Silk Prints

Rare 6-color silkscreen print made by Armando Testa and printed by Silk-Graf Torino in 1969 Printing on silk Small signs of time on the fabric Label at the back

I am offering a splendid silkscreen signed Picasso that reproduces on silk the 1938 work "Maya has two and a half years with a boat", one of the many drawings in which the Spanish ar...

Set of 2 Keith Haring's silkscreen, one representing schematic characters, in red and black tones and the other in orange, yellow and black tones. Blond oak frame. American work re...

Jean-Michel Basquiat, signed and numbered. Abstract screen print in green and blue tones, in its blond oak frame. American work realized in the 1990s. Numbered 75/100. Dimensions...

Jean-Michel Basquiat, signed and numbered. "Aopkhes", Abstract silkscreen print, suggesting a figure, in yellow, red and black tones in its blond oak frame. Numbered 18/100. Ameri...

Keith Haring, signed and numbered. Abstract silkscreen, suggesting schematic figures, in multicolored tones in its blond oak frame. Numbered 75/150. American work realized in the ...

Keith Haring, signed and numbered. Abstract silkscreen, suggesting schematic figures, in light red, yellow and black tones in its blond oak frame. Numbered 70/150. American work r...

Keith Haring, signed and numbered. Abstract silkscreen, suggesting a figure, in light red and black tones in its blond oak frame. Numbered 46/150. American work produced in the 19...

Keith Haring, signed and numbered. Abstract silkscreen, suggesting a schematic figure, in shades of yellow, orange and black in its blond oak frame. Numbered 18/150. American work...

Framed Vintage Silk Scarf, after Henri Matisse, France, circa 1950s. It is signed and dated within the work, not hand signed. It's large size (35' x 35") and colorful palette will ma...

After a 19th century Indo-Persian palace painting scene print on silk in wood gilt frame. Indian Mughal School silk fabric painting or print, illuminat...

Presented is a rare and magnificent early printing of the Declaration of Independence on silk. The silk broadside was made by H. Brunet, in Lyon, France specifically for the American market. The design was based on the 1819 engraving on paper by William Woodruff. Printed in 1820, this silk broadside was one of the earliest printings of the Declaration, in any form, sold to the American public. Following the War of 1812, Americans began to look back, for the first time with historical perspective, on the era of the founding of the country. With nostalgia and curiosity, many Americans began to examine the details of the nation’s founding. Documents like the debates of the Constitutional Convention, first laws of the United States, and the Declaration were printed for public consumption for the first time. Entrepreneurial publishers hoped to fill this demand and rushed to produce the first engraved printing of the Declaration of Independence. The first to do so was Benjamin Owen Tyler in 1818, who produced an elegantly staid engraving with impressively faithful facsimile signatures. Tyler’s business rival John Binns started his own design more than a year before Tyler, yet his more decorative engraving was not published until 1819, two months on the heels of an eerily similar Declaration design by Philadelphia printer William Woodruff. In this very competitive market, Binns went so far as to sue Woodruff for stealing his design, but was unsuccessful in his lawsuit. These three Declaration designs were followed in 1820 by an ornamental broadside by Eleazar Huntington and the silk broadside offered here. In this 1820 design by Frenchman H. Brunet, the text of the Declaration of Independence is printed in black ink at the center of the silk. The important text is framed by a decorative leaf and acorn wreath border. The border contains distinctive portraits of the first three Presidents, George Washington, John Adams, and Thomas Jefferon, two of whom were still living at the time, as well as the official seals of the original thirteen states. The seals and portraits are surmounted by a patriotic display of trumpets, flags, two overflowing cornucopias, and a spread-wing Federal eagle. Although almost identical to the Woodruff broadside, this silk by Brunet differs in several ways. The most noticeable is the addition of a strong black outer border, punctuated with repeating, white six-pointed stars. The arrangement of the body of the text and the calligraphic signatures are slightly different. The title is almost exactly the same, with the additional reference to Woodruff as inspiration in this Brunet printing. It reads "To the People of the United States this Engraving of Declaration of Independence is most respectfully inscribed: Woodruff.” Brunet’s signature can be found in script, wrapping around the bottom center medallion: "Lith di H. Brunet Cie. a Lyon." Although this broadside is not pictured in Herbert Collins' definitive "Threads of History: Americana Recorded on Cloth," Collins refers to its existence in his description of a very similar design lithographed by "Decomberause" of Lyons, France. Lyons was a hub of French silk production during the 1820s and 30s. Interestingly, Collins calls this example a "bandana," but the distinctly rectangular shape is more consistent with a broadside on silk, a documented practice of the time. The other similar examples listed by Collins are more square and might better be considered bandanas. Between 1820 and 1840, it was a common practice to print a very limited number of presentation copies of important broadsides on silk. To give an example, the original ledger book...