of t...

Antique Woman’s Ceremonial Beaded Cache-sexe (Pikuran), Cameroon Worn by the Bana Guilli (Kirdi) women of the Mandara Mountain region in northern Cameroon, pubic aprons, or cache-se...

A large and striking woven Ikat from Sumba, Indonesia, circa early 20th century or earlier. This ceremonial cotton Hinggi with fringes is made from two panels joined together, which ...